Arts & Entertainment
Best of LGBT Chicago
‘Windy City’ anthology of stories, poems a mixed bag
‘Windy City Queer’
By Kathie Bergquist
University of Wisconsin Press
$24.95/246 pages
The beach is sounding pretty good right now.
You’ve survived the holidays, the crush of shopping, the insanity of parties and family get-togethers and a year’s worth of weird weather. You’ve lived through downsizing at work, upsizing at lunch and the changing of the middle class.

This new Chicago-based gay anthology makes an interesting beach read. (Image courtesy University of Wisconsin Press)
Now the New Year is calling, and the beach is beckoning.
Since no sand-sit is satisfying without a book, what to take is the next big question. The answer may be “Windy City Queer,” edited by Kathie Bergquist.
“What distinguishes LGBTQ writing from Chicago from its well-documented counterparts in New York or San Francisco?” asks Columbia College Chicago teacher and editor Kathie Bergquist.
In seven basic sections, Bergquist answers that question by pulling together more than 30 contributors of “national renown and distinction,” winners of awards, and writers for whom Chicago is a “vestige of a past life.”
And that past life might’ve been filled with mistakes. In “Marriage and Commitment” by Owen Keehnen, an off-hand volunteer gig brings a young man face-to-face with painful memories and a horrifying possibility.
Strength arrives in the back of a taxi in “Cold Cab” by Byron Flitsch. When a cabbie spots two men making out in the back of his vehicle, he overreacts and tries to kick them out. The date is quickly over, but the war has just begun.
As the saying goes, if Mama ain’t happy, ain’t nobody happy. But what if Mama is listed as Daddy? In “I Am My Daughter’s Dad” by Coya Paz, the distinction is both hilarious and irritating.
In “The Mudroom” by Nadine C. Warner, the presence of a toddler enriches his mothers’ lives but causes “lesbian bed death.” Can feng shui, a sense of humor, and paint restore their dance together?
And sometimes, you really have to relax and learn to remain unfazed. That’s especially true when you’re the passenger in a car driven by someone who was born male but is transitioning and dressed to kill, and you’ve just been stopped by a serious-looking state trooper. In “Darla Speeding” by Deb R. Lewis, you’ll see why life is much more interesting when you roll with the flow.
Like so many anthologies, “Windy City Queer” is a mixed bag.
There will be stories in here that you won’t like. There are poems you might not understand. A few of the contributions will seem too long, while others will make you growl in frustration because of their brevity. Some will make you laugh, some will make you hate and some will break your heart.
The good news is that you don’t have to read everything. Editor Kathie Bergquist has pulled together a nice variety of works to fit a variety of readers and moods, which makes this an easy book to browse for five minutes or for five hours.
And there’s the beauty of a book like this: when you’re busy, restless, or you’re packing for vacation, you want a pick-up-and-put-down kind of read. A perfect fit, “Windy City Queer” probably sounds pretty good right now.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
