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Standouts from the stage

Gay-fueled creativity abounds on local theater scene

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Gay actress Delia Taylor as Winnie in WSC’s ‘Happy Days’ featuring the imaginative set design work of Tony Cisek, also gay. (Photo courtesy WSC Avant Bard)

The fall theater season is here. With that comes a deluge of new productions and for one longstanding local company, a new name. What was the Washington Shakespeare Company is now WSC Avant Bard, a clever adjustment better fitting the troupe’s mission to boldly interpret the classics.

WSC’s season opens with Samuel Beckett’s “Happy Days” (through Sept. 25). Mostly a monologue, the 1961 absurdist work spotlights Winnie, an upbeat, chirpy woman who passes her days chatting endlessly while becoming increasingly immobilized in the hot sun in the middle of nowhere. And yet she remains cheery, unfazed by her situation. As Winnie, Delia Taylor, who’s gay, brings intelligence, sensitivity and a lot of humor to the tough role.

Beckett calls for his heroine to be stuck in a mound and most productions comply with some sort of sandy or rocky pile, but not here. Set designer Tony Cisek, also gay, takes another tack ingeniously locking Winnie into endless yards of fabric. Trapped in her dress like a little doll in a giant doll cake, she sits atop her sartorial prison talking, arranging her cocktail hat and rummaging through a capacious satchel in search of necessities ranging from a toothbrush to a long barreled pistol. Her confined world is backed by an endless curve of beautiful blue sky.

Splendidly staged by director Jose Carrasquillo (gay too), the surprisingly poignant production comments on optimism and the fleeting nature of life. Carrasquillo also displays terrific timing as Winnie’s uncommunicative, slug-like husband Willie who makes his home in a hole behind his wife’s skirts. (wscavantbard.org)

Up-and-coming No Rules Theatre Company kicks off its season with Diane Son’s “Stop Kiss” (through Oct. 2) at the H Street Playhouse. It’s the story of two young women who are brutally assaulted after kissing in public. Acclaimed local actor Holly Twyford (who’s gay) makes her directorial debut. (norulestheatre.org)

Shakespeare Theatre Company’s gay artistic director Michael Kahn begins his season with a world premiere production of Jean-François Regnard’s 1708 farce  “The Heir Apparent” (through Oct. 23) adapted by the brilliant David Ives. (shakespearetheatre.org)

Venus Theatre opens with the world premiere of “The Stenographer” (through Sept. 25) by Greek playwright Zoe Mavroudi. The two-hander featuring local bi actor Frank Britton and Amy Rhodes is essentially a tale about writing and what happens when writing implicates the writer. Housed in an intimate storefront venue in Laurel, Md., Venus’ mission is to foster the voices of women and children in the theater. (venustheatre.org)

Ganymede Arts may have closed its doors, but the LGBT-centric company’s former artistic director Jeffrey Johnson remains active. In October, Johnson and singer/songwriter Tom Goss (both gay) are joining forces for two nights of music titled “Under the Covers” (Oct. 21-22) at the Black Fox Lounge. The show offers a rare chance to see Johnson perform as himself and not his pink-haired alter ego. (pinkhairedone.com).

The Studio Theatre starts off with “The Habit of Art” (through Oct. 16) by Alan Bennett, the gay playwright who wrote “The History Boys.” Based on a fictional meeting between poet W.H. Auden and composer Benjamin Britten (both Brits, both gay), the 2009 work is described as “wistful and filthily funny.” The strong cast includes a talented trio: Ted van Griethuysen, Patxon Whitehead and gay actor Cameron Folmar.

In November, Studio’s gay artistic producing director Serge Seiden stages German playwright Roland Schimmelpfennig’s “The Golden Dragon” (Nov. 2- Dec. 11), a comic look at people whose lives are interconnected by a Chinese restaurant. The five- person cast (including the terrific Sarah Marshall, who’s — you guessed it — gay) cross age, race, and gender to play 15 characters. (studiotheatre.org)

At Gala Hispanic Theatre, Spain-based gay director José Luis Arellano-García is staging “¡Ay, Carmela!” (Sept. 15-Oct. 9), the story of a vaudeville team forced to perform for Franco’s fascist troops during the Spanish Civil War. According to Gala’s associate producing director Abel Lopez, “The playwright [José Sanchis Sinisterra] pays homage to gay Spanish poet and playwright Federico García Lorca by referring to him in a scene when Carmela speaks about meeting Lorca in the afterlife. The similarities surrounding Lorca’s assassination by the fascists and Carmela’s execution are striking. Both stood up for their beliefs and paid dearly for it.” (galatheatre.org)

The green-eyed monster is poised to stride the boards at Folger Theatre. Staged by Robert Richmond, the company’s “Othello” (Oct. 16–Nov. 27) features Owiso Odera in the title role, and reunites members of the creative team behind last season’s “Henry VIII” including celebrated gay designers William Ivey Long (costumes) and busy Tony Cisek (sets). Zehra Fazal who’s best known for her one woman tour de force “Headscarf and the Angry Bitch” plays Bianca. (folger.edu)

Signature Theatre’s fall season begins with two musical premieres: “The Boy Detective Fails” (through Oct. 16), the story of a kid sleuth who grows up to investigate the mystery surrounding his own sister’s death. It’s staged by Joe Calarco and composed by Adam Gwon (both gay). “The Hollow” — based on Washington Irving’s classic tale — is staged by Matthew Gardiner and composed by Matt Conner (also both gay).

Next up at Signature, E. Patrick Johnson performs his one-man play “Sweet Tea: Black Gay Men of the South” (Sept. 13-Oct .9). In this new work based on his acclaimed book, Johnson, chair of the Department of Performance Studies at Northwestern University, relays his own story and those of a dozen other men he’s interviewed and come to know.

And later in the season, Signature’s gay artistic director Eric Schaeffer stages the musical “Hairspray” (Nov. 21-Jan. 29) adapted from John Waters’ 1988 Baltimore-set flick about big girls, big hair and racial segregation. In what might prove a stroke of casting genius, Schaeffer has tapped radio personality Robert Aubry Davis to play Edna, everyone’s favorite plus size house frau. We’ll just have to wait and see. (signature-theatre.org)

 

 

 

 

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Out & About

Gala Hispanic Theatre’s Flamenco Festival returns

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Rafael Ramírez (Photo by Juan Carlos Toledo)

Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22. 

The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass. 

The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.

The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.

For more information, visit the theatre’s website

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Calendar

Calendar: November 7-13

LGBTQ events in the days to come

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Friday, November 7

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, November 8

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected]

Monday, November 10 

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Wednesday, November 12 

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite

Thursday, November 13 

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

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Sports

Gay speedskater racing toward a more inclusive future in sports

Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors

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Conor McDermott-Mostowy

LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.

McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.

Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?

McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.

The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.

The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.

Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?

McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.

Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?

McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.

Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.

Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?

McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.

What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.

Blade: What’s been your toughest race to date, and what did it teach you?

McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.

Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?

McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.

Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.

Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?

McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.

I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.

Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.

Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?

McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.

But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.

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