Arts & Entertainment
Starting the conversation
Whitman-Walker plans series of LGBT-specific health meetings
Whitman-Walker's June Crenshaw and Don Blanchon at a previous event. (Blade file photo by Michael Key)
Whitman-Walker Health is planning a series of LGBT-specific town hall-style events this year called Community Conversations. The first, slated for Thursday at the Clinic’s Elizabeth Taylor Center (1701 14th Street, NW), is dubbed “New Year, New Start: Substance Abuse.”
“Throughout our history, Whitman-Walker has worked to meet the unique health care needs of the LGBT community,” Don Blanchon, the Clinic’s executive director, said in a statement. “One of our goals … is to empower participants with the knowledge and resources to improve not only their health but the health of the family, friends and loved ones around them.”
Chip Lewis, the Clinic’s deputy director of communications, says the series was Blanchon’s idea and that he wanted “a mechanism to build this dialogue between Whitman-Walker and the community.” Chris Dyer, an LGBT liaison in former Mayor Adrian Fenty’s administration, suggested the format.
Lewis says the staff hopes the series is a two-way street.
“It’s an opportunity to start a dialogue with the community about health issues it faces,” he says. “It can help us present the LGBT health issues that we service but we also want to hear from them and find out what they’re seeing and hearing about. It’s an opportunity for a dialogue for Whitman-Walker and the larger LGBT community as a whole.”
Thursday’s panelists are treatment advocate Jimmy Garza, addictions counselor Christina Oseth and nightlife impresario Ed Bailey. Moderator Josh Reilly is manager of addiction treatment programs for Whitman-Walker. The discussion starts at 7 p.m. It’s free and open to the pubic and those interested in attending will be directed to the meeting room from the front lobby.
Nine conversations are planned. A Feb. 23 discussion on “healthier hookups” will also be at the Elizabeth Taylor Center. On March 29, “Why Safe Sex Matters” will be held at the True Reformer Building and on April 30, “Aging and the LGBT Community” will be at the D.C. Center. Dates and locations are still being set for the remaining installments. Topics slated include “Women’s Health,” “Take Pride in Your Health,” “HIV Testing,” “I’m a Survivor: Living Long Term With HIV” and “Transgender Health.” Go to whitman-walker.org for more information. The Blade will also run details as they are announced.
Lewis says things are going well for the Clinic overall and he expects that it will soon be announced that 2011 was another successful year. It’s now operating “in the black” (there was a half-million-dollar surplus in 2010 Lewis says) after finishing 2007 and 2008 millions in the hole. The numbers for 2009 found the Clinic running a $750,000 deficit. Revenue sources have changed and Medicare, Medicaid and pharmacy sales have provided a more stable source of revenue, he says.
But misconceptions abound about the Clinic, Lewis says. A broadening of services has “de-gayed” the Clinic, some critics have claimed, but Lewis says a higher percentage of those seeking services today self-identity as LGBT than a few years ago (it’s about half, he says).
“You can come here for mental health, support groups, primary care, gynecological care — there was a sense for a long time that this was just where you went if you were facing HIV and AIDS and that’s never really been the case,” Lewis says. “[These Conversations] are another opportunity for us to get across to people that we offer a lot of health services.”
The Community Conversations are expected to last between one and two hours depending on the number of questions and comments.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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