Miscellaneous
Black’s blunder
Oscar-winning ‘Milk’ screenwriter stumbles in cliché-ridden Hoover biopic

Leonardo DiCaprio's performance is one of the few bright spots in the new Clint Eastwood movie 'J. Edgar.' (Photo courtesy Warner Bros.)
Somehow, director Clint Eastwood and gay screenwriter Dustin Lance Black have managed to turn the life of J. Edgar Hoover, one of the most fascinating and controversial figures in American history, into a leaden and heavy-handed movie. Despite some fine performances, this muddled biopic of the founder and long-term director of the FBI fails to bring Hoover and his inner circle to credible cinematic life.
“J. Edgar” traces the personal and professional life of Hoover (Leonardo DiCaprio) from his days as an ambitious young agent (the Palmer raids of 1919) to his death in 1972. Hoover is flanked by sidekick Clyde Tolson (Arnie Hammer), his longtime male companion and No. 2 man at the FBI, and his devoted secretary, Helen Gandy (Naomi Watts). Both Tolson and Gandy are carefully courted by Hoover, and remain loyal to him despite 50 years of emotional abuse and manipulation and increasingly ruthless and bizarre behavior in office.
In one of the strongest scenes (visually and dramatically), Hoover proposes to Gandy on their third date. He takes her to the Library of Congress where he has helped to develop a new card catalogue system. As he runs through the stack in search of the volume she has requested, he tells her of his vision for bringing new scientific methods (like fingerprinting and handwriting analysis) to the field of criminology. She is smitten by his charisma and his passion for justice, yet wary of his lack of concern for individual privacy. She rebuffs his awkward advance and rejects his sudden proposal of marriage, yet accepts his offer to become his personal secretary. He seems relieved. DiCaprio and Watts play the scene with great sensitivity and unexpected charm and Eastwood directs with a lively pace and visual style that is lacking from the rest of the movie.
Gandy returns the favor by arranging the first private meeting between Hoover and Tolson. Hoover is reviewing applicants for his new Bureau, insisting that his agents conform to the highest standards of personal decorum and professional zeal. Although Tolson shows neither of those qualities, Hoover decides to interview him after Gandy mentions that the recruit shows “no particular interest in women.” Tolson is hired on the spot and soon accepts Hoover’s proposal to become his No. 2 man at the FBI.
Tolson also becomes the No. 1 man in Hoover’s life. In Eastwood and Black’s telling of the story, their relationship remains emotionally intense yet physically chaste. At Tolson’s insistence, the two men eat lunch and dinner together every day (except when Hoover is capriciously punishing Tolson), yet they share only one kiss. This kiss comes after a bloody fight, sparked by Hoover’s confession that he has been seeing a Hollywood starlet. A frustrated Tolson lashes out at Hoover, pins him to the ground and kisses him. Hoover breaks away and makes it clear that their physical relationship will never go any further. They will hold hands and even share the occasional breakfast, but that’s the limit.
Black’s writing in this fight scene draws on every Hollywood cliché in the book — the coded banter between the two men (they have some bitchy things to say about Lucy Ricardo), the glass smashed against the wall, Hoover’s anguished shouts of “don’t leave me!” to a retreating Tolson, and Hoover’s whispered declaration of love — after Tolson has left the room. DiCaprio and Hammer invest the scene with great conviction, but even Hollywood veteran Eastwood is unable to do much with this melodramatic and almost laughable mess.
Clichés also plague the underwritten character of Hoover’s domineering mother, played with great gusto by Judi Dench. She fuels his ambition, buys him fashionable suits, shows off her newest dresses, preens at Hollywood openings and fusses over his food and figure. She also condemns his relationship with Tolson. When Hoover confesses, “I don’t like to dance – with women,” his monstrous mother tells him the cautionary tale of “Daffodil,” a man who was beaten for wearing a bonnet. She declares, “I’d rather have a dead son that a daffodil for a son.”
With references to James Cagney’s performances as both gangsters and G-men, echoes of Perry Mason and Tennessee Williams, and language that reflects contemporary debates over national security, personal liberties and marriage equality, Eastwood and Black try to place Hoover’s life in a broader political and cultural context, but their attempt falls flat.
We see glimpses of his passion for justice and his delight in using dirty secrets to blackmail others, but we never understand what makes Hoover tick or why Tolson and Gandy would remain devoted to him for so long. Black’s screenplay moves back and forth through time in an interesting way (although the actors seem somewhat mummified by the age makeup), but the characters remain sketchy and much of Hoover’s career remains unexplored.
Eastwood’s direction is slack and even the cinematography and soundtrack (usually strong points in an Eastwood movie) are flat and uninteresting. J. Edgar Hoover’s turbulent life is a great American story; perhaps another creative team will do him justice someday.
Miscellaneous
SMYAL receives $25,000 award for ‘courageous acts’
D.C. group provides support services for LGBTQ youth
The D.C.-based organization SMYAL, which provides services for LGBTQ youth in the D.C. metro area, including housing for homeless LGBTQ youth, announced on June 30 that it received a $25,000 award for its “courageous acts” in support of the community it serves.
The award was a monetary grant from The Courage Project, which describes itself as a “national initiative investing in acts of courage and compassion that strengthens our communities and democracy.”
A statement on its website says it was launched in May 2025 and is funded and backed by leading national foundations in the U.S.
“At SMYAL, we are deeply grateful to receive support from The Courage Project and are inspired by their bold investment in LGBTQ+ youth at such a critical moment,” SMYAL CEO Erin Whelan said in a statement. “For queer and trans young people, simply showing up as themselves each day requires immense courage, and that courage is strengthened when organizations like The Courage Project stand behind them loudly, proudly, and without hesitation,” Whelan said.
In its statement announcing the award SMYAL says The Courage Project will recognize SMYAL and other awardees and their work on July 3 at the Washington National Cathedral as part of a special interfaith service marking the U.S. 250th anniversary.
“The Courage Project is a bold initiative honoring everyday acts of bravery – the quiet, often unseen acts of heroism that reflect the best of the American spirit and strengthen democracy at the community level,” the project states on its website.
Miscellaneous
LA-based TransLatin@ Coalition leads in time of attacks
Members of Congress ‘calling us a radical organization’
As ICE raids intensify across Southern California and anti-immigrant sentiment resurfaces in Orange County, transgender and immigrant communities are once again being targeted. These crackdowns go beyond enforcement — they’re designed to instill fear. At the same time, a coordinated right-wing smear campaign is attempting to discredit the very organizations working to keep these communities safe.
Last month, the TransLatin@ Coalition, a cornerstone in the fight for trans, queer, and immigrant rights in Los Angeles, was publicly named by members of Congress. But this was no recognition. It was a calculated attack.
“They’re calling us a radical organization,” said Bamby Salcedo, president and CEO of the TransLatin@ Coalition. “They’re spreading lies, saying we’re using government funding to abolish ICE and the police and to provide abortion access. We do believe in those things, but the funding we receive is used to serve our people.”
Now, that funding is being stripped away.
In the face of state violence, political backlash, and economic sabotage, TLC is responding the way it always has: by organizing, celebrating, and building a better world. Because when our communities are under attack, we show up — stronger, louder, and more united than ever.
Salcedo, herself a proud trans Latina immigrant, has spent decades fighting for those living at the margins. “I always say I am an intersection walking,” she said with a smile. “Our organization is made up of the people most impacted — and we are the ones leading the work.”
In Los Angeles County, roughly one-third of residents are immigrants, the majority of whom are Latino. Unsurprisingly, trans Latinas represent the largest segment within the local trans community.
Yet even within immigrant justice spaces, trans people are often sidelined.
“It’s a very hetero-centric space,” Salcedo said. “Most of the time, they don’t even consider the lives and experiences of trans and queer immigrants.”
The TransLatin@ Coalition is actively changing that. As a key member of a broad alliance of more than 100 immigrant-serving organizations across Los Angeles, including CHIRLA and the Filipino Workers Center, the TransLatin@ Coalition helped secure over $160 million in American Rescue Plan funds for immigrant housing, internet access, and legal services.
They also co-created the groundbreaking TGIE (Transgender, Gender-Nonconforming, Intersex Empowerment) initiative, which allocates $7 million in Los Angeles County’s annual budget to support trans-led service providers.
“We don’t just want symbolic policies,” said Salcedo. “We fight for resources. We analyze the budget. We make it real.”
Despite these victories, the TransLatin@ Coalition is now confronting devastating federal cuts.
“Our work has been defunded,” Salcedo said bluntly. “Multiple programs are gone. And we’re not alone — trans-led organizations across the country, especially in the South, are facing the same.”
She pointed to a broader backlash against anything associated with diversity, equity, and inclusion (DEI). “The private sector is pulling back. Philanthropy is scared. Even the same corporations that fund us during Pride are investing in our opposition the rest of the year. It’s hypocrisy.”
Rather than retreat, the TransLatin@ Coalition is calling for bold, collective action.
“Now’s the time for people to step up,” said Salcedo. “We have the strategy. We’re doing the work. But we need resources — and we need real solidarity, not just statements.”
To respond to the crisis and raise urgently needed funds, the TransLatin@ Coalition is organizing its Walk for Humanity on Saturday, Aug. 24. The event will begin at 9 a.m. in Silver Lake and march to Sunset and Western, featuring live performances, a resource fair, and a unified call for justice.
And yes — it will be joyful.
“This is a call for all people to stand in solidarity with one another,” said Salcedo. “We want to bring together 1,000 people, each raising $1,000. It’s going to be a beautiful day of community and resistance.”
In a surprise announcement, Salcedo also revealed she will debut her first single — a cumbia track inspired by the movement. “It’s about movement in both senses: our political movement, and moving our bodies,” she laughed. “We can’t let them take away our joy. Joy is how we survive.”
When asked what more local leaders can do, Salcedo didn’t hesitate. “Elected officials are public servants. That means serving all people,” she said. “We may be a small population, but we are deeply impacted — and we contribute so much to this city.”
She pointed to data from LA’s most recent homelessness count, which identified over 2,000 trans and gender-expansive people experiencing homelessness. That number exists thanks in large part to years of advocacy demanding the city count and name trans lives. “We have the data now. There’s no excuse not to invest in our people.”
She also uplifted allies like Los Angeles County Supervisor Lindsey Horvath and newly appointed City Council member Isabel Urado, the first openly LGBTQ person to hold her seat. “They’ve seen our work and are fighting to invest in it,” Salcedo said. “We’re hopeful we’ll see another $10 million in city funding. But we need the community behind us.”
At the end of our conversation, I asked Salcedo what she would say to undocumented, queer, and trans Angelenos who are feeling afraid right now.
Her answer was clear, powerful, and full of love:
“You are a divine creation. You deserve to exist in this world. Walk your path with dignity, love, and respect — for yourself and for others. You belong. You are part of me. You are part of us.”
If standing with trans immigrants, resisting federal rollbacks, and dancing in the streets sounds like your kind of solidarity, join the TransLatin@ Coalition on Aug. 24. Because when we show up together, we protect each other. And when we dance together — we win.
Watch the full interview with Salcedo:
Miscellaneous
LGBTQ cruise ship rescues 11 migrants between Cuba and Mexico
Rescue took place in Yucatán Channel on Wednesday
A cruise ship chartered by an LGBTQ travel company on Wednesday rescued 11 Cubans from a boat that was adrift between their country and Mexico.
Vacaya in a press release said the Royal Caribbean’s Brilliance of the Seas, which had left from New Orleans, discovered the migrants’ boat in the Yucatán Channel, a strait between Mexico and Cuba that connects the Gulf of Mexico (the Trump-Vance administration now refers to the body of water as the Gulf of America) and the Caribbean Sea.
A video that Vacaya provided shows the migrants’ boat before the rescue. Other videos show the rescue taking place.
MTV’s Downtown Julie Brown, who was performing on the ship, described the rescue in a video she posted to social media.
“We are in the middle of a live rescue operation right now,” she said. “The captain of the ship, while we were hauling so fast the other way, thought he saw a boat in distress. So, we looped around … and it was indeed a boat in distress.”
“Nothing speaks more to VACAYA’s values than providing comfort in a moment of need,” said Vacaya CEO Randle Roper in the press release. “I’m so happy we were able to bring these 11 refugees onboard safely and provide medical care, dry clothes, food, and, most importantly, water.”
“It’s sad that some people have to put themselves through such trauma in hopes of finding a better life, but that’s where we are today,” added Roper. “I’m so proud of our LGBT+ guests rallying to collect clothes for these fellow humans in need.”
The ship is scheduled to return to New Orleans on Saturday.
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