Arts & Entertainment
Hayes’ gays
LGBT community well represented at annual D.C. theater awards
Michael Bobbitt accepting his award Monday night. (Photo courtesy theatreWashington)
Monday night’s 28th annual Helen Hayes Awards had many winners, but the evening’s first was playwright Marc Acito.
He won the Charles MacArthur Award for Outstanding New Play or Musical for his “Birds of a Feather,” a comedy about a pair of gay penguins living together in New York’s Central Park. Acito, who is gay, thanked his own longtime partner who couldn’t make the event.
Next up, Michael Baron (also gay) won Outstanding Director Resident Musical for his work on “A Year with Frog and Toad” at Adventure Theatre. He thanked his partner whom he’d left at home in Oklahoma.
The absentee boyfriend trend soon ended. When topnotch musical director Jon Kalbfleisch was singled out of Outstanding Musical Direction in a Resident Musical, he happily thanked his date who was seated close to the stage.
Presented by theatreWashington, the Helen Hayes Awards was co-hosted by notable local actors Holly Twyford and Felicia Curry. (In recent years, there had been pairs of presenters but no designated emcee per se. The return to hosts is a fun correction). Twyford, who is gay, and Curry underwent a half-dozen glamorous costume changes and traded insider references and gossipy tidbits. It’s exactly what the raucous audience seemed to want. After all, the Helen Hayes Awards is primarily a celebration of all that is local theater.
Every April, the awards are handed out to reward excellence in Washington-area professional theater. During the 2011 season, 53 theatres produced 192 productions that met eligibility requirements in the Jan.-Dec. judging cycle. From these shows, 153 artists, productions and ensembles from 26 theatres were nominated for awards and from these nominees, a large pool of judges carefully selected the evening’s winners.
Longtime Helen Hayes (and now theatreWashington) honcho Victor Shargai presented the prestigious Helen Hayes Tribute (sponsored and awarded by philanthropist Jaylee Mead) to Kevin Spacey, in honor of the famous actor’s enduring career and advocacy for arts funding. A two-time Oscar winner (“American Beauty” and “The Usual Suspects.”), Spacey, who is rumored to be gay but opts not to publicly discuss his orientation, is also a man of the theater: He won a Tony for the in “Lost in Yonkers” in 1991 and most recently toured the world in a Sam Mendes’ production of “Richard III.” He has worked as a director, screenwriter, producer and singer and is artistic director at the Old Vic in London.
Spacey’s acceptance speech was the highlight of the night. In about 10 minutes or so, he dropped several F bombs, did a couple of spot-on impersonations, waxed nostalgic, advised on the importance of giving back and ultimately inspired a house full of theater folks to live their dreams.
The tribute included a short film on Spacey’s career, and — much to the audience’s surprise and delight — a warm videotaped message from Spacey friend and fan, President Bill Clinton. Past honorees include Derek Jacobi, James Earl Jones, Angela Lansbury, Stephen Sondheim, and the award’s namesake, Helen Hayes.
Other deserving winners included delightful newcomer Matthew Delorenzo. He was awarded Outstanding Supporting Actor Resident Musical for his portrayal of Warhol superstar Candy Darling in Studio Theatre 2ndStage’s “Pop!” Michael Bobbitt, Adventure Theatre’s gay artistic director accepted the prize for Outstanding Production Theatre for Young Audiences on behalf of his company’s charming production of “Charlotte’s Web,” staged by talented gay director Serge Seiden. The John Aniello Award for Outstanding Emerging Theater Company (named in memory of Victor Shargai’s theater-loving, late partner) to Faction of Fools, a performance group rooted in the Italian Commedia dell’Arte style currently in residence at Gallaudet University.
With nearly 80 professional theatre companies, Greater Washington is second only to New York for the number of productions produced each year. Appropriately, the night ended with co-hosts Twyford and Curry melodically encouraging everyone to see more theater: “Who needs the real housewives?” they sang. “Medea’s the original one. Go see a show!”
Visit theatrewashington.org for a complete list of winners.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
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