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Raven-Symoné says hiding her sexuality ‘ate at her soul’

actress says fame at a young age forced her to be closeted

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(Screenshot via YouTube)

(Screenshot via YouTube)

Raven-Symoné opened up about her struggle with her sexuality in the third season of “It Got Better,” a docu-series born from Dan Savage’s It Gets Better campaign.

In interview footage, the former child actress says hiding her identity “ate at her soul.”

“My likeness… however you see it at that time, had 15 people dictating what I should and should not look like. If I did whatever I want, it’s not gonna sell. It doesn’t go with the brand. I was branded at such a young age. I kinda pushed myself to look for boys,” Raven-Symoné, 30, says. “I look back now like, ‘Woah, you like girls.'”

“I didn’t wanna tell my parents,” Raven-Symoné continues. “I had the number one show on Disney. I had multiple albums, I’d been on tour with *NSYNC… I didn’t wanna deal with that. I never thought I would come out because my personal life didn’t matter. It was only what was supposed to be sold as the Raven-Symoné brand.”

The actress says that when she when she took a break from the entertainment industry and went to college she finally had the freedom to be herself.

“I didn’t have to have a ‘beard.’ I didn’t have to have a man standing by me. I felt lighter, I felt like I could go out and not have to put on 17 different hats to be myself,” Raven-Symoné says.

This is the first time Raven-Symoné has candidly discussed her sexuality. The first public mention of her sexuality was in 2013 when she tweeted “I can finally get married! Yay government! So proud of you” after the legalization of same-sex marriage in California. She was in a relationship with model AzMarie Livingston for four years before the couple split in 2015.

“It Got Better” launches on Tuesday on L/Studio, Lexus’ digital content channel. Other interviews will include Sir Ian McKellen, Candis Cayne, Adam Lambert, EJ Johnson and Wanda Sykes.

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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