Arts & Entertainment
Back to the circle
Youth Pride returns to its original locale; suicides, bullying give event renewed urgency
Teens gather at Youth Pride in 2007. (Blade file photo by Henry Linser)
Youth Pride is Saturday in Washington but there’s one big change this year — after several years at P Street Beach, the event is moving back to Dupont Circle where it started 15 years ago.
Nikisha Carpenter, president of the board of Youth Pride Alliance, says the board made the change so the event would have greater visibility.
“It’s just a visibility issue really truly,” the 32-year-old lesbian and D.C. resident says.
The event is open to any local LGBT youth 25 and younger. There is no minimum age to attend. Carpenter, who’s worked with the Alliance five years and has been board president of the all-volunteer agency for the last three, says tweens as young as 12 have come with their parents in past years. In a good year, about 500 youth attend, she says. Last year attendance was down because it rained on the planned day so it was postponed to the next Saturday.
That’s the group’s contingency plan if it rains this weekend but the weather forecast is calling for clear skies.
The non-profit Alliance produces the event with help from the D.C. Office of Human Rights. That government involvement led to a public awareness ad campaign in which Youth Pride promos were seen in Metro buses and stations.
Carpenter says last year’s spate of teen suicides has brought increased awareness to the need for LGBT youth resources, hence the ads.
“It’s really two different things but I do think there’s an increased sense of urgency about getting resources to the kids who need them,” she says. “We’ve even seen a lot more organizations singing up for booths this year who are really eager to service the youth.”
Usually there are about 50 booths, a concert stage, games and snacks. The event runs from noon to 5 p.m. in the circle. An “Infatuation Dance” for ages 21 and younger is from 5 to 9:30 p.m. at the U Street Music Hall (1115-A U Street, N.W.) with DJ Keenan who’ll spin house, electro, hip-hop, R&B and more. Admission is $5.
SMYAL, Whitman-Walker, the Trevor Project and others will be represented. Carpenter says it’s important to have a one-stop spot for resources.
“There are a lot of resources in D.C. but they don’t always know where to find them,” she says. “It’s important for them to have a fun, safe space to come to.”
The event typically draws a racially diverse group. Latino gay activist Jose Guttierez is spreading the word in the Latino community, Carpenter says, so black, white and Latino youth will likely be well represented.
And some teens are involved in the planning — a group of youth involved with the Office of State Superintendents volunteered their time to help with planning and will be on hand Saturday.
The Alliance welcomes donations, upon which it relies for its operating expenses. Visit youthpridealliance.org for more information.
“We hear some dramatic story at least every year,” Carpenter says. “There are kids who come and are really scared but are so excited and have a whole new group of friends by the end of the day. It’s really great to see.”
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(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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