a&e features
My Rehoboth Beach culinary tour
Myriad answers to the age-old question: ‘What’s the best restaurant in town?’
I’ve had the privilege of indulging in Rehoboth’s evolving culinary scene for decades — from dining on Chez La Mer’s rooftop to sipping cocktails at the Blue Moon bar before the roof was installed.
The last 30 years have brought almost unthinkable change to the once seasonal small town getaway. New town homes that overlook Route 1 are going for more than $1 million. There’s not much off-season at all these days with food festivals and other events that draw tourists year round. Indeed, hotel occupancy rates for October’s Sea Witch Festival exceed those for July Fourth weekend.
The upside to all this growth and change? Rehoboth’s culinary scene has exploded with high-quality restaurants and bars proliferating in town and thriving up and down Route 1 from Lewes to Fenwick Island and even Ocean City. In fact, the chef at Fenwick’s One Coastal was just nominated for a prestigious James Beard Award. Matthew Kern will be the first-ever Delaware chef in James Beard Awards’ history to be named a finalist in any culinary category, according to the Delaware News Journal. He will be among five chefs competing for the title of best chef in the Mid-Atlantic region. The awards are announced June 10.
As a part-time Rehoboth resident, I frequently field questions from visitors wondering: “What’s the best restaurant in town?” That usually leads to a prolonged text exchange with me offering endless choices in various categories. In an effort to answer that age-old question in a more organized fashion, I offer this roundup of my favorite haunts in the Rehoboth area in a range of styles and budgets. (And please note: These are just my opinions based on lots of experience. Inclusions/omissions are not intended to slight anyone. These things are subjective so it’s OK if you don’t like my picks.)
HIGH-END DINING
Rehoboth offers a handful of options for a truly high-end experience. For a traditional steakhouse, there’s Houston White Co. (315 Rehoboth Ave.), where an eight-ounce filet runs about $45 and a USDA Prime Porterhouse is $85. Side dishes are priced separately and shared, ranging from a $6 baked potato to $11 onion rings. The setting is probably the most formal in town. A small bar in front is always busy and staffed by friendly, knowledgeable mixologists.
Eden (23 Baltimore Ave.) has a beach chic vibe and the menu is probably the most reliable in town. The ahi tuna — my go to — is perfectly seared and delicious rare. There’s an extensive wine list and the bar is always lively with entertaining staff. The upstairs dining room is ideal for a large party or special event.
By far the best new restaurant to open in recent years is Drift (42 1/2 Baltimore Ave.). If you’re looking for an upscale, special occasion seafood indulgence, this is the spot. The lobster French toast gets all the press, but the entire seafood menu is as good as any in D.C., from local oysters to the crispy Atlantic swordfish schnitzel. The coveted bar seats go fast and there are only a handful of them at the unique bar that opens to the outside so go early. And this isn’t the place for a large party; the kitchen is small so take a date here if you really want to impress. The outdoor patio is lovely in good weather but the interior is beautifully decorated so that’s the better bet.
Since 1981, the Blue Moon (35 Baltimore Ave.) has been at the forefront of Rehoboth’s restaurant and bar scene, constantly evolving and working to feed and entertain us all. The restaurant is consistently rated among the best in town. It’s intimate and charming and some of the wait staff have been here for many years making it feel like a homecoming when you arrive. The Sunday brunch remains among the best in town, complete with white tablecloths and welcome scones. In the off-season, you can’t beat Tasting Tuesdays, a three-course dinner with wine pairings for $49. Many of us miss the old days of the Moon as a sometimes-raucous bar and dance club, but happy hour is back with half-price cocktails and appetizers, Monday-Friday, 4-6 p.m. So go for a drink and stay for dinner and enjoy crab cakes, lobster risotto, duck breast, and more.
Ah, the Back Porch (59 Rehoboth Ave.) — a true pioneer in establishing Rehoboth as a culinary destination. So many naive tourists walk past the Back Porch because it’s set back from the street, down an alleyway. But those who make the stroll are rewarded with French-inspired food and a convivial bar that’s vaguely reminiscent of Key West. It’s not fancy and fussy; it’s worn and welcoming with an elevated menu and a spacious two-story outdoor dining room. Rehoboth is inexplicably lacking in outdoor dining spots; there aren’t nearly enough al fresco options for a beach town. If you’re on a budget, give it a try for lunch or brunch. The menu doesn’t seem to change, but that’s OK when the food is this good. A true locals place, there’s always a friendly face at the bar and everyone misses bartender Bee Neild who retired last year after nearly 50 years. The Back Porch is celebrating its 50th anniversary this year; let’s raise a glass to the next 50.
La Fable (26 Baltimore Ave.) is owned by Megan Kee, a beloved restaurateur in town with an impressive track record (she also owns Houston White and Bramble & Brine in Lewes; more on that later). Kee’s unmistakable style — pairing antique furniture and tableware with modern flourishes — can be seen everywhere from the piano-turned-bar to the mismatched vintage china. She pulled off a remarkable feat, turning the rather unappealing basement setting at La Fable into an authentic and charming French bistro. You’ll find all the French favorites here, from escargot to boeuf bourguignon to steak frites. The space is small so make a reservation.
I offer these high-end options with two caveats/pet peeves. When paying in excess of $45 for an entree, I do not expect to sit on a plastic chair. Also, I do not appreciate overly familiar service just because the waiter is “gay too!” At those prices, a comfortable chair and formal service should be the norm.
MID-PRICED DINING
The high-end scene may be small but there are a plethora of quality mid-priced restaurants that beckon.
My favorite in this category is the always-reliable Henlopen Oyster House (50 Wilmington Ave.) with its wide selection of fresh raw oysters and equally impressive draft beer list. Henlopen does the high-low thing so well, for example pairing an indulgent dozen Wellfleet oysters with a pint of cask beer. There are lobster rolls, salads, the best steamed shrimp in town, and much more on the menu. It’s a popular place, usually with a line forming before it opens. So go early and be patient — it’s always worth the wait (they don’t take reservations). No matter how packed the bar gets, the two Amys always offer the best service with a welcoming smile. This is my go-to when asked for seafood recommendations in Rehoboth.
As I mentioned, there are too few places for quality outdoor dining/drinks in Rehoboth Beach. You’ll find a handful of touristy hotel restaurants on the boardwalk along with the requisite fast food and Grotto’s pizza joints but there just aren’t enough places for an elevated bite. Above the Dunes (101 S. Boardwalk, 2nd floor) has the best view in town; sit at the bar and try one of their grain bowls. One of the best outdoor spots is the rooftop at JAM (210 2nd St.). The space has seen multiple concepts come and go in recent years, including the aforementioned classic Chez La Mer, Papa Grande’s, the disappointing Unwined, and before that the much-missed Azzurro. But JAM took over the space last year after relocating from Baltimore Avenue and offers the same quality food (burger specials and the salmon salad are highlights) but with a view. Grab a seat on the second floor outdoor deck and enjoy the breeze.
Across the street from JAM is the charming and underappreciated Aroma Mediterranean Cuisine (208 2nd St.). If you like hummus with homemade pita, falafel, kebobs, koftes, and more from the Med, then this is your spot. Try the hummus flight with three samples, including sundried tomato. Delicious.
A Rehoboth stalwart, Café Azafran (18 Baltimore Ave.) never disappoints with its small plates, dinner specials, and, of course, bustling bar featuring Washington Blade three-time Best Rehoboth Bartender winner Holly Lane, who sings (sometimes in French) while pouring drinks. Take a group of friends and order an array of small dishes to share, like the shrimp a la plancha, stuffed arancini, and ratatouille Provencal. There’s no better way to embrace family style dining.
One of the biggest and happiest surprises in Rehoboth’s dining scene came the night I reluctantly walked into Michy’s (19287 Miller Rd. on Route 1). Reluctantly because the restaurant sits unassuming in a strip mall off Route 1 surrounded by supermarkets and nail salons. You couldn’t find a more unexpected location for one of the area’s best restaurants. But don’t let the location deter you; inside, the décor is warm and eclectic with a small bar and lively dining room. There’s a top-notch menu, including short ribs, sea scallops, and a spicy horseradish crusted salmon, but the daily specials are the stars here so be sure to order whatever special the chef is offering. There’s always a local fish option with a creative preparation.
AFFORDABLE DINING
Let’s face it: When you’re at the beach, you don’t always want inventive and elevated. Sometimes you just want to wander into a place in your bathing suit and still find a good meal at a fair price.
For that moment, there’s nothing better than the Starboard (2009 Rt. 1), just down the highway from Rehoboth in Dewey Beach. The Bloody Mary bar is legendary and now comes with a dedicated “sommelier” to assist in choosing from dozens of mixes, hot sauces, pickled vegetables, and more. But the real standout here is the crush — orange, grapefruit, watermelon, lemon, and more — cranked out by the busiest and best bartenders in the area (especially Doug and Shelley). The food is consistent and satisfying, if heavy on the portion size. The crab cakes, burgers, and salads are a good bet. If you’re nursing a hangover, the breakfast skillets will ease your pain. You can design your own omelet or choose from many of their egg creations. Pro tip: Share an entrée as the portions are huge. This used to be dominated by college kids enjoying summer break, but a more mature crowd, including the gays, have discovered Starboard’s many charms, which include a DJ and live bands all weekend.
Back in Rehoboth, the gay-owned Goolee’s Grille (11 S. 1st St.) offers some of the best breakfast dishes in town, including chipped beef, waffles, sandwiches, and more with a mimosa or Bloody to wash it down. There are occasional drag brunches and watch for the popular Greek night dinner specials. If the lines are too long in town for breakfast, venture across the highway to the new Eggcellent (19730 Coastal Highway), a locally owned restaurant that is open seven days 7 a.m.-3 p.m., meaning no dinner. So the focus is breakfast all the time with omelets, avocado toast, pancakes, and more. Don’t let the strip mall vibe fool you; the interior is gorgeous.
Need a break from pizza and crab cakes? Grab a table on the second floor deck at Mariachi Restaurant (14 Wilmington Ave.) and enjoy some of the best Mexican and Spanish fare in town. You’ll likely be met at the door by Yolanda, the tireless owner who greets locals with a gregarious hug before bringing pitchers of irresistible margaritas to your table. The vast menu offers traditional pollo asado and carne asada along with paellas and assorted seafood dishes. The chips are plentiful and the salsas perfectly spiced. Mariachi opened in 2006 and won over locals by staying open during the off-season so the crowd is always a spirited mix of tourists and residents.
HONORABLE MENTIONS
For the ideal rustic beach bar, complete with sand, the ever-popular Purple Parrot Biergarten (134 Rehoboth Ave.) beckons. The food is standard bar fare but go for the vibe — beers and cocktails outside served from a bar with a flower-covered roof and bartenders in bathing suits. Aqua Bar & Grill (57 Baltimore Ave.) offers outdoor dining and drinks as well and is always packed with gay revelers all summer long.
Looking for something new? Check out the Libation Room in the back of Summer House (228 Rehoboth Ave.), a restaurant with a dark, speakeasy vibe or the brand new outdoor garden arranged around a gurgling fountain.
If you’re not counting carbs and are looking for a satisfying lunch to take to the beach, pick up a hulking sandwich at Frank & Louie’s (58 Baltimore Ave.) or the iconic chicken salad at Lori’s Café (39 Baltimore Ave.).
OUTTA TOWN
If you’re an old pro and have already exhausted Rehoboth’s many dining options, venture up or down Route 1 for something different. Ocean City isn’t known as a fine dining destination, but things are changing. Check out Liquid Assets (9301 Coastal Highway) and don’t be deterred by the entrance in a strip mall through the liquor store. The restaurant’s high-end menu includes Maryland crab, blackened rockfish, steamed local oysters, along with steaks and even vegan options. Browse the extensive wine list or, better yet, wander around the shop and pick a bottle from the shelves. Not far away is Ocean View/Millville with its own growing roster of appealing restaurants. One of the best is Melissa’s (35507 Atlantic Ave.), with a small menu featuring a fish of the day, seafood pasta, and shrimp or lobster fried rice. Back north in Lewes is a gem of a new discovery. Located behind Bramble & Brine (102 2nd St., Lewes, the former Buttery) is the Pink Pony, a bar and restaurant serving breakfast, lunch, and dinner that pays homage to one of Rehoboth’s first gay bars of the same name. Owner Megan Kee can often be found on her laptop at the bar and seems to know everyone who walks through the door. It’s welcoming, friendly, and the décor a real throwback. Check it out.
Our independent restaurateurs and their dedicated staff need support, so skip the chains and enjoy the diverse array of Rehoboth-area restaurants this summer.
a&e features
New book celebrates 1970s dance music icons
‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more
If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture.
“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry.
Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.
Below is an excerpt from “A Night at the Disco.”
“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors.
“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it.
“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”
“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”
Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.
Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.
12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane
(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)
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Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
Court orders Pride flag to return to Stonewall
Sri Lankan government withdraws support for LGBTQ tourism initiative
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
Trump budget targets ‘gender extremism’
Susan Lucci on love, loss, and ‘All My Children’
Trump’s war threats trigger rare 25th Amendment discussion
New book celebrates 1970s dance music icons
ROSENSTEIN: Vote McDuffie for mayor of D.C.
A Sondheim masterpiece ‘Merrily’ rolls onto Netflix
