Arts & Entertainment
Thousands expected for D.C. Pride festivities
Weekend’s parade and festival a ‘destination event’

Capital Pride presented its annual Heroes and Engendered Spirit Awards at a ceremony on Tuesday night at the Embassy of Sweden; see story for full list of winners. (Blade photo by Michael Key)
As many as 250,000 people are expected to turn out for the D.C. Capital Pride parade and festival set for Saturday and Sunday, marking the D.C. area and the mid-Atlantic region’s largest two LGBT events of the year, according to Capital Pride organizers.
The two events serve as the highlight of dozens of Pride-related events that began on June 1 and included a broad and diverse representation of the LGBT community, organizers said, including events celebrating the transgender community and the LGBT Latino and Asian and Pacific Islander communities.
“This is the community’s event and the community pitches in every year,” said Bernie Delia, vice president of the Capital Pride board. “They’re the ones who put together the parade contingents and the floats on Saturday. And on Sunday, at the festival, they’re the ones who are staffing all those booths,” he said.
“They line the parade route and they come out in support of everybody at the festival, and it truly is a community event and it’s just wonderful to see this each and every year.”
Capital Pride spokesperson Scott Lusk said the festival’s headline entertainer, singer and Broadway actress Jennifer Holliday, was expected to make news on the main stage during her 5 p.m. performance when she debuts her new single “Magic,” representing the song’s world premiere.
Nationally acclaimed DJ and re-mixer Tony Moran of New York will accompany Holliday on the stage, where he will perform a special mix with Holliday, according to an announcement by Capital Pride.
“We’re thrilled that Tony Moran will join us at the Capital Pride Festival,” said Michael Lutz, president of the Capital Pride board. “With Tony joining Jennifer Holliday, we are set to have an afternoon of outstanding entertainment that will appeal to a wide audience.”
Other entertainers will perform on the main stage prior to Holliday’s appearance. They include the Gay Men’s Chorus of Washington, popular drag performer Ella Fitzgerald, and the D.C. Cowboys dancing group. A full list of the entertainers is available at HYPERLINK “http://www.capitalpride.org/”capitalpride.org.
As of May 8, 79 contingents had signed up for participation in the June 11 parade. Organizers said additional contingents were expected to sign up.
And as of May 21, 206 organizations, businesses and vendors had reserved space for booths at the June 12 Capital Pride festival, which takes place on Pennsylvania Avenue, N.W., between 3rd Street, near the U.S. Capitol, and 7th Street. As of Wednesday, the weather forecast looks good for the weekend with temperatures expected to be in the low 80s with only a chance of scattered storms on both days.
Similar to past years, dozens of LGBT organizations, both national and local, are slated to staff booths this year. Dozens of corporations and businesses seeking to do business with LGBT people also will have booths in this year’s festival.
Among them are America Online, Choice Hotels International, Geico, Walgreens pharmacies, Verizon Wireless, and Citibank, SunTrust, and Wachovia banks.
For the past four years, the Washington City Paper has named the Capital Pride Parade the city’s best parade of the year, and Delia said he expects this year’s parade to continue that tradition.
Delia and other Capital Pride organizers say a wide range of colorful floats and marching bands are slated to join the parade, which is set to begin at 5:30 p.m. Saturday at the intersection of 22nd and P Sts., N.W. next to P Street Beach Park.
Similar to past years, the parade will travel west on P Street to Dupont Circle, turn north along New Hampshire Avenue and take a right turn on R Street to 17th Street. It will travel south along 17th Street, passing several popular gay bars and restaurants, before returning to P Street, where it heads east to 14th Street. At that point, the parade travels south on 14th before ending at 14th and N Streets, N.W., near Thomas Circle.
The main parade reviewing stand, where Capital Pride judges will select winners of different categories of parade contingents, is located on the 1400 block of P Street, near the Whole Foods supermarket.
At a ceremony on Tuesday night at the Embassy of Sweden, which is among this year’s Capital Pride sponsors, the group presented its annual Capital Pride Heroes and Capital Pride Engendered Spirit Awards.
Those honored this year as Pride Heroes are Bil Browning, LGBT activist and founder of the Bilerico Project blog; June Crenshaw, a local African-American lesbian activist involved in health issues; Tyrone Hanley, HIV prevention advocate for LGBT youth; Dr. Theo Hodge, infectious disease specialist working on HIV/AIDS treatment; Rev. Jill McCrory, interim pastor at Open Door Metropolitan Community Church in Boyds, Md. and marriage equality advocate; and Rebecca Roose, environmental advocate promoting “green” Capital Pride events.
Engendered Spirit award recipients include: Terri Moore, youth activist associated with D.C.’s Sexual Minority Youth Assistance League (SMYAL); Gabby Thomas, HIV/AIDS activist associated with the D.C. groups Us Helping Us and Transgender Health Empowerment; Mara Keisling, founding executive director of the National Center for Transgender Equality; Ruby Corado, advocate for transgender rights within the D.C. area Latino community and the broader LGBT community; Drs. Denis and Christine Wiley, co-pastors of the LGBT welcoming Covenant Baptist United Church in Southeast D.C.; and Joe Izzo, licensed social worker and longtime psychotherapist with Whitman-Walker Health specializing in transgender and substance abuse issues.
Theater
José Zayas brings ‘The House of Bernarda Alba’ to GALA Hispanic Theatre
Gay Spanish playwright Federico García Lorca wrote masterpiece before 1936 execution
‘The House of Bernarda Alba’
Through March 1
GALA Hispanic Theatre
3333 14th St., N.W.
$27-$52
Galatheatre.org
In Federico García Lorca’s “The House of Bernarda Alba,” now at GALA Hispanic Theatre in Columbia Heights, an impossibly oppressive domestic situation serves, in short, as an allegory for the repressive, patriarchal, and fascist atmosphere of 1930s Spain
The gay playwright completed his final and arguably best work in 1936, just months before he was executed by a right-wing firing squad. “Bernarda Alba” is set in the same year, sometime during a hot summer in rural Andalusia, the heart of “España profunda” (the deep Spain), where traditions are deeply rooted and mores seldom challenged.
At Bernarda’s house, the atmosphere, already stifling, is about to get worse.
On the day of her second husband’s funeral, Bernarda Alba (superbly played by Luz Nicolás), a sixtyish woman accustomed to calling the shots, gathers her five unmarried daughters (ages ranging from 20 to 39) and matter-of-factly explain what’s to happen next.
She says, “Through the eight years of mourning not a breeze shall enter this house. Consider the doors and windows as sealed with bricks. That’s how it was in my father’s house and my grandfather’s. Meanwhile, you can embroider your trousseaux.”
It’s not an altogether sunny plan. While Angustias (María del Mar Rodríguez), Bernarda’s daughter from her first marriage and heiress to a fortune, is betrothed to a much younger catch, Pepe el Romano, who never appears on stage, the remaining four stand little chance of finding suitable matches. Not only are they dowry-less, but no men, eligible or otherwise, are admitted into their mother’s house.
Lorca is a literary hero known for his mastery of both lyrical poetry and visceral drama; still, “Bernarda Alba’s” plotline might suit a telenovela. Despotic mother heads a house of adult daughters. Said daughters are churning with passions and jealousies. When sneaky Martirio (Giselle Gonzáles) steals the photo of Angustias’s fiancé all heck kicks off. Lots of infighting and high drama ensue. There’s even a batty grandmother (Alicia Kaplan) in the wings for bleak comic relief.
At GALA, the modern classic is lovingly staged by José Zayas. The New York-based out director has assembled a committed cast and creative team who’ve manifested an extraordinarily timely 90-minute production performed in Spanish with English subtitles easily ready seen on multiple screens.
In Lorca’s stage directions, he describes the set as an inner room in Bernarda’s house; it’s bright white with thick walls. At GALA, scenic designer Grisele Gonzáles continues the one-color theme with bright red walls and floor and closed doors. There are no props.
In the airless room, women sit on straight back chairs sewing. They think of men, still. Two are fixated on their oldest siter’s hunky betrothed. Only Magdelena (Anna Malavé), the one sister who truly mourns their dead father, has given up on marriage entirely.
The severity of the place is alleviated by men’s distant voices, Koki Lortkipanidze’s original music, movement (stir crazy sisters scratching walls), and even a precisely executed beatdown choreographed by Lorraine Ressegger-Slone.
In a short yet telling scene, Bernarda’s youngest daughter Adela (María Coral) proves she will serve as the rebellion to Bernarda’s dictatorship. Reluctant to mourn, Adela admires her reflection. She has traded her black togs for a seafoam green party dress. It’s a dreamily lit moment (compliments of lighting designer Hailey Laroe.)
But there’s no mistaking who’s in charge. Dressed in unflattering widow weeds, her face locked in a disapproving sneer, Bernarda rules with an iron fist; and despite ramrod posture, she uses a cane (though mostly as a weapon during one of her frequent rages.)
Bernarda’s countenance softens only when sharing a bit of gossip with Poncia, her longtime servant convincingly played by Evelyn Rosario Vega.
Nicolás has appeared in “Bernarda Alba” before, first as daughter Martirio in Madrid, and recently as the mother in an English language production at Carnegie Melon University in Pittsburgh. And now in D.C. where her Bernarda is dictatorial, prone to violence, and scarily pro-patriarchy.
Words and phrases echo throughout Lorca’s play, all likely to signal a tightening oppression: “mourning,” “my house,” “honor,” and finally “silence.”
As a queer artist sympathetic to left wing causes, Lorca knew of what he wrote. He understood the provinces, the dangers of tyranny, and the dimming of democracy. Early in Spain’s Civil War, Lorca was dragged to the the woods and murdered by Franco’s thugs. Presumably buried in a mass grave, his remains have never been found.
Cupid’s Undie Run, an annual fundraiser for neurofibromatosis (NF) research, was held at Union Stage and at The Wharf DC on Saturday, Feb. 21.
(Washington Blade photos by Michael Key)













Sweat DC is officially expanding to Shaw, opening a new location at 1818 7th St., N.W., on Saturday, March 28 — and they’re kicking things off with a high-energy, community-first launch event.
To celebrate, Sweat DC is hosting Sweat Fest, a free community workout and social on Saturday, March 14, at 10 a.m. at the historic Howard Theatre. The event features a group fitness class, live DJ, local food and wellness partners, and a mission-driven partnership with the Open Goal Project, which works to expand access to youth soccer for players from marginalized communities.
For more details, visit Sweat DC’s website and reserve a spot on Eventbrite.
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