National
The story behind the Harvey Milk stamp
Postal service to release commemorative stamp in May
The Harvey Milk commemorative stamp is set to be released this spring.
While no specific date has been announced for the official release of the United States Postal Service’s first-ever Harvey Milk stamp, the Washington Blade has confirmed that the release date will be in May—not as late as June, as has been reported by several media outlets and as the postal service’s own Web site still indicates is possible.
“It will be May, not June,” said Susan McGowan, director of USPS Office of Stamps and Corporate Licensing. “And we hope people will turn out to experience a very special release ceremony.”
The stamp’s coming out party promises to be a big affair for the postal service—one that’s been nearly a decade in the making.
“Let’s just say it’s going to be a great celebration,” McGowan told the Blade.
Today, Harvey Milk may seem like a shoe-in as a candidate to be honored with the issuance of a U.S. postage stamp bearing his likeness.
But according to organizers of the National Harvey Milk Stamp Campaign, there was fervent opposition from some of the country’s most fundamentalist religious groups, as well as from some members of the Citizens Stamp Approval Committee (CSAC), which votes to approve about 25 stamp requests out of about 1,000 requests each year.
“I know for a fact that some of the stamp committee members were absolutely opposed to the idea of a Harvey Milk stamp or a stamp honoring any homosexual leader,” said San Diego City Commissioner Nicole Murray Ramirez, head of the International Imperial Court System, which led the national campaign to win approval for the stamp.
“That was early on, of course. I think as the process moved on and they saw how much support we had not only from Democrats, but from top Republicans, support grew.”
Although she couldn’t say whether the Citizens Stamp Approval Committee’s vote for the Harvey Milk stamp was divided or unanimous, USPS’s McGowan was adamant that there is no story of impassioned opposition to the stamp on the committee.
“I think you’re trying to find controversy where there wasn’t any,” she said. “It’s quite possible the vote was unanimous; we don’t keep those details because all that is needed is a simple majority for approval.”
What matters, says McGowan, is that the committee did approve the Harvey Milk stamp, and that it will be released in May.
Ramirez said the process for winning approval for the Harvey Milk stamp was arduous. But he added that he and his colleagues on the stamp campaign, including Stuart Milk — Harvey Milk’s nephew who is also a gay civil rights advocate — GLAAD, the Human Rights Campaign, the Harvey Milk Foundation, the National Gay and Lesbian Task Force, numerous senators and members of Congress, mayors and others, were gratified that it succeeded.
“I don’t think it was as hard as it would have been 20 years ago,” Ramirez said. “In the end, I think we were treated fairly and we got approval for the stamp faster than a lot of other stamp campaigns.”
Still, some organizations such as Save California, a right-wing religious group, plan to protest the postal service’s decision to commemorate Harvey Milk, whom they call a “sexual predator.”
Nevertheless, Ramirez said national symbols, such as commemorative stamps, speak louder and resound for longer than any words of hate or bigotry espoused by angry ultra-conservatives.
“The fact that we now have the image of one of our greatest GLBT leaders on a beautifully designed United States postage stamp says more than anything else about how far we have come as a country fighting against the hatred that we still face as gay, lesbian, bisexual and transgender people,” said Ramirez.
Ramirez knows about that history through his own experience. He helped lead historic marches for LGBT rights in the early 1970s in downtown San Diego and other California locales to protest police abuse of gay people.
“Young people don’t know how bad it was,” Ramirez said. “You could get beat up or worse by the police, just for being in a gay bar. This stamp honoring Harvey Milk shows that by fighting for our rights and never giving up, we can change the way the majority of people behave toward minorities, whether it’s racial minorities or GLBT people.”
According to McGowan, the postal service received thousands of letters of support for the Milk stamp.
“It was overwhelming,” she said. “We get about 30,000 letters of support for stamp proposals every year, but that’s for all of the thousand or so annual stamp proposals combined. The amount of public support for this stamp was really amazing.”
The stamp campaign began with a simple letter, dated Oct. 20, 2009, signed by Ramirez in his capacity then as chair of the City of San Diego’s Human Relations Commission, asking the Citizens Stamp Approval Committee to consider and approve the design and issuance of a U.S. postage stamp commemorating and bearing an image of San Francisco City and County Supervisor Harvey Milk.
In essence, the Harvey Milk campaign asked the postal service for the first time to specifically honor a person for being a tireless soldier in the battle for equal rights for LGBT people—and for having the courage and tenacity to become one of the nation’s first openly gay elected public officials.
Ramirez and his fellow signers of the San Diego Human Relations Commission’s letter to CSAC wrote in 2009: “The governor of the state of California, Arnold Schwarzenegger, recently inducted Harvey Milk into the California Hall of Fame, saying ‘he embodies California’s innovative spirit and has made a mark on history.”
By citing California’s then Republican governor’s support for the stamp, the campaign hoped to demonstrate the principles Milk stood for crossed party lines.
“Harvey Milk is recognized nationally and globally as a pioneer of the LGBT civil rights movement for his exceptional leadership and dedication to equal rights,” the letter continued.
That same year, the film “Milk” won Sean Penn an Oscar for best actor in recognition of his critically acclaimed portrayal of the slain civil rights leader. The hit film also brought home an Oscar for writer Dustin Lance Black for best screenplay.
That was also the year that President Obama posthumously awarded Harvey Milk the Presidential Medal of Freedom.
Now, five years later, a postage stamp featuring Milk’s smiling face will finally be released. The stamp will find its way into the stamp collections of philatelists throughout the world.
According to one gay stamp collector, given the fact that this is the first stamp expressly honoring an openly gay American hero, it is conceivable that the postal service may get a whole new generation of LGBT philatelists as stamp-collecting customers.
“Harvey Milk continues to inspire us all to strive for a society that provides unlimited and equal opportunities for all our citizens,” wrote Rep. Nancy Pelosi to CSAC when she was still speaker of the House of Representatives, imploring the committee to approve the stamp. “The United States Postal Service has yet to honor an LGBT American hero with a stamp, commemorating the life and efforts of Harvey Milk would be a testament to Harvey’s courage and a symbol of pride to anyone who has ever felt discrimination or cared about those who have.”
Recently, a new stamp campaign was launched for another openly gay Presidential Medal of Freedom recipient.
In January, the Blade broke the news that many of the same people and organizations that won approval for the Harvey Milk stamp have joined with Walter Naegle, Mandy Carter and the National Black Justice Coalition (which Carter cofounded), to win approval for a United States postage stamp commemorating the life and work of the late Bayard Rustin.
Along with A. Phillip Randolph, Rustin was chief organizer of the 1963 March on Washington for Freedom and Jobs, where Martin Luther King, Jr. delivered his historic “I Have a Dream” speech.
“The current campaign is a new effort, but there have been letters written for more than a decade suggesting that Bayard be honored with a stamp,” said Walter Naegle, Rustin’s surviving partner. “Perhaps an increase in the number of supporters will help, but the postal service doesn’t seem to be influenced by such efforts.”
Naegle is currently engaged in an ongoing Rustin awareness campaign, focusing his efforts on a multitude of fronts. He promises to do what he can to help the Bayard Rustin National Stamp Campaign succeed.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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