Arts & Entertainment
Ultimate guide to gay gift giving
Everything from cool techie innovations to gay-friendly spirit makers

By MIKEY ROX
Sony Action Cam
Anyone who’s ever ruined a smartphone trying to document their extreme adventures will covet the Sony Action Cam, a tiny, lightweight video camera to capture all those freefalls, high climbs and daring underwater dives. The Action Cam features Sony’s signature SteadyShot image stabilization technology, Exmor R CMOS image sensor and an ultra-wide angle Carl Zeiss Tessar lens. The AS15 model (about $70 more than the base AS10 model) even offers Wi-Fi connectivity so you can upload and share your videos on the web — right after you catch your breath. ($199; store.sony.com)
Keelan Rouge
Treat your beau to handcrafted accessories from Keelan Rouge, the eponymous label of an up-and-coming 26-year-old gay designer from Chicago, which features upcycled men’s and women’s wallets, cardholders and flasks decked out with whimsical fabrics from vintage neckties, scarves, skirts and other dapper designs. ($26-$58; keelanrogue.com)
Skora Running Shoes
Stay stylish while you sweat out your frustrations with Skora, the ultimate multipurpose running shoe. Two styles are available (Form and Base) with the latter featuring a stretch-mesh sockfit with an innovative adjustable X-strap system, elastic heel strap, reflective details and stitch-down construction with an Ortholite sockliner. Skora’s are super lightweight — you won’t even know you have them on — to encourage natural movement and performance. ($110-$185; skorarunning.com)
GrubKit
Veteran chefs and kitchen newbies alike will enjoy GrubKit, gourmet food kits that contain the precise amount of pre-measured ingredients and an accompanying recipe to create not-so-common culinary delights any night of the week. Most of the current kits have an Asian flair (Mongolian Beef and Cashew Chicken, for instance) and you’ll need to provide a few fresh items (eggs don’t fare so well in the mail, it seems). There are also sweet kits for your friends who like to save room for dessert, which include a healthy banana muffin kit and a holiday cookie box with recipes for confections from around the world. ($19-$29; grubkit.com)
Snuza Trio
As more and more of our LGBT friends bring babies home, we’re left scrambling to find the perfect present for the adorable new parents.
Bear in mind that the practical route is always the way to go in these situations — they do not need another fruit basket — which makes the Snuza Trio mobile baby monitor system the ideal gift for gay moms and dads.
Snuza Trio includes the cordless Snuza Hero Mobile Baby Movement Monitor that clips directly to baby’s diaper and activates an alarm if anything goes awry in the middle of the night; a night-vision camera that can be aimed into the crib and a built-in microphone to record sounds; and a lightweight, portable audio-video monitor with a 2.4-inch LCD screen that functions to a range of 450 feet from the camera and crib. The system also includes three lullaby tunes to help everyone in the family catch a few Zs before the 3 a.m. screaming begins. ($299; snuza.info)
Moscot Eyewear
You’ll need a pair of stylish shades to shield your eyes from snow blindness when you hit the slopes this winter, and Moscot is where it’s at. Based on designs from the manufacturer’s archives, the Originals Collection features a variety of vintage-inspired frames constructed of real glass lenses and traditional hardware, and come in an array of colors that hark back to decades past. The aviator-style Sechel, available in Straw with G-15 lenses, are fashion forward yet functional to protect your pupils from the harmful UV rays above and below. ($225-$255; moscot.com)
Gillette Fusion ProGlide Styler
Transform your moisturized mug into a well-groomed work of art with the Gillette Fusion ProGilde Styler, a three-in-one tool designed for men with a penchant for stylish facial hair. Whether you prefer a thin chinstrap, bushy muttons or a simple goatee, the ProGlide Styler helps scruffy men master their put-together look with effortless maneuverability in and out of the shower. This gift-ready set includes the Power Trimmer fitted with Fusion ProGlide Power Blades, charging base, Microcomb, and a Precision Edging Blade. It’s perfectly safe for staying svelte below the belt, too. ($19.99; gillette.com)
PlayStation Vita
Avid gamers never have to stop playing their favorite titles thanks to the cross-platform Wi-Fi/3G connectivity of PlayStation Vita, the latest handheld innovation from Sony. What you start playing on your home-based PS3 console you can resume on Vita while you’re out and about with this palm-sized device that fits perfectly in a jacket pocket or backpack.
Vita supports a wide variety of games, including “Madden” and “Uncharterd: Golden Abyss,” and games available on both PS3 and Vita only need to purchased once to be played on both devices. Vita also offers GPS, video and music playback, and is compatible with apps from Netflix, Skype, Facebook, Twitter and more. ($240-$299; us.playstation.com/psvita)
Awkward Family Photos
Based on the cringe-worthy-but-totally-relatable website of the same name, the Awkward Family Photos board game combines classic and never-before-seen photos with probing, make-you-squirm questions for a game night full of laughter and creative discussion. Definitely a better alternative than mom passing around those embarrassing, bare-ass baby pictures during dessert. ($24.99; familyandpartygames.com)
Brookstone HDMI Pocket Project
Turn any blank wall into an impromptu movie screening with the HDMI Pocket Projector from Brookstone. With more than two hours of battery life and built-in audio, mobile cinephiles can transform their Apple, Android and Windows smartphones and tablets into a crisp, high-definition viewing experience that rivals that of your local multiplex.
This micro Pocket Projector includes a three-foot HDMI cable, a Micro HDMI adapter and a Mini HDMI adapter, and projects an image with a 16:9 aspect ratio, which will make that annual viewing of “National Lampoon’s Christmas Vacation” bigger and better than ever before. ($299; brookstone.com)
Mango Passport
For those on your list planning a big trip abroad or who simply want to expand their horizons at home, Mango Passport makes it easy to learn a foreign language on multiple platforms, including a computer, MP3 player or smartphone. Available in 16 languages and 12 ESLs, each Mango lesson incorporates interactive tools and rich imagery that eliminates boredom and keeps users engaged. Building a solid foundation on more than monotonous vocabulary memorization, Mango Passport — which includes three “journeys” for each language — teaches practical speaking skills and cultural insights while gradually instilling the confidence to start great conversations. Like with the pool boy. ($176; mangolanguages.com)
Cuisinart Smart Stick
Preserve precious countertop real estate with the Cuisinart Smart Stick, the versatile hand blender that goes from pot to pitcher, bowl to beaker with ease. A powerful 200-watt motor spins into action with a simple one-touch control so home cooks can blend drinks, emulsify dressings, puree soups and froth up festive hot chocolate without dirtying up many-piece bigger blenders that require more work than they’re worth. ($40; buydig.com)
Pain D’Avignon Bread of the Month Club
Carb lovers will jump for joy every few weeks with Pain D’Avignon’s Bread of the Month Club, which includes monthly deliveries of seasonally thoughtful baked goods and accompaniments, like white French boules and garlic-herb croutons in January and hot dog buns and house-made potato chips in July. Three- to 12-month subscriptions from the celebrated Massachusetts-based bakery are available. ($150-$500; paindavignon.com/botm)
HOLIDAY SPIRITS
flipflop Rum
Give yourself a temporary reprieve from the winter weather with flipflop, a quadruple-distilled Caribbean rum made from high-quality sugar cane. To sweeten the season even more, flipflop will donate a portion of the proceeds from each bottle purchased to Soles4Souls, a charitable organization that provides shoes to barefoot, orphaned children around the world. ($14; flipfloprum.com)
Boozy Brunch: The Quintessential Guide to Daytime Drinking
Invite the oohs and aahs of your overnight guests as you test your culinary skills with more than a hundred drink recipes and 25 food pairings in Peter Joseph’s “Boozy Brunch: The Quintessential Guide to Daytime Drinking.” This picture-heavy entertaining guide features a slew of mouthwatering brunch-inspired alternatives and jazzy variations to champagne-based, coffee-based or fruit or vegetable juice-based cocktails. ($16.95; rowman.com)
Tequila Partida
Make your rendition of “Feliz Navidad” more authentic with Tequila Partida, the 100 percent blue agave spirit better for sipping than shots. Available in four marques — Blanco, Reposado, Añejo, and Elegante — Partida’s hand-harvested, clean taste is recognized the world over. ($50-$350; partidatequila.com)
Absolut Tune
Add a splash of panache to your holiday breakfast with Absolut Tune, Absolut Vodka’s newest fusion of sparkling white wine and premium vodka. Wrapped in festive packaging and corked for added sophistication, Absolut Tune works just as well washing down pumpkin French toast as it does as a host/hostess gift with a kick. ($31.99; absolut.com)
Rabbit Wine Chilling Carafe
Big, bulky chillers are no match for the ingenious and space-friendly Rabbit Wine Chilling Carafe, an aesthetically pleasing glass bottle that holds an entire regular-size bottle of vino kept cold by a chemical-free stainless-steel ice chamber. ($49.95; kitchencouture.com)
Mumm Napa 2007 Blanc de Blanc
This sparkling wine made of 90 percent Chardonnay grapes and a touch of Pinot Gris hails from Napa Valley, which since the 1960s has rivaled the viticulture regions of France, Italy, Portugal and Spain. Thanks in part to its complexity, the Mumm Napa 2077 Blanc de Blanc recently receive a 91-point rating from Wine Spectator. ($38; mummnapa.com)
Patron XO Café Dark Cocoa
Trade your Irish coffee in for a Mexican version with Patrón XO Cafe Dark Cocoa, a combination of Patrón Silver tequila and light essences of fresh-roasted java and premium chocolate. Decidedly dry — not sweet like many other coffee liqueurs — Patrón XO Cafe Dark Cocoa is distilled at 60 proof, which you’ll appreciate when the in-laws blow in with the blizzard. ($24.99; patrongift.com)
Vinamor
Fans of ABC’s hit show “Shark Tank” may recognize the Vinamor, an unusual glass wine aerator that brings out the best of your bottle in an instant. In addition to softening tannins and allowing flavors to flourish, Vinamor also assists in measuring the perfect wine pour, helping to deter overpouring (or underpouring!) for all you lushes out there. The Vinamor can also conveniently move from one wine glass to another, aerating several glasses of wine per table. Need another incentive to buy a Vinamor? Inventor Gary DeJohn has pledged to donate $7 from the sale of each device sold to The Trevor Project when you use code LGBT at checkout. ($39.95; vinamor.com)
Effen Vodka
What’s in a name? For super-premium vodka Effen, which means smooth, even and balanced in Dutch, it’s the commitment to a clean, crisp taste delivered in a smartly designed package. Available in regular, cucumber and black cherry flavors, this 100 percent premium wheat, 80-proof vodka is a surefire way to get your party guests rockin’ around the Christmas tree. ($29.99; effenvodka.com)
Pisco Portón
It takes 18 pounds of grapes to make one bottle of Pisco Portón, the quintessential South American spirit that contains notes of cinnamon, orange blossom and citrus. Sourced from vineyards irrigated by glacial river from the Andes Mountains, Pisco is at its best when served neat and paired with a piece of dark chocolate. ($40; piscoporton.com)
Bytox
Get into the holiday spirits without suffering a splitting headache this New Year’s Eve. Bytox — specially formulated for hangover prevention — is a 100 percent all-natural adhesive patch that pumps the vitamins and nutrients you lose from drinking back into your body. Ideally, the patch should be applied at least 45 minutes before alcohol consumption begins and removed no less than eight hours after last call. Although there’s still no cure for whiskey dick, this is a decent compromise. ($14.99/5-pack; bytox.com)
Mikey Rox is an award-winning journalist and blogger who lives in New York City with his husband and their two dogs. Follow him on Twitter @mikeyrox.

‘A Wrinkle in Time’
Through July 20
Arena Stage
1101 Sixth St., S.W.
Tickets range from $59-$209
Arenastage.org
Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction.
Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book.
For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.
The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along the way they encounter adventure and evil.
For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”
Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway.
The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in Six, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”
WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people.
TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could.
BLADE: Can you relate?
JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.
BLADE: Was “Wrinkle in Time” a book you knew well?
JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.
BLADE: And playing a favorite character must be a kick.
JONES: It really is.
BLADE: Meg is a big part in a big show.
JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I sing four or five numbers.
As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater.
For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.
BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)
JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the limits of musical theater.
It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to.
BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?
JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.
Movies
Two new documentaries highlight trans history
‘I’m Your Venus’ on Netflix, ‘Enigma’ on HBO/Max

One of the most telling things about queer history is that so much of it has to be gleaned by reading between the lines.
There are the obvious tentpoles: the activism, the politics, the names and accomplishments of key cultural heroes. Without the stories of lived experience behind them, however, these things are mere information; to connect with these facts on a personal level requires relatable everyday detail — and for most of our past, such things could only be discussed in secret.
In recent decades, thanks to increased societal acceptance, there’s been a new sense of academic “legitimacy” bestowed upon the scholarship of queer history, and much has been illuminated that was once kept in the dark. The once-repressed expressions of our queer ancestors now allow us to see our reflections staring back at us through the centuries, and connect us to them in a way that feels personal.
One of the most effective formats for building that connection, naturally enough, is documentary filmmaking — an assertion illustrated by two new docs, each focused on figures whose lives are intertwined with the evolution of modern trans culture.
“I’m Your Venus,” now streaming on Netfllix, bookends an iconic documentary from the past: “Paris is Burning (1990), Jennie Livingston’s seminal portrait of New York City’s ballroom scene of the ‘80s. In that film, a young trans woman named Venus Xtravagana delivered first-person confessionals for the camera that instantly won the hearts of audiences — only for them to break with the shattering revelation that she had been murdered before the film’s completion.
That 1988 murder was never solved, but Venus — whose surname was Pellagatti before she joined the House of Xtravaganza – was never forgotten; four decades later, her family (or rather, families) want some answers, and filmmaker Kimberly Reed follows her biological siblings — Joe, Louie, and John, Jr. — as they connect with her ballroom clan in an effort to bring closure to her loss; with the help of trans advocates, they succeed in getting her murder case re-opened, and work to achieve a posthumous legal name change to honor her memory and solidify her legacy.
It’s a remarkably kind and unapologetically sentimental chronicle of events, especially considering the brutal circumstances of Venus’ killing — a brutal death by strangling, almost certainly perpetrated by a transphobic “john” who left her body hidden under a mattress in a seedy hotel — and her decision to leave her birth family for a chosen one. As to the latter, there are no hard feelings among her blood relatives, who assert — mostly convincingly — that they always accepted her for who she was; one senses that a lot of inner growth has contributed to the Pallagatti clan’s mission, which admittedly sometimes resembles an attempt at making amends. For the murder itself, it’s best to leave that part of the story unspoiled — though it’s fair to say that any answers which may or may not have been found are overshadowed by the spirit of love, dignity, and determination that underscore the search for them, however performative some of it might occasionally feel. Ultimately, Venus is still the star of the show, her authentic and unvarnished truth remaining eloquent despite the passage of more than 40 years.
Perhaps more layered and certainly more provocative, documentarian Zackary Drucker’s “Enigma” (now streaming on HBO/Max) delves further back into trans history, tracing the parallel lives of two women — trans pioneer and activist April Ashley and self-styled European “disco queen” Amanda Lear — whose paths to fame both began in Paris of the 1950s, where they were friends and performers together at Le Carrousel, a notorious-and-popular drag cabaret that attracted the glitterati of Europe.
Ashley (who died at 86 in 2021) was a former merchant seaman from Liverpool whose “underground” success as a drag performer funded a successful gender reassignment surgery and led to a career as a fashion model, as well as her elevation-by-wedding into British high society — though the marriage was annulled after she was publicly outed by a friend, despite her husband’s awareness of her trans identity at the time of their marriage. She went on to become a formidable advocate for trans acceptance, and for environmental organizations like Greenpeace, who would earn an MBE for her efforts, and wrote an autobiography in which she shared candid stories about her experiences and relationships as part of the “exotic” Parisian scene from which she launched her later life.
The other figure profiled by “Enigma” — and possibly the one to which its title most directly refers — is Amanda Lear, who also (“allegedly”) started her rise to fame at Le Carrousel before embarking on a later career that would include fashion modeling, pop stardom, and a long-term friendship with surrealist painter Salvador Dalí. A self-proclaimed “disco queen” whose success in Europe never quite spread to American culture (despite highly public associations with musical icons like David Bowie and Roxy Music), Lear’s trajectory has taken her in a different direction than Ashley’s. In the film’s extensive live interview segments, she repeatedly denies and discredits suggestions of her trans identity, sticking to a long-maintained script in which any and all details of her origins are obscured and denied as a matter of course.
At times, it’s almost amusing to observe her performative (there’s that word again) denials, which occasionally approach a kind of deliberate “camp” absurdity in their adamance, but there’s also a kind of grudging respect that’s inspired by the sheer doggedness with which she insists on controlling the narrative — however misguided it may seem to those of us on the outside. Debate about her gender-at-birth has continued for decades, even predating Ashley’s book, so the movie’s “revelations” are hardly new, nor even particularly controversial — but her insistence on discrediting them provides sharp contrast with the casual candor of Ashley’s elegantly confident persona, underscoring the different responses to transphobia that would direct the separate lives of both these former (alleged) friends.
For what it’s worth, Lear sent an email to the Washington Post, calling the movie “a pathetic piece of trash” and denying not just her trans identity but any friendship or association with Ashley, despite ample photographic and anecdotal evidence to the contrary — and while it might come across as callous or desperate for her to maintain the presumed façade, it’s a powerful testament to the power of cultural bullying to suppress the truth of queer existence; the contrast between the life each of these women chose to live speaks volumes, and makes “Enigma” into one of the most interesting — and truthful — trans documentaries to emerge thus far.
While neither film presents a comprehensive or definitive view of trans experience (is such a thing even possible, really?), both offer a perspective on the past which both honors the truth of queer existence and illustrates the ways in which the stigma imposed by mainstream prejudice can shape our responses to the identity through which we are perceived by the public.
That makes them both worth your attention, especially when our queer history — and the acknowledgement of trans existence itself — is at risk or being rolled right back up into the closet.
Sports
Trans cyclist’s victory sparks outrage in conservative media
Katheryn Phillips is originally from DC

On the heels of UPenn erasing the record of the first openly transgender NCAA Division I All-American swimmer and the U.S. Supreme Court’s decision to tackle bans on trans student-athletes, right wing media is now all hot and bothered about the latest trans woman who won a cycling championship — even though she competed according to the rules.
On Tuesday, 58-year-old Katheryn Phillips finished first in USA Cycling’s Lyons Masters National Championship race for women aged 55-59, with a time of 1:42:10, according to the official results posted by the organization. The record shows her gender as “F” for female.
One second behind Phillips was Julie Peterson, with a time of 1:42:11 — as were three other cyclists: Mary Beth Grier, Andrea Cherniak-Tyson, and Carolyn Maddox.
Peterson, 57, was so outraged, she told Fox News she refused to stand on the podium in second place next to Phillips. Her story was swiftly shared by the New York Post (also owned by Fox’s parent company News Corp.), the Daily Mail, Breitbart, and other conservative media.
Both Peterson and another competitor are accusing USA Cycling of “hiding” that a transgender woman had registered to race.
“It was hidden from us. Katheryn Phillips, KJ’s name, was not on that list. And I checked it up all the way to the point of closure when we couldn’t register online anymore,” Debbie Milne told Fox.
“If I had known, I wouldn’t have spent thousands of dollars in travel and time off work to come and do a race,” Peterson said. Fox welcomed Milne, 56, who finished seventh on Tuesday, to Fox & Friends Thursday morning.
(Video courtesy of Fox News)
Peterson told Fox she did complain to USA Cycling officials prior to the race. Both Milne and Peterson referred to Phillips as a male, and with “he/him” pronouns.
“To be fair to all humans, if we want to say ‘him’ or ‘her,’ he was born a biological male, that is a fact,” Milne said. “And that is the thing that makes it an unfair advantage. Whatever has happened after that is a whole different topic.”
“I said, ‘I don’t want to race against a man,’ and they quickly scolded me and said ‘Oh, you can’t call him a man,’ and I’m like ‘Well, he is a man,’ so I was quickly scolded and corrected that it is a woman and I don’t even know what to say.”
USA Cycling did not respond to the Washington Blade’s emails requesting comment.
Phillips, who goes by Kate and by “KJ,” is a former rugby player with the D.C. Furies, who stated in the comments of a 2024 article published by Zwift Insider that she was the first out trans athlete in the U.S. to compete under the 2004 International Olympic Committee’s guidelines on trans participation.
“When USA Rugby told me about the IOC decision in 2004, I raised my hand to be included. I experience nothing but joy when I play, ride, and race,” Phillips said.
As the Blade has reported, the International Olympic Committee drastically revised those rules in 2021, and in March, Republican lawmakers in D.C. demanded the IOC ban trans female athletes from women’s sporting events altogether.
The Blade also reached out to Phillips for comment but as of press time we have not received a response. She told Zwift Insider in March 2024 she does not let those who disapprove or spread hate impact her performance or her attitude.
“I am unaffected by dissent. I love, I share joy, I am me, and I have been my authentic self for decades,” she said. It’s been reported Phillips came out in 1999, and told Zwift Insider she considers herself a lifelong cyclist.
“I’ve been on a bike for as long as I can remember,” said Phillips. “As kids, my friends and I rode all over town, we were feral kids; no cell phones, no trackers … we just roamed, and nobody got in trouble or hurt bad enough not to ride home … Scrapes/bruises/cuts were not an issue for us. In my teens, I worked for myself as a court/legal messenger, doing all of the work via my bike until I got a car. Raced BMX as a kiddo (when I mowed lawns to cover the race entry fees), I did MTB stuff (non-racing) and Sprint/Olympic Triathlons in my 30’s, and now I’m racing on Zwift, Road/Gravel, and CX in my 50s.”
In the comments section, Phillips made clear she’s not competing to win.
“I don’t do sports for victory, I do it because like many other women, I am an athlete to my core,” she said. “Unlike some, I am not there to WIN, I am there to do my best with the competitors and teammates I have around me trying to do the same…we are in it for the experience. I rejoice in their wins, and a lot of joy is reflected back to me when I have a good day.”
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