Arts & Entertainment
Going ‘Greene’
Broadway star joins Gay Men’s Chorus for annual holiday extravaganza
It’s that time of the year again and the Gay Men’s Chorus is ringing in the holidays and the opening of its 2011-2012 season with its annual holiday concert. This year’s version is being dubbed “Red & Greene” and features special guest Ellen Greene, Broadway’s original Audrey from “Little Shop of Horrors.”
“There’s nothing like a Jew who loves Christmas, by the way,” Greene says. “I’ve been known to have three Christmas trees … one for children in the front, one for the middle room where the piano was and then one in the back.”
Greene will be joined by pianist Christian Klikovits and Grammy Award-winning cellist Stephen Erdody. The three were in town last weekend for a dinner with the Chorus’s board, managing director David Jobin and a couple rehearsals with artistic director Jeff Buhrman and the whole chorus.
“David Jobin is such a spectacular producer,” Greene says. “We’ve been treated so well, everybody’s been lovely to us … this is my Christmas present.”
The show will include the full chorus singing holiday standards, including “Angels We Have Heard on High” and smaller ensembles having fun dancing and singing in full costumes.
“Christmas represents to me, theater, people, artists, and I mean artists acrossthe board … if you think, if you dream, if you create, you’re an artist … so Christmas represented … coming together as a family,” Greene says. “Anything that involves music and coming together feels holy and special and magical.”
Greene plans two dedications during the engagement — “Winter Song” for those who’ve died, and “Universal Child” for same-sex marriage rights and anti-bullying.
“My show is so depressing, that the reason I have to talk in between is I can make everyone laugh so I can sing another song,” she says.
This isn’t Greene’s first time singing with a chorus. Growing up, her whole family sang, earning them the nickname, “the singing Greenes” and she always had a big solo on holidays.
“I was singing with the cantor … and I got a 104 fever because I had tremendous stage fright … I don’t know why I picked this career,” Greene says. “My father … he says, ‘Let her sing.’ As soon as I sang, my temperature went down.”
Greene started her career as a nightclub singer in New York at Reno Sweeney, which is where she got all her shows. Her first starring role was in the Broadway bomb, “Rachael Lily Rosenbloom (And Don’t You Ever Forget It)” in 1973.
“Dead? Hollywood? Dead? My whole life I’ve dreamed I’d finally get there. You mean I finally get there, it’s dead? Take away my dreams, you take away my mind,” she recited from the play that closed before it even opened.
Buhrman says the Chorus members are thrilled to have Greene join them.“We had the opportunity to rehearse with her last weekend and she’s just a wonderfully talented performer,” he says.
Greene and the Chorus will each perform their own selections but will also collaborate on three songs Klikovits arranged specifically for the occasion. About 225 men will be in the Chorus, a record for the group. There will be no second-half skit as in previous years, but there will be several theatrical elements including a pageant of showboys, dancing nuns and more.
Buhrman says Greene was on the Chorus’s “wish list” of celebrity guests. “We contacted her management team and made it happen,” he says.
It’s been a big year of collaboration for the Chorus. For its 30th anniversary concert earlier this year, another Broadway vet joined them — Jennifer Holliday.
Greene was performing in Central Park during the 1977 New York City blackout.
“I was on stage, about to sing my big number … and it went absolutely dark in the park … all of a sudden, I just started to sing … and the pianist started followingme. And I said, ‘If you just do what you always do, walk straight, you will not fall off the platform,” Greene says.
They finished the show with car headlights lighting the stage.
Greene is also active politically, working with various groups including GLSEN (Gay, Lesbian & Straight Education Network) and more.
While working on the show “Pushing Daisies,” Bruce Cohen asked Greene to go to New Hampshire to campaign for Hillary Clinton with the “Lucky Charms.”
“She couldn’t be busier … she actually found my address and wrote me a letter,” Greene says. “I made [Klikovits] open the letter because I was shaking.”
Coming up, Greene is thinking of releasing a holiday album, rereleasing “In Her Eyes,” an album she made with Klikovits, and possibly a never-before-released album.
The Chorus will be giving four performances starting at 8 p.m. on Dec. 16. There will be two performances on Dec. 17 at 3 and 8 p.m. and a final performance on Dec. 18 at 3 p.m. Tickets range from $25 to $50 and can be purchased online at gmcw.org.
“I’m very excited to see all the dancing and singing and silliness … I know they’re going to take care of the fun part,” Greene says. “I’m excited to meet 225 men, I mean, it’s me and all those men, what’s bad about those odds?”
‘RED & GREENE’
Gay Men’s Chorus of Washington With special guest Ellen Greene
Lisner Auditorium 730 21st Street, NW
Dec. 16 at 8 p.m. Dec. 17 at 3 and 8 p.m. Dec. 18 at 3 p.m.
$20-$50 gmcw.orgNew book shares Chorus history
The holiday concert isn’t the only news about the Gay Men’s Chorus. Paula Bresnan Gibson has written a book, “Voices from a Chorus,” all about the group and its history.
The book is told through the perspective of a woman who served on the Chorus’s board of directors. It includes many interviews, including one with the first openly gay Episcopalian bishop Gene Robinson, a longtime supporter of the Chorus and recipient of its highest award.
The interviews show how men have overcome challenges such as dealing with their sexual orientation, their families, friends, living with HIV/AIDS and more just by participating in the Chorus.
Gibson is scheduled to make appearances at American University on Feb. 10, Proud Bookstore in Rehoboth Beach on Feb. 11 and Day of the Book Festival in Kensington on April 22.
The book is available for purchase online at voicesfromachorus.com and in local bookstores, Politics & Prose, Kramerbooks, Trohv Home & Gift and Kensington Row Bookshop.
The Blade wrote an extensive story of the Chorus’s history upon its 30th anniversary in June. It’s here.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

