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Calendar: Dec. 31

Events through Jan. 8

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New Years Eve Parties

Ziegfeld’s/Secrets (1824 Half St., S.W.) New Years Eve party tonight will feature a cash balloon drop, party favors and a free split of champagne.

Lace Lounge’s (2214 Rhode Island Ave., N.E.) New Year’s Eve party “Midnight Kiss” is tonight from 9 p.m. to 3 a.m. There will be a complimentary breakfast buffet and champagne and a cash drop at midnight. Pre-sale ticket holders will get express VIP entry. Pre-sale tickets are $12 and can be purchased at lacedc.com.  Tickets at the door start at $20.

Apex (1415 22nd St., N.W.) presents New Years Eve tonight with two parties.  DJ Melissa will be in the main arena with Michael Brandon with Caliente in the east wing lounge. There will be complimentary champagne and assorted party favors. Cover charge is $15 and doors open at 9 p.m.

Eatonville Restaurant (2121 14th St., N.W.) presents “A New Orleans New Year’s Eve” tonight with two dinners. The first beings at 6:30 and features a three-course dinner. The second seating begins at 10 p.m. with a four-course meal, champagne toast, party favors, live jazz and the official ball drop on the big screen. Tickets are $39 for the first seating and $59 for the second. For more information and to purchase tickets, visit eatonvillerestaurant.com.

Remington’s (639 Pennsylvania Ave., S.E.) New Year’s Eve Country Masquerade Ball will begin at 8 p.m. There will be dancing, party favors, a balloon drop, midnight champagne toast and more. Cover is $10. For more information, visit RemingtonsWDC.com.

Wicked Jezabel presents Wicked New Year’s Even Bash tonight starting at 9 p.m. at Second Chance Saloon (5888 Robert Oliver Place) in Columbia with an opening performance by Triple Goddess Tribal Middle Eastern Dance. Tickets are $30 and can be purchased at wickedjezabel.com. Ten percent of the ticket sales will be donated to the Mautner Project.

Town (2009 8th St., N.W.) will have a New Years Eve party starting at 10 p.m. Djs BacK2bACk will be counting down the top 10 video of 2010 and Tatianna of RuPaul’s Drag race will perform live in the drag show at 10:30 p.m. X-Faction and the Ladies of Town will also be performing live. Tickets are $20 and can be purchased in advanced at Universal Gear or online at groovetickets.com and at the door.

Ultrabar D.C. will having a New Year’s party tonight at 10 p.m. with six bars, four DJs, a champagne toast at midnight, buffet, midnight balloon drop, party favors and more. Tickets are $40 and can be purchased at ultrabardc.com.

The Lodge will have a New Year’s Eve party tonight from 7 to 2 a.m. There will be a best dressed contest with cash and bar tab prizes, champagne fountain, party favors and more. Tickets are $25 for two or $15 per person in advanced until Dec. 27., $30 for two or $20 per person at the door. and can be purchased at thelodgemd.com.

Little Miss Whiskey’s Golden Dollar (1104 H St., N.E.) and Jimmy Valentines Lonely Hearts Club (1103 Bladensburg Rd., N.E.) will be hosting a “Double Whammy,” with a sponsored shuttle service between the two bars every half hour and drop-offs at Union Station starting at 12:30 a.m. Attendees must be 25 or older. An open bar ticket with access to both bars is $90 and access to either one bar is $25. Tickets are limited.

A few of Andy Warhol's cheeky variations on 'The Last Supper' are on display at the Baltimore Museum of Art as part of 'Warhol: the Last Decade.' (Image courtesy of the Andy Warhol Museum)

Friday, Dec. 31

Special Agent Galactica with Christopher Wingert starring in “The Only Gal in Town,” will be at go mama go! (1809 14 St., N.W.) tonight at 8 p.m. The show will feature songs written by or made famous by Stephen Sondheim, Quincy Jones, Ray Stevens, Richard Rodgers, Ann-Margaret, Dust Springfield, Mary Rodgers, Cy Coleman and more. Tickets are $10 and can be purchased at the door or at ganymedearts.org.

BYT presents DJs and beer tonight from 8 p.m. to 4 a.m. at the Bohemian Caverns entertainment/hospitality complex. DJs Chris Burns and friends will be on the second floor in LIV Nightclub. A dozen local bands will play cover songs on the first floor in Hominy and Homo Erectus DJs and friends will be in the Gay Jamboree Opium Den with Stalactights in the basement. Early bird tickets are $55. For more information and to purchase tickets, visit brightestyoungthings.com.

The American City Diner (5532 Connecticut Ave., N.W.) will be showing the film “Dr. Strangelove” starring Peter Sellers and George C. Scott tonight. The movie starts at 8 p.m. The full menu will be available. Admission is free. For more information, visit americancitydiner.com.

The Baltimore Museum of Art (10 Art Museum Drive) is hosting “Warhol: the Last Decade,” an exhibit featuring more than 50 large-scale works that marked Andy Warhol’s last decade. This is the last stop of a national tour. Some of the works shown include fright wig self-portraits and three variations on Da Vinci’s “The Last Supper.” The museum is open from 10 a.m. to 5 p.m. and admission ranges from free for children 5 and younger to $15 for adults. For more information, visit warhol.artbma.org.

Four college football bowl games will be on today at Nellie’s (900 U St., N.W.) today: the Meineke Car Care Bowl with South Florida and Clemson starts at noon. The Hyundai Sun Bowl with Notre Dame and Miami starts at 2 p.m. The AutoZone Liberty Bowl with George and UCF starts at 3:30 p.m. and the Chick-fil-A Bowl ends the night with South Carolina and Florida State at 7:30 p.m. and DJ Wesley D will be playing music and videos all night.

Saturday, Jan. 1

Homo/Sonic is tonight at 9:30 p.m. at the Black Cat (1811 14th St., N.W.) featuring DJs Natty Boom and Zack and Michael of the New Gay. This is an event is all ages and has a $10 cover.

Johnny Vicious will be at Town (2009 8th St., N.W.) tonight. Doors open at 10 p.m. The cover charge is $8 before 11 p.m. and $12 after.

Refresh is tonight from 9 p.m. to 2 a.m. at the Lodge (21614 National Pike) in Boonesboro. Drink specials include $1 Busch Light cans and $5 XXL ReFresher all night long. There’s a $5 cover before 11 p.m. and $8 after.

Trombone Shorty and Orleans Avenue will be performing at 9:30 Club (815 V St., N.W.) tonight at 8 p.m. Tickets are $25 and can be purchased at 930.com.

Sunday, Jan. 2

The Kinsey Sicks will be performing “Oy Vey in a Manger” today at 3 p.m. and again at 7:30 p.m. at the Theater J in the Washington DCJCC’s Aaron and Cecile Goldman Theater (1529 16th St., N.W.). Tickets range from $35 to $60 and can be purchased by calling 800-494-TIXS or visiting boxofficetickets.com.

The Baltimore Museum of Art (10 Art Museum Drive) will be holding its first free family Sunday of the year today from 2 to 5 p.m. This week’s activity is making “magical mobiles.” All materials are provided.

Monday, Jan. 3

The D.C. Center (1318 U St., N.W.) will have its volunteer night tonight from 6:30 to 8 p.m. For more information, visit thedccenter.org.

The National Portrait Gallery is showing an exhibit that focuses on sexual differences in the making of modern American portraiture. “Hide/Seek: Difference and Desire in American Portraiture” is the first major museum exhibit of its kind. The museum is open from 11:30 a.m. to 7 p.m. and admission is free.

Tuesday, Jan. 4

Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s new packing location Green Lantern, 1335 Green Ct., N.W.

Nellie’s (800 U St., N.W.) will have drag bingo featuring Shi-Queeta-Lee tonight at 8 p.m. and Beat the Clock happy hour from 5 to 8 p.m.

Wednesday, Jan. 5

“Shear Madness,” a comedy whodunit, will be performed at the Kennedy Center Theater Lab (2700 F St., N.W.) at 8 p.m. “Madness” takes place in present-day Georgetown, in the Shear Madness Hair Styling Salon. Visit kennedy-center.org for more information and to purchase tickets.

The Baltimore Museum of Art (10 Art Museum Drive) will have a collection tour today at 2 p.m. showcasing art that inspires contemplation.

Thursday, Jan. 6

The Lincoln Center Theater presents Rodgers and Hammerstein’s “South Pacific” today at the Kennedy Center opera house (2700 F St., N.W.) at 7:30 p.m. Tickets range from $39 to $150 and can be purchased at kennedy-center.org.

Friday, Jan. 7

The Dance Party will be at 9:30 Club with Wallpaper, K-Flay, Ra Ra Rasputin and lowercaseletters at 8 p.m. Tickets are $15 and can be purchased at 930.com.

The D.C. Center will have its monthly open mic night tonight from 8 to 10 p.m. Doors open at 7:30 p.m. and performer can sign up until 8. This night will feature the work of the Brother Tongue Poetry Workshop participants.

Saturday, Jan. 8

The NSO Teddy Bear Concert: “Fancy That!” will have three performances of a one-woman show with NSO violinist Marissa Regini today at 11 a.m., 1:30 and 5 p.m. in the Kennedy Center’s Family Theatre (2700 F St., N.W.).

The Capitol Hill Arts Workshop will hosts its fifth annual photography exhibit and reception tonight from 5 to 7 p.m. at CHAW (545 7th St., S.E.) featuring works from local and regional artists. Admission to the opening and exhibition is free and will continue until Feb. 4.


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Theater

Trans performer, juggler premiering one-woman show

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Lucy Eden stars in ‘Circus of the Self’ at Spooky Action Theater.  (Photo courtesy of Spooky Action Theater)  

Circus of the Self
May 29-June 6
Spooky Action Theater
1810 16th St., N.W.
Pay-What-You-Can: May 2
All other performances: $35
Spookyaction.org

For Lucy Eden, tricks have proved a way into theater.

The Oakland, Calif.-based trans performer and juggler is premiering her one-woman show “Circus of the Self” at Spooky Action Theater in conjunction with WorldPride. 

Directed by Spooky Action’s artistic director Elizabeth Dinkova, the autobiographical busking show is a unique blend of circus and serious storytelling.   

Juggler first met director several years ago in Atlanta. Eden explains, “She was working at a theater down the street from the juggling club where I spent a lot of time. She needed people for a street fair. I agreed. Another collaboration soon followed.” 

Previously, Eden had worked mostly as a roaming performer at Atlanta corporate events and street style pre-game shows for the Braves: “Those environments were a good way to work on material, to learn what tricks make people stop their talking and turn their attention to me,” she says.

Now based in Oakland, Calif., Eden, 40, has created a 77-minute-long one-woman show infused with burlesque, expert juggling, and a personal, sometimes difficult, story.  

While she hesitates to say it’s the obligation of all trans people to tell their stories, she says, “In these times, if you get the opportunity, I believe you ought to take it.” 

Recently, she took a break from preparations, to talk life and showbiz.

BLADE: How exactly did you learn circus tricks? 

EDEN: I’m autodidactic. I taught myself to juggle in the last semester of college. Things had gone wrong and I was looking for distraction. So, when I found a “three ball learn to juggle” kit, I never looked back. That lead to advanced juggling, unicycling, and balancing objects on my face. 

Things began to look up. Today, I try to resist everything in my life going back to circus tricks, it almost always does. 

BLADE: It sounds almost preordained. 

EDEN: For sure. It changed everything. Circus skills force you to face your own failure. When you drop a ball, you can’t convince yourself or the audience that it didn’t happen. Performing, like life, forces you to develop capacities to deal with internal and external failures. 

It teaches us not take ourselves, societal rules, or the idea of what’s success too seriously. 

BLADE: Juggling at a cocktail party to baring your past before a rapt audience must be quite a stretch.

EDEN: It is, but rather than making a dramatic leap, I leveraged the fun and draw of circus to engage people in a more difficult conversation. 

BLADE: Spooky Action’s website warns about “frank discussions of transphobia and mental health.” 

EDEN: Well yeah, I grew up in rural Georgia in the 1990s. You can only imagine. Trans is integral to my identity, and a hot button term right now. I think everyone sees and hears a lot of things about trans people that don’t in fact come from actual trans people. 

A big part of why I wrote this show and brought it to D.C. is because I really want audiences to have as intimate and revealing look at me as a trans persona as I can give them. I think it’s only through knowing that we can get beyond all the noise, misinformation, and fear mongering.  

BLADE: Lately I hear a lot of artists bandying about the term “queer joy.” Woolly’s website uses the term in describing aspects of your show. What does it mean to you?

EDEN: It’s an important thingfor us all to be focused on right now, but we’re in a place where joy is hard to access. So, to me, it’s complex; it’s an important yet nuanced pursuit. 

BLADE: As a part of the vast and promising WorldPride (through June 8) entertainment lineup, what makes your show stand out?

EDEN: It’s fun. I wrote “Circus of the Self” with a queer audience in mind. I spend a lot of time and creative energy performing for a general audience. I want this to be different. As far as I know, there’s nothing quite like my show out there. 

There are a lot of shows that are a combination of storytelling and circus parts but they tend to be surface level entertainment. I think of this as more standup with circus layered on; it’s modeled after queer comedians like Hannah Gadsby and Tig Notaro whose work is driven more by personality than jokes. 

I have tried to write a show for a queer audience. It has all the things I need to see for myself but never have.

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Movies

‘Things Like This’ embraces formula and plus-size visibility

Enjoyable queer romcom challenges conventions of the genre

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Max Talisman and Joey Pollari star in 'Things Like That.' (Image courtesy of MPX Releasing/Big Picture Collective)

There’s a strange feeling of irony about a spring movie season stacked with queer romcoms – a genre that has felt conspicuously absent on the big screen since the disappointing reception met by the much-hyped “Bros” in 2022 – at a time when pushback against LGBTQ visibility is stronger than it’s been for 40 years.

Sure, part of the reason is the extended timeline required for filmmaking, which tells us, logically, that the numerous queer love stories hitting theaters this year – including the latest, the Manhattan-set indie “Things Like This,” which opened in limited theaters last weekend – began production long before the rapid cultural shift that has taken place in America since a certain convicted fraudster’s return to the White House. 

That does not, however, make them any less welcome; on the contrary, they’re a refreshing assertion of queer existence that serves to counter-balance the hateful, politicized rhetoric that continues to bombard our community every day. In fact, the word “refreshing” is an apt description of “Things Like This,” which not only celebrates the validity – and joy – of queer love but does so in a story that disregards “Hollywood” convention in favor of a more authentic form of inclusion than we’re ever likely to see in a mainstream film

Written, starring, and directed by Max Talisman and set against the vibrant backdrop of New York City, it’s the story of two gay men named Zack – Zack #1 (Talisman) is a plus-sized hopeful fantasy author with a plus-sized personality and a promising-but-unpublished first novel, and Zack #2 (Joey Pollari) an aspiring talent agent dead-ended as an assistant to his exploitative “queen-bee” boss (Cara Buono) – who meet at an event and are immediately attracted to each other. Though Zack #2 is resigned to his unsatisfying relationship with longtime partner Eric (Taylor Trensch), he impulsively agrees to a date the following night, beginning an on-again/off-again entanglement that causes both Zacks to re-examine the trajectories of their respective lives – and a lot of other heavy baggage – even as their tentative and unlikely romance feels more and more like the workings of fate.

Like most romcoms, it relies heavily on familiar tropes – adjusted for queerness, of course – and tends to balance its witty banter and starry-eyed sentiment with heart-tugging setbacks and crossed-wire conflicts, just to raise the stakes. The Zacks’ attempts at getting together are a series of “meet-cutes” that could almost be described as fractal, yet each of them seems to go painfully awry – mostly due to the very insecurities and self-doubts which make them perfect for each other. The main obstacle to their couplehood, however, doesn’t spring from these mishaps; it’s their own struggles with self-worth that stand in the way, somehow making theirs more of a quintessentially queer love story than the fact that both of them are men.

All that introspection – relatable as it may be – can be a downer without active energy to stir things up, but fortunately for “Things Like This,” there are the inevitable BFFs and extended circle of friends and family that can help to get the fun back on track. Each Zack has his own support team backing him up, from a feisty “work wife” (Jackie Cruz, “Orange is the New Black”) to a straight best friend (Charlie Tahan, “Ozark”) to a wise and loving grandma (veteran scene-stealer Barbara Barrie, “Breaking Away” and countless vintage TV shows) – that fuels the story throughout, providing the necessary catalysts to prod its two neurotic protagonists into taking action when they can’t quite get there themselves.

To be sure, Talisman’s movie – his feature film debut as a writer and director – doesn’t escape the usual pitfalls of the romcom genre. There’s an overall sense of “wish fulfillment fantasy” that makes some of its biggest moments seem a bit too good to be true, and there are probably two or three complications too many as it approaches its presumed happy ending; in addition, while it helps to drive the inner conflict for Zack #2’s character arc, throwing a homophobic and unsupportive dad (Eric Roberts) into the mix feels a bit tired, though it’s hard to deny that such family relationships continue to create dysfunction for queer people no matter how many times they’re called out in the movies – which means that it’s still necessary, regrettably, to include them in our stories.

And in truth, “calling out” toxic tropes – the ones that reflect society’s negative assumptions and perpetuate them through imitation – is part of Talisman’s agenda in “Things Like This,” which devotes its very first scene to shutting down any objections from “fat shamers” who might decry the movie’s “opposites attract” scenario as unbelievable. Indeed, he has revealed in interviews that he developed the movie for himself because of the scarcity of meaningful roles for plus-sized actors, and his desire to erase such conventional prejudices extends in every direction within his big-hearted final product.

Even so, there’s no chip-on-the-shoulder attitude to sour the movie’s spirit; what helps us get over its sometimes excessive flourishes of idealized positivity is that it’s genuinely funny. The dialogue is loaded with zingers that keep the mood light, and even the tensest scenes are laced with humor, none of which feels forced. For this, kudos go to Talisman’s screenplay, of course, but also to the acting – including his own. He’s eminently likable onscreen, with wisecracks that land every time and an underlying good cheer that makes his appeal even more visible; crucially, his chemistry with Pollari – who also manages to maintain a lightness of being at his core no matter how far his Zack descends into uncertainty – isn’t just convincing; it’s enviable.

Cruz is the movie’s “ace in the hole” MVP as Zack #2’s under-appreciated but fiercely loyal bestie, and Buono’s hilariously icy turn as his “boss from hell” makes for some of the film’s most memorable scenes. Likewise, Tahan, along with Margaret Berkowitz and Danny Chavarriaga, flesh out Zack #1’s friend group with a real sense of camaraderie that should be recognizable to anyone who’s ever been part of an eclectic crew of misfits. Trensch’s comedic “ickiness” as Zack #2’s soon-to-be-ex makes his scenes a standout; and besides bigger-name “ringers” Roberts and Barrie (whose single scene is the emotional climax of the movie), there’s also a spotlight-grabbing turn by Diane Salinger (iconic as Francophile dreamer Simone in “Pee-Wee’s Big Adventure”) as the owner of a queer bar where the Zacks go on one of their dates.

With all that enthusiasm and a momentum driven by a sense of DIY empowerment, it’s hard to be anything but appreciative of “Things Like This,” no matter how much some of us might cringe at its more unbelievable romcom devices. After all, it’s as much a “feel-good” movie as it is a love story, and the fact that we actually do feel good when the final credits role is more than enough to earn it our hearty recommendation.

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Calendar

Calendar: May 23-29

LGBTQ events in the days to come

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Friday, May 23

“Center Aging Monthly Luncheon and Yoga” will be at 12 p.m. in person at the DC Center for the LGBT Community. For more details, email [email protected]

Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity and/or expression. For more details, email [email protected]

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at DIK Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, May 24

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar and Restaurant. This fun weekly event brings the DMV area LGBTQ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Black Lesbian Mixer will be at 11 a.m. on Zoom. This is a support group dedicated to the joys of being a Black lesbian. For more details, email [email protected]

Sunday, May 25

“The Queen’s Table: A Women’s Empowerment Brunch” will be at 11 a.m. at Zooz. This event will celebrate queer women’s strength. For more details visit Eventbrite

Monday, May 26

“Center Aging Monday Coffee and Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected]

Tuesday, May 27

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know you’re not 100 percent cis — this is your group. For more details, visit genderqueerdc.org or Facebook

Coming Out Discussion Group will be at 7 p.m. on Zoom. This support group is a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook

Wednesday, May 28

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, May 29

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. To be fairer with who is receiving boxes, the program is moving to a lottery system. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

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