Arts & Entertainment
Trey chic
Boise-based dance outfit at Harmon Hall this weekend
Trey McIntyre Project
8 p.m. tonight; 2 and 8 p.m. Saturday
Washington Performing Arts Society
at Sidney Harman Hall
610 F Street N.W.
Tickets $25-$75,
Wpas.org or shakespearetheatre.org/tickets
202-547-1122
When the Trey McIntyre Project performs tonight in Washington, viewers, obviously, will have a sense of what they’re in for. But that’s not always the case in Boise, Idaho, where the company is based.
The 41-year-old Trey McIntyre chose the unlikely locale after a nationwide search for a host city and, all things considered, found Boise the best fit. His dancers have made a splash there by launching what they call “SpUrgans” — spontaneous urban performances — where McIntyre says, “we will go into an office or into a park, or into a restaurant, do our dance and get out,” basically, guerilla-style dance done with a boom-box for music and flying feet and swiveling hips, startling observers.
The whole point of a “SpUrban,” he says, is to surprise, to connect viscerally and unexpectedly, site-specific however, seeing the dance environment writ large — to go directly where people live and work in the community itself. His dancers also perform at games of the Idaho Stampede, the local NBA team, where they sold 300 tickets to one performance.
This weekend’s performance, of course, will be less out of the blue.
At Harman Hall, McIntyre promises a high-profile presentation of three works, two of them — “Ma Maison” (2008) and “The Sweeter End” (2011) — he choreographed to be performed to the recorded music he commissioned from the New Orleans jazz band, Preservation Hall, in two salutes to “the Big Easy,” a city he has grown to love.
The brightly colored “Ma Maison” costumes feature Mardi Gras-style skeleton costumes and the dance is inspired by ritual and celebration of both death and the afterlife. “The Sweeter End” premiered in New Orleans in February. The troupe will also perform “In Dreams” (2007), a darkly lyrical ballet he created for five dancers set to the music of Roy Orbison songs, including the eponymous “In Dreams,” a song McIntyre remembered from its use in the 1986 film by David Lynch, “Blue Velvet.”
McIntyre is famed already after a star-studded career of more than two decades as a choreographer, with his canon of more than 80 works of contemporary ballet, set to scores as varied as classical music (Beethoven and Chopin), rock ‘n’ roll (from the Beatles and Beck to Roy Orbison), folk (Peter, Paul and Mary) and jazz (Preservation Hall Jazz Band).
McIntyre says he never came out per se. His parents asked him about it when he was 14 and matter of factly started dating a boy. The Wichita, Kan., native established his dance career after leaving home at 17 for the Houston Ballet Company. By 19 he was hired, enjoying a long run there that lasted until 2008 by which time he had been working as a choreographer, his own dancing days ending in the mid-’90s.
McIntyre’s partner of eight years, 29-year-old John Michael Schert, met in New York and knew early on they’d form a company together. It began in 2005 as a summer touring company and was established in 2008 as a full-time company, now with 10 dancers.
The dancers — now five males (including Schert) and five females, salaried for 35 weeks a year and with full health benefits — are happily settled in Boise. Now in their third year there, they are also touring with upcoming concerts at Harman Hall in Washington tonight and Saturday, hosted by the Washington Performing Arts Society (WPAS), and were scheduled to participate in a community “engagement” outreach with the Washington Ballet School, Maryland Youth Ballet and the Duke Ellington School for the Arts.
The company will also host tonight a free warm-up class and WPAS-sponsored performance for local schools at Harman Hall of excerpts from the three dances to be performed there tonight and Saturday.
Since arriving in Boise three years ago, the city has taken the Trey McIntyre Project to heart, bestowing a grant of $25,000 on the company, by far the city’s largest arts award ever, and naming the Project its first official cultural ambassador. Affiliated with Boise State University, which is renovating a 450-seat campus theater to make it suitable for dance, and housed for offices and studio space at Foothills School of Arts and Sciences, McIntyre and the company’s dancers have become virtual rock stars, recognizable wherever they go and showered with free gifts.
In 2005, the company began as a summer touring troupe, until landing on its feet full-time in Boise three years ago. Its now funded on a $1.5 million annual budget and boasts a blue ribbon national board and an advisory council with stars like Shirley MacLaine, Tony Award-winning actor Alan Cumming, and Lar Lubovich, legendary artistic director of the Lar Lubovich Dance Company.
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

