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Queery: Henry Maticorena

The Andromeda Transcultural Health communications director answers 20 gay questions

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Henry Maticorena (Blade photo by Michael Key)

Henry Maticorena’s mother always told him, “When you are a minority, you never turn your back on other minorities.” As a result, he is fluent in four languages, which he uses on the job as a communications/external affairs director at Andromeda Transcultural Health.

Maticorena spearheads HIV/AIDS outreach for the clinic. His arsenal of tools includes bumper stickers, lanyards and squishy balls that have sayings in Spanish, French, Portuguese and English.

“I want to be able to include groups that may not always have access to these services on a regular basis,” he says. “We want to give our clients a holistic treatment, for both their physical health and their mental health.”

Maticorena began his outreach while an undergraduate student at George Washington University, where he traveled to Brazil for a year. He joined the LGBT movement where the advocacy focused mostly on reducing hate crimes. Despite traveling to several other countries, Maticorena regularly returned to D.C. to work.

“I can really connect with policy makers here and watch changes being made here,” he says. “D.C. provides many platforms in which I can make an impact.”

Maticorena is single and lives in D.C. and enjoys attending events at the Phillips Collection and other galleries in his free time. He is also a runner and enjoys watching movies and listening to Bossa Nova with a glass of wine.

How long have you been out and who was the hardest person to tell?

I’ve been out since I was 20 years old. I’ve been fortunate to have always encountered people in my life thus far who never found my sexual orientation to be an issue.

Who’s your LGBT hero?

I’d say it is anyone that goes out of his/her way to help a stranger in need. In my personal life, I’d have to say a great man who was there for me when I experienced emotional struggles in college. His name is Marc.

What’s Washington’s best nightspot, past or present? 

Can I answer both? I just have to say Velvet Nation was the place to be when I moved to D.C. to attend GW. I always had a BLAST there. Today, it depends on the mood: Bossa Lounge in Adams Morgan or Cobalt on 17th Street.

Describe your dream wedding.

I‘ve always loved the summer chateaux on Bellevue Avenue in Newport, Rhode Island. My favorite one being The Marble House; I would have the ceremony held there in its ballroom and the reception in the Chinese Tea House in the backyard with all my friends and family.

What non-LGBT issue are you most passionate about?

I’m very passionate about getting every resident the opportunity to have access to services in their native language if they need it.

What historical outcome would you change?

Sept. 11, 2001. It was a few days after I had moved to D.C. from Miami and I witnessed the divisiveness that it instilled in our diverse community in the District and in America at large.

What’s been the most memorable pop culture moment of your lifetime?

I’d have to say when Princess Diana died in 1997 as a result of the car crash in Paris. She had a great impact on my life. All her charitable work inspired me to become very active working for the rights of disadvantaged people as well as becoming involved in the fight against HIV/AIDS and ending the stigma associated with it through my volunteering and work today at Andromeda Transcultural Health (check us out on Facebook: facebook.com/ATHDC).

On what do you insist?

I insist on fomenting cohesiveness within our community to overcome the issues that affect us from HIV to immigration to our youth experiencing homelessness.

What was your last Facebook post or Tweet?

My last post on Facebook was the photo of a business card that reads: ‘Hey, I just met you, and this is crazy, but here’s my number’ hahaha.

If your life were a book, what would the title be?

“My Life as a Socialite: Henry, my Private Story”

If science discovered a way to change sexual orientation, what would you do?

Nothing. I was born this way.

What do you believe in beyond the physical world?

I like to believe that once one dies hopefully one’s spirit will have fulfilled its raison d’etre in this lifetime to continue on its path for continuous growth.

What’s your advice for LGBT movement leaders?

Continue the legacy of prior leaders of the movement to encourage members of our community to be the voices and advocates of individuals whose plea would otherwise be unheard — doing so, creating change and building the path so we can ALL move forward as ONE.

What would you walk across hot coals for?

I would walk across hot coals to get all my friends in London and South America to make it to an overdue reunion here in D.C. My friends are family to me.

What LGBT stereotype annoys you most?

That every gay man wants to pursue every straight man they come in contact with.

What’s your favorite LGBT movie?

“A Home at the End of the World.”

What’s the most overrated social custom?

Shaking hands (which I find so limiting) when introducing oneself for the first time. Kissing on one or both cheeks should not be frowned upon.

What trophy or prize do you most covet?

I don’t want to sound cheesy; I recently attended a funeral and in the reception all individuals I came across shared something in common, how this man had enriched and touched their lives in meaningful ways. I can’t take a trophy or prize with me to the grave. I aspire to have touched and enriched as many individuals’ lives in this lifetime that is the prize I most wish for.

What do you wish you’d known at 18?

My American idioms so as not to mess up “tough love” with “rough love.”

Why Washington?

D.C. has this je ne sais quoi about it and the people I have met here have always embraced me and provided me a platform for growth that I’m always immensely grateful for.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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