Arts & Entertainment
Black lesbian event has final party this weekend
Alexander-Reid saw Women in the Life evolve into non-profit over 18 years
Lesbian activist and events promoter Sheila Alexander-Reid has announced she’s stepping down from heading the D.C.-based Women in the Life Association after 18 years. It concludes with a bounty of activities this weekend.
A party being billed as “The Last First Friday” is tonight from 9 p.m. to 3 a.m. at the Loft at the Warehouse (4th and Penn streets, N.E. off New York Avenue). An open mic night was held Thursday night. On Saturday, a cocktail reception will be held at Martin’s Lounge at 1919 9th St. (near 9th and U) from 7-11 p.m. featuring singer/songwriter Angie Head. Admission to tonight’s party is $20. Saturday’s is $15. Visit lastfirstfriday.com for more information.
Women in the Life has been mostly inactive for the last year. Alexander-Reid said many of the factors that contributed to the group’s founding are moot points now. She’s also at a different time and age in her own life, she said.
“I’m quite frankly just tired,” she said. “I’m hearing from all over the country people saying, ‘You can’t let this die, it needs to continue,’ and so on. When we started there was more of a need for safe spaces for professional lesbians of color to get together, raise visibility in the greater LGBT community … some of the main reasons we started are no longer needed. There are other needs that I’d eventually like to address, things like mental health concerns, obesity, smoking, but right now I’m taking a break. It remains to be seen if this is just a hiatus for Women in the Life or the end. It may come back in a different incarnation, but we’ll see. I’m open to that but I’m not committing to that.”
Bob Witeck, of Witeck-Combs Communication and a former Women in the Life board member, said it’s a different era in many ways from when Alexander-Reid formed the organization.
“She was pre-Internet,” he said. “None of us had these tools to connect the way we do now. I wouldn’t say she’s old school, but the place she held has changed and those gaps and vacuums are different than they used to be.”
Witeck said Alexander-Reid deserves high praise for her efforts.
“She fulfilled a pioneering leadership that is unparalleled,” he said. “There really isn’t a counterpart for the bridge that she built. Plus she’s just exciting to be around with her warmth and her curiosity. She’s a dynamo who changes and improves everything she touches.”
Women in the Life began as a for-profit events agency providing First Friday nightclub events for local black lesbians. Alexander-Reid said over the years, her crowd was typically between 75-80 percent black. It broadened into the scope of a non-profit in the early ’00s when she started publishing a newsletter/magazine for her regulars that was extraordinarily popular. After her friend, Wanda Alston, was murdered, she started Wanda’s Will Project to encourage lesbians to get wills in place. All along, Alexander-Reid maintained her job as a business development manager at City Paper. She said eventually Women in the Life got out of control and could have easily been a full-time job, so she pulled back.
“I feel good about what I accomplished,” she said. “But our community has so much more now and I’d like to take a break.”
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

