Arts & Entertainment
‘In the Life’ celebrates 20 years
Groundbreaking TV series receives $1 million gift to mark anniversary

Maria and Brian Singer of Laurel, Md., and their children Lucas and Jackie, one of the families featured in ‘Becoming Me.’ (Photo courtesy of Brian and Maria Singer.)
The groundbreaking television series “In the Life” received an impressive gift for its 20th anniversary celebration — a $1 million donation from board co-chair and New York philanthropist Henry van Ameringen. This timely award gives the organization a chance to celebrate its milestone while planning for the next 20 years.
The media-shy Ameringen writes movingly about the importance of “In the Life” in a blog entry for the Huffington Post. The 82-year-old activist remembers growing up in a time when “the absence of images reflecting real gay life made it easy for people to assume we were everything bad that was said about us.” This was exacerbated when the AIDS epidemic struck the gay community in the 1980s and Ameringen, like many other LGBT activists, became politicized.
“Staying on the sidelines was impossible,” he writes. “The government was doing absolutely nothing to halt the spread of this disease nor help those who were suffering. AIDS was seen as a ‘gay disease,’ and with so few positive portrayals of gays in the media, and far fewer gay people being out at the time, most Americans believed all the stereotypes they had heard about us.”
However, the premiere of “In the Life” in 1992 contributed to the change in the media and political landscape. Ameringen notes, “The simple fact that there was a television program, airing on public television stations around the country, that represented LGBT people in such a genuine and accurate manner was stunning.” Veteran media expert and activist Cathy Renna says, “‘In the Life’ has become the ‘60 Minutes’ of LGBT journalism” and credits the show for creating a large and diverse audience for LGBT stories.
Michelle Kristel, executive director of In the Life Media, says that quality and content have been the key to the program’s longevity.
“In the early days,” she says, “we led from a place of novelty and uniqueness. When we were first broadcast in 1992, you just didn’t have out, proud gay and lesbian people on television. We were pioneers. But what has sustained us is the quality of our content and the fact that we are telling stories about real people and the critical issues facing our community.”

Philanthropist Henry van Ameringen gave $1 million to ‘In the Life,’ which has been described as the ’60 Minutes’ of LGBT news. (Photo courtesy Renna Communications)
The celebration of the show’s anniversary is already underway. The 20th season kicked off with a red carpet gala and an October 2011 episode that looked back at the history of the show. Kristel explains that “In the Life” began as a variety show hosted by lesbian comedian Kate Clinton, but that over time it evolved into a behind-the-desk news show with in-the-field reporting before assuming the short-form documentary format it has today. Over time, the award-winning show has also developed a robust online presence with web exclusives that supplement its television programming.
Kristel says the staff had a blast putting together the retrospective show. “It’s always fun for us to look at the old tapes. We had a lot of fun putting it together and taking in the depth and breadth of all that we’ve done over the years.” The anniversary celebration will culminate in the annual June Pride Brunch where supporters can “eat, drink and be merry” while watching New York’s Pride Parade from the windows of “In the Life’s” studios on Fifth Avenue in Manhattan.
When asked about the importance of the show, Kristel points out that the impact of the series goes beyond its television and online audiences. For example, this month’s episode, “Becoming Me,” which chronicles the lives of families dealing with transgender and non-gender-conforming children, is already becoming a resource for educators, parenting groups like PFLAG and social service agencies. Kristel says, “The show is a beautiful articulation of what we do really well, which is to take an issue and tell personal stories that relate to the issue and that make it tangible for our audiences. We worked on this piece for nine months and we were able to go in-depth with the eight families we interviewed and really understand their journeys.”
Kristel also cites the impact of the show on legislators and policy-makers. The two-part episode on HIV criminalization educated viewers about a little-known fact. “Very few people,” Kristel points out, “realize that in many places you can go to prison for attempted murder for having consensual sex if you are HIV-positive.” The first part of the episode, “Legalizing Stigma,” which aired in December 2010, was shown at the first-ever congressional hearing on HIV stigmatization and led to the introduction of legislation to rescind those laws. The second part, “Perpetuating Stigma,” which aired in February 2011, was shown at this year’s United Nations AIDS conference in Oslo and was referenced as a resource in the Oslo Declaration.
In addition, the celebrated web exclusive “Injustice at Every Turn” brought to life a report on transgender discrimination that was produced by the National Center for Transgender Equality and the National Gay and Lesbian Task Force. “The report was devastating,” Kristel said. “I read the report and I thought ‘people need to know about the profound levels of discrimination that transgender people are facing.’ But the fact of the matter is that very few people are going to read a report like that, so we produced a video that put a human face on these issues. That video was presented at the U.S. Department of Labor as a way of informing the department about discrimination in the workplace. This is one of the things we do well, to take an issue and put a human face on it and use it to move people to have a better understanding of the lives that people are living and the ways that people are impacted by social injustice and discrimination.”
Kristel is quick to point out that “In the Life” also produces some fun stories as well. A recent episode profiled the late Sam Steward, a sexual renegade, writer and pornographer. With a hearty chuckle, Kristel relates that “he started life as an English professor, but found that the life of an academic didn’t suit him particularly well. He left that to become a writer of erotica and a tattoo artist. Along the way, he documented, in some detail, his sexual escapades. He had a wooden card catalog that he called “The Stud File” with little cards and descriptions of everybody that he ever had sex with and with pertinent details about their physiques and their skills.”
Ameringen’s gift comes at a critical time for In the Life Media, allowing the organization to continue to deliver stories that document the lives of LGBT people and to explore the issues that affect them. About $100,000 of the donation will be used to match new and increased contributions. The balance will offer the organization a valuable opportunity to invest in its future.
Kristel says, “The media landscape has changed radically since we were first broadcast, not only in the way media is produced, but also the way that people consume media. What has remained constant is the power of media to shape the national dialogue. So we will be using this gift to make an assessment of the organization. We will be investing in digital initiatives that will allow us to not only improve our tools for engagement with our viewers but to give our viewers the tools to help us advance equality for LGBT people.”
“In the Life” airs locally on WETA and WMPB and programs can be seen at itlmedia.org/.
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
