Arts & Entertainment
Terry Crews reveals sexual assault by Hollywood exec
the actor gives support to Harvey Weinstein victims with his own story
Terry Crews gave support to the victims of Harvey Weinstein’s alleged sexual assault by detailing his own experience with sexual assault in Hollywood.
In a series of tweets on Tuesday, the “Brooklyn Nine-Nine” actor and former Washington Redskins player recalled a Hollywood executive groping him at a party.
“This whole thing with Harvey Weinstein is giving me PTSD. Why? Because this kind of thing happened to ME…,” Crews tweets. “My wife n I were at a Hollywood function last year n a high level Hollywood executive came over 2 me and groped my privates.”
“Jumping back I said What are you doing?! My wife saw everything n we looked at him like he was crazy. He just grinned like a jerk,” Crews continued.
He went on that he was afraid of how the story would look in the media and chose to remain silent.
“240 lbs. Black Man stomps out Hollywood Honcho’ would be the headline the next day,” Crews tweets.
Crews says that he understands why victims of sexual assault don’t always come forward with their stories.
“I let it go. And I understand why many women who this happens to let it go. Who’s going 2 believe you? ( few) What r the repercussions?(many) Do u want 2 work again? (Yes) R you prepared 2b ostracized?(No),” Crews tweets.
Actor Rob Schneider also shared with TMZ that he was also a victim of sexual harassment in Hollywood.
“When I was a young actor, there was a gross director, and it happened to me. I was in a hotel room, I didn’t think it was going to be a weird situation. It was a famous director, it was before I was really famous,” Schneider says. “The next thing I know, I’m in a room with this guy, he’s in a chair, he comes out in a bathrobe and he sits in this chair. He asks me to crawl on the ground and to crawl towards him. This guy, he’s very famous, he’s passed away now. He was a pig. I got the hell out of there
Read Crews’ full story below.
This whole thing with Harvey Weinstein is giving me PTSD. Why? Because this kind of thing happened to ME. (1/Cont.)
— terrycrews (@terrycrews) October 10, 2017
My wife n I were at a Hollywood function last year n a high level Hollywood executive came over 2 me and groped my privates. (2/cont.)
— terrycrews (@terrycrews) October 10, 2017
Jumping back I said What are you doing?! My wife saw everything n we looked at him like he was crazy. He just grinned like a jerk. (3/cont.)
— terrycrews (@terrycrews) October 10, 2017
I was going to kick his ass right then— but I thought twice about how the whole thing would appear. (4/cont.)
— terrycrews (@terrycrews) October 10, 2017
“240 lbs. Black Man stomps out Hollywood Honcho” would be the headline the next day. (5/cont.)
— terrycrews (@terrycrews) October 10, 2017
Only I probably wouldn’t have been able to read it because I WOULD HAVE BEEN IN JAIL. So we left.
(6/cont.)— terrycrews (@terrycrews) October 10, 2017
That night and the next day I talked to everyone I knew that worked with him about what happened. (7/cont.)
— terrycrews (@terrycrews) October 10, 2017
He called me the next day with an apology but never really explained why he did what he did. (8/cont.)
— terrycrews (@terrycrews) October 10, 2017
I decided not 2 take it further becuz I didn’t want 2b ostracized— par 4 the course when the predator has power n influence. (9/cont.)
— terrycrews (@terrycrews) October 10, 2017
I let it go. And I understand why many women who this happens to let it go. (10/cont.)
— terrycrews (@terrycrews) October 10, 2017
Who’s going 2 believe you? ( few) What r the repercussions?(many) Do u want 2 work again? (Yes) R you prepared 2b ostracized?(No)(11/cont.)
— terrycrews (@terrycrews) October 10, 2017
I love what I do. But it’s a shame and the height of disappointment when someone tries to takes advantage of that. (12/cont.)
— terrycrews (@terrycrews) October 10, 2017
He knows who he is. But sumtimes Uhav2 wait & compare notes w/ others who’ve been victimized in order 2gain a position of strength. (13cont)
— terrycrews (@terrycrews) October 10, 2017
I understand and empathize with those who have remained silent. But Harvey Weinstein is not the only perpetrator. (14/cont.)
— terrycrews (@terrycrews) October 10, 2017
Hollywood is not the only business we’re this happens, and to the casualties of this behavior— you are not alone. (15/cont.)
— terrycrews (@terrycrews) October 10, 2017
Hopefully, me coming forward with my story will deter a predator and encourage someone who feels hopeless. (16/end)
— terrycrews (@terrycrews) October 10, 2017
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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