Arts & Entertainment
Hayes’ gays
LGBT community well represented at annual D.C. theater awards
Michael Bobbitt accepting his award Monday night. (Photo courtesy theatreWashington)
Monday night’s 28th annual Helen Hayes Awards had many winners, but the evening’s first was playwright Marc Acito.
He won the Charles MacArthur Award for Outstanding New Play or Musical for his “Birds of a Feather,” a comedy about a pair of gay penguins living together in New York’s Central Park. Acito, who is gay, thanked his own longtime partner who couldn’t make the event.
Next up, Michael Baron (also gay) won Outstanding Director Resident Musical for his work on “A Year with Frog and Toad” at Adventure Theatre. He thanked his partner whom he’d left at home in Oklahoma.
The absentee boyfriend trend soon ended. When topnotch musical director Jon Kalbfleisch was singled out of Outstanding Musical Direction in a Resident Musical, he happily thanked his date who was seated close to the stage.
Presented by theatreWashington, the Helen Hayes Awards was co-hosted by notable local actors Holly Twyford and Felicia Curry. (In recent years, there had been pairs of presenters but no designated emcee per se. The return to hosts is a fun correction). Twyford, who is gay, and Curry underwent a half-dozen glamorous costume changes and traded insider references and gossipy tidbits. It’s exactly what the raucous audience seemed to want. After all, the Helen Hayes Awards is primarily a celebration of all that is local theater.
Every April, the awards are handed out to reward excellence in Washington-area professional theater. During the 2011 season, 53 theatres produced 192 productions that met eligibility requirements in the Jan.-Dec. judging cycle. From these shows, 153 artists, productions and ensembles from 26 theatres were nominated for awards and from these nominees, a large pool of judges carefully selected the evening’s winners.
Longtime Helen Hayes (and now theatreWashington) honcho Victor Shargai presented the prestigious Helen Hayes Tribute (sponsored and awarded by philanthropist Jaylee Mead) to Kevin Spacey, in honor of the famous actor’s enduring career and advocacy for arts funding. A two-time Oscar winner (“American Beauty” and “The Usual Suspects.”), Spacey, who is rumored to be gay but opts not to publicly discuss his orientation, is also a man of the theater: He won a Tony for the in “Lost in Yonkers” in 1991 and most recently toured the world in a Sam Mendes’ production of “Richard III.” He has worked as a director, screenwriter, producer and singer and is artistic director at the Old Vic in London.
Spacey’s acceptance speech was the highlight of the night. In about 10 minutes or so, he dropped several F bombs, did a couple of spot-on impersonations, waxed nostalgic, advised on the importance of giving back and ultimately inspired a house full of theater folks to live their dreams.
The tribute included a short film on Spacey’s career, and — much to the audience’s surprise and delight — a warm videotaped message from Spacey friend and fan, President Bill Clinton. Past honorees include Derek Jacobi, James Earl Jones, Angela Lansbury, Stephen Sondheim, and the award’s namesake, Helen Hayes.
Other deserving winners included delightful newcomer Matthew Delorenzo. He was awarded Outstanding Supporting Actor Resident Musical for his portrayal of Warhol superstar Candy Darling in Studio Theatre 2ndStage’s “Pop!” Michael Bobbitt, Adventure Theatre’s gay artistic director accepted the prize for Outstanding Production Theatre for Young Audiences on behalf of his company’s charming production of “Charlotte’s Web,” staged by talented gay director Serge Seiden. The John Aniello Award for Outstanding Emerging Theater Company (named in memory of Victor Shargai’s theater-loving, late partner) to Faction of Fools, a performance group rooted in the Italian Commedia dell’Arte style currently in residence at Gallaudet University.
With nearly 80 professional theatre companies, Greater Washington is second only to New York for the number of productions produced each year. Appropriately, the night ended with co-hosts Twyford and Curry melodically encouraging everyone to see more theater: “Who needs the real housewives?” they sang. “Medea’s the original one. Go see a show!”
Visit theatrewashington.org for a complete list of winners.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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