Arts & Entertainment
A man’s world
Glenn Close’s pet project explores societal advantages of gender

Aaron Johnson, left, and Glenn Close in the gender-bending 19th century drama ‘Albert Nobbs.’ Close and co-star Janet McTeer are both nominated for Oscars for their performances. (Still courtesy Roadside Attractions)
“Albert Nobbs” is a complex movie about a simple man with grand dreams — and a big secret.
The fastidious Mr. Nobbs works as a waiter at a posh Irish hotel. He carefully tracks the tips he receives from his stylish clients, saving up to buy a tobacconist’s shop (even though he does not know how to smoke or even roll a cigarette). He lives a quiet lonely life, carefully locking the door to his Spartan room, wandering the streets of 19th century Dublin looking like an early version of Charlie Chaplin’s Tramp and squirreling away his growing stockpile beneath a loose floorboard.
All that changes when he is briefly forced to share his room with Hubert Page, a painter who has been hired to spruce up the hotel. The two men soon realize they share a secret — both are really women who have dressed as men to escape poverty and sexual violence.
The two women embody very different modes of masculine behavior. Nobbs, played by Glenn Close, declares that “life without decency is unbearable.” She binds herself in a scratchy undergarment, dresses in formal clothing and seems to vanish into the background, watching the action around her rather than participating.
On the other hand, Page, played by Janet McTeer, employs a different strategy. She disguises herself in a set of baggy clothes stolen from her abusive husband. Page swaggers through life, smoking, flirting with women and slapping men on the back. In fact, Page has married a woman, leaving a mystified Nobbs wondering, but too timid to ask, how Page told his wife about his sexual identity.
Inspired by Page, Nobbs expands his dream. He envisions taking on a wife who can provide companionship, respectability and free labor for the shop. He starts “walking out” with one of the maids, not realizing she is already having an affair with the handyman at the hotel. Nobbs is too busy fantasizing about their life together and wondering when he will reveal his own secret.
Both Close and McTeer offer vibrant portrayals of women forced to live their lives as men, making clear and interesting choices about the fascinating similarities and differences between their two characters. Close has a long history with the character. She created the role onstage in 1982, and since then has worked to bring the material to cinematic life. She produced the movie, co-wrote the screenplay with award-winning Irish novelist John Banville and Gabriella Prekop and even provided the lyrics for “Lay Your Head Down,” the lovely ballad that closes the movie (which opens today in Washington).
The press materials describe Nobbs as “trapped in a prison of her own making,” but that seems rather inaccurate, although there is a scene where Nobbs and Page put on dresses and Nobbs runs giddily along the shore.
Nobbs is not simply a straight woman masquerading as a man to get by, but somewhere on the trans spectrum. He shows no sexual interest in men. His interest in women is more social and economic than sexual, but he is obsessed with the question of when to reveal his true sex to Helen (even though he never touches her and he does not realize that Helen and her beau are just milking him for gifts) and the mystery of when Page revealed his true sex to his wife Kathleen, so he thinks about having an intimate physical relationship of some kind with a woman.
The film — which is more interested in telling Nobbs’ story than identifying his gender identity — deals with these murky issues with a velvet touch. Even the rape and poverty mentioned as part of his story are discussed but not shown.
Close and McTeer are surrounded by a strong supporting cast and crew including Mia Wasikowska as the calculating maid who is the object of Nobbs’ affection, Pauline Collins as the affected proprietress of Morrison’s Hotel and Brendan Gleeson as the kindly doctor who lives at the hotel.
Jonathan Rhys Meyers appears all too briefly as a party-loving and occasionally gender-bending aristocratic guest at the hotel. Designers Patrizia von Brandenstein and Pierre-Yves Gayraud lovingly recreate period Dublin in rich detail and director Rodrigo Garcia (known for HBO’s “In Treatment”) directs with a sure if somewhat too steady hand (the movie could have used a little less of Nobbs’ timidity and a little more of Page’s bravado). Nonetheless, “Albert Nobbs” is an interesting consideration of class and gender that sheds a gentle light on both a remarkable character and our own times.
Egypt
Iran, Egypt object to playing in Seattle World Cup ‘Pride Match’
Game to take place on June 26
Iran and Egypt have objected to playing in a “Pride Match” that will take place in Seattle during the 2026 World Cup.
The Egyptian Football Association on Tuesday said it told FIFA Secretary General Mattias Grafström in a letter that “it categorically rejects holding any activities related to supporting (homosexuality) during the match between the Egyptian national team and Iran, scheduled to be held in Seattle, USA, on June 26, 2026, in the third round of the group stage of the 2026 World Cup.” Football Federation Islamic Republic of Iran President Mehdi Taj told ISNA, a semi-official Iranian news agency that both his country and Egypt “protested this issue.”
The 2026 World Cup will take place in the U.S., Canada, and Mexico. The draw took place at the Kennedy Center on Dec. 5.
Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death.
The State Department’s 2023 human rights report notes that while Egyptian law “did not explicitly criminalize consensual same-sex sexual activity, authorities regularly arrested and prosecuted LGBTQI+ persons on charges including ‘debauchery,’ prostitution, and ‘violating family values.’” Egyptian authorities “also reportedly prosecuted LGBTQI+ individuals for ‘misuse of social media.’”
“This resulted in de facto criminalization of same-sex conduct and identity,” notes the report.
The 2024 human rights report the State Department released earlier this year did not include LGBTQ-specific references.
Soccer has ‘unique power to unite people across borders, cultures, and beliefs’
The June 26 match between Iran and Egypt coincides with Seattle Pride. The Washington Post reported the Seattle FIFA World Cup 2026 Local Organizing Committee decided to hold the “Pride Match” before last week’s draw.
“As the Local Organizing Committee, SeattleFWC26’s role is to prepare our city to host the matches and manage the city experience outside of Seattle Stadium,” said SeattleFWC26 Vice President of Communications Hana Tadesse in a statement the committee sent to the Washington Blade on Wednesday. “SeattleFWC26 is moving forward as planned with our community programming outside the stadium during Pride weekend and throughout the tournament, partnering with LGBTQ+ leaders, artists, and business owners to elevate existing Pride celebrations across Washington.”
“Football has a unique power to unite people across borders, cultures, and beliefs,” added Tadeese. “The Pacific Northwest is home to one of the nation’s largest Iranian-American communities, a thriving Egyptian diaspora, and rich communities representing all nations we’re hosting in Seattle. We’re committed to ensuring all residents and visitors experience the warmth, respect, and dignity that defines our region.”
The 2034 World Cup will take place in Saudi Arabia.
Consensual same-sex sexual relations remain punishable by death in the country. The 2022 World Cup took place in neighboring Qatar, despite concerns over the country’s anti-LGBTQ rights record.
Television
‘Heated Rivalry’ is the gay hockey romance you didn’t know you needed
Spoiler alert: It’s not really about hockey
Spoiler Alert: “Heated Rivalry” is not about hockey.
The new limited series, produced for the Canadian streaming service Crave and available in the U.S. on HBO Max, may look from its marketing like a show about hockey. It definitely contains a lot of scenes involving hockey – being played, being watched, being talked about – and the story is surrounded by hockey; its two main characters are professional hockey players, and their competition as opposing hockey champions (the “rivalry” of the title) is a major factor that moves the plot.
Even so, if you’re a hockey fan who knows nothing about it, and you stumble across it while looking for something to watch, be warned before you press “play” that you are probably in for a big surprise.
Adapted from “Game Changers,” a popular book series by Canadian author Rachel Reid, the show follows the two above-mentioned hockey pros – Canadian Shane Hollander (Hudson Williams) and Russian Ilya Rozanov (Connor Storrie), each of whom is a star player for their respective team – as they compete against each other with puffed-up “alpha” swagger, on the ice and in the media. When the skates (and cameras) are off, however, there’s a different story going on. Despite the jocular animosity of their public relationship, there’s something else brewing between them in private, and it comes to a head when a commercial shoot leads to an unexpected rendezvous in a hotel room.
Well, unexpected for them, at least. We in the audience have seen it coming since that first smoldering glance across the rink.
From there, “Heated Rivalries” continues over a course of years as the two secret lovers use every match, tournament, or Winter Olympics where they compete against each other as an opportunity for more rendezvous in more hotel rooms. But while their meetings may be all about a release of pent-up passion, the bond between them is based on something more. In the high-stakes world of professional hockey, there’s not much they can do about that – publicly, at least – without killing their careers; in Ilya’s case, as a Russian citizen and the son of a prominent government official, the situation carries the potential for even graver consequences.
That’s just at the end of the first two episodes, though. The show, which drops an episode weekly through December, leaves us hanging there to explore the story of another hockey player, Scott (François Arnaud), teammate and best friend to Shane, who becomes entangled with smoothie barista Kip (Robbie G.K.) in a whole secret gay life of his own.
If you’re thinking that the idea of a gay love story between two butch hockey players is a preposterous premise for romance fiction, think again – or at least redefine your idea of “preposterous.” It’s a genre that has exploded in popularity among a surprisingly large demographic of romance literature fans who also love hockey, combining the thrill of forbidden love with the drama and excitement of their favorite sport to catapult numerous writers, including Reid, onto the bestseller lists, which was surely a factor in the choice to translate her “Games Changers” books to the screen, courtesy of the show’s queer creator/writer/director Jacob Tierney.
The latter (also co-creator of “Letterkenny,” another popular and queer-friendly Canadian show with a strong hockey presence) delivers it with all the glossy, high-charged passion one would expect – and more – from a romance about world-class athletes in love. Set within the rarified world of wealth and privilege that is professional sports, the drama takes place against a backdrop of packed arenas, awards ceremonies, elegant fundraisers, and luxury hotels, where the protagonists must play at being enemies while secretly planning their next hook-up with each other.
Which brings us to the thing that really makes “Heated Rivalry” the buzziest queer show of late 2025: the sex. The show takes full advantage of its story’s obvious sex appeal – as well as its leading actors’ sculpted, athletic bodies – to serve up some of the hottest onscreen trysts in gay TV memory. Though they stop just short of being “explicit,” they’re the kind of sex scenes that push the limits of “softcore” right to the edge and make sure we know exactly what’s happening, even if we can’t see the details. Tierney turns those steamy private meetings between Shane and Ilya into set pieces and centers entire episodes around them, because he knows they’re what the audience is there for. Like we said, this is not really a show about hockey.
That said, it’s not really just a story about sex, either. In between those steamy scenes of athletic carnality, there’s a lot of percolating emotion happening – and thanks to the exquisitely tuned performances of Williams and Storrie, whose electric chemistry doesn’t just spark during their lovemaking scenes, but crackles through their every moment together on screen, it all comes across with elegant clarity. Shane and Ilya may want each other’s bodies, but there’s something more they want, too. There’s a tenderness in the way they look at each other, even when they’re smack-talking on the rink, and it infuses their scenes of passion, too, which arguably makes them even more blistering hot. More than that, it calls to us with its fond familiarity; it’s that heady feeling to which most of us, if we’re lucky, can relate, a sense of yearning, of needing another person so keenly that it feels like a physical sensation. In other words, it feels like being in love.
Of course there’s another layer too, which hangs over everything and ultimately fuels all the conflict in the plot: the pervasive homophobia that exists in professional sports, creating an atmosphere in which players are pressured to present nothing but a masculine, definitively “straight” image and any hint of non-heterosexual leanings is enough to destroy a career. That’s not a situation limited only to pro athletes, of course; many of us in the wider world also face the same dilemma, which is why we can all relate to this aspect of their love story, too.
Still, it would be misleading to say that “Heated Rivalry” is really about social commentary either, though it certainly brings those issues into the mix. With only half the six-episode season released so far, it’s hard to draw a certain conclusion, but what stands out most about the series so far is the way it captures the palpable joy of being in love – and yes, that includes the joy of expressing that love physically. These joys come with pain, too, when they can only be shared in secret, and it’s that obstacle that Shane and Ilya – and apparently, with the side trip of episode three, Scott and Kip as well – must find a way to overcome if they want their real yearning to be fulfilled.
For now, we’ll have to wait to find out if they can all make it. In the meantime, you know we’ll all be watching each new installment with our full attention, waiting to see what happens during Shane and Ilya’s next match-up.
And no, we’re not talking about hockey.
The umbrella LGBTQ sports organization Team DC held a holiday party at Trade on Monday, Dec. 8. Attendees brought clothes and coats for a clothing drive.
(Washington Blade photos by Michael Key)









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