Arts & Entertainment
Gearing up for ‘Change’
LGBT conference unfolds in Baltimore this weekend

Not surprisingly, Rea Carey, executive director of the National Gay and Lesbian Task Force, is excited about the start of the 24th Creating Change conference, now underway in Baltimore.
This year, the Task Force expects a record-breaking crowd of about 3,000 LGBT activists and their allies to come together for a weekend of celebrating victories, analyzing losses and developing strategies for moving forward in the challenging political and social landscape of 2012.
“This conference is where many of us got our start as LGBT activists,” Carey says. “It brings together an amazingly diverse array of people from across the country and around the world.”

The NAACP’s Benjamin Jealous speaks at Creating Change in Baltimore this weekend. (Photo courtesy NAACP)
There are, for example, workshop tracks on aging, arts and culture, disability, community centers and community organizing, fundraising, legislative challenges and the 2012 elections, families, gender issues, campus mobilization, labor, religion, people of color, the transgender community and sexual freedom. In addition, the conference started with day-long skill-building and networking institutes and the first-ever Creating Change Lobby Day where activists traveled to Capitol Hill to brief their congressional delegations on the spectrum of issues facing gay and lesbian Americans.
Carey notes that two of the most active contingents this year are youth and elected officials. “We have a large contingent of young people who are working in their high schools and colleges and in their communities to create progressive change. We will also have more elected and appointed officials participating in the conference than we ever have before.”
Conference attendees come together for a series of plenary sessions emceed by lesbian comedian Kate Clinton. This year, the plenaries include a state-of-the-movement address by Carey, a panel on international issues moderated by Cary Alan Johnson of the International Gay and Lesbian Human Rights Commission, and a performance by gay actor and activist Wilson Cruz. Blade editor Kevin Naff moderates a panel on national politics with the Victory Fund’s Robin Brand, Equality Forum’s Malcolm Lazin and Equality Federation’s Rebecca Isaacs Friday at 3 p.m.
The highlight of this year’s conference is the keynote address by Benjamin Todd Jealous, president and CEO of the NAACP. Jealous comes from a long line of civil rights advocates and has become a straight ally in the fight for LGBT equality.
“We are deeply honored to have one of the best civil rights leaders in the country address us and I am sure he will be speaking from the heart,” Carey said.
Jealous has spoken movingly of the struggles faced by his gay brother, whom he describes as “the closest person to me in the world,” and remembers how they fought together against childhood bullies. Working with NAACP Chairman Emeritus Julian Bond, Jealous created a LGBT Equality Task Force at the NAACP to help the African-American community fight the challenges of homophobia and transgender discrimination.
Jealous and the national office of the NAACP were staunch opponents of Proposition 8, the anti-same-sex marriage measure in California, but Jealous notes that lack of outreach to the African-American community was in issue in the loss. At last year’s NAACP convention, Jealous said, “If folks really wanted to win on Prop. 8, and thought the black community was so important, then they should have started organizing outreach a lot sooner.” Instead, LGBT organizers “who came to the black community late” sent a message of disrespect.
Carey emphasizes that, “It is part of the value of the Task Force to partner with non-LGBT organizations as we seek justice and equality. The challenge for all of us is that we have a lot to learn from other movements and they have a lot to learn from us.”
The conference runs through Sunday at the Hilton Baltimore. Visit creatingchange.org for details.

The 13th annual Hagerstown Pride Festival was held at Doubs Woods Park in Hagerstown, Md. on Saturday, June 21.
(Washington Blade photos by Michael Key)






















Theater
‘Hunter S. Thompson’ an unlikely but rewarding choice for musical theater
‘Speaks volumes about how sad things land on our country’

‘The Untitled Unauthorized Hunter S. Thompson Musical’
Through July 13
Signature Theatre
4200 Campbell Ave., Arlington, Va.
$47 to $98
Sigtheatre.org
The raucous world of the counterculture journalist may not seem the obvious choice for musical theater, but the positive buzz surrounding Signature Theatre’s production of Joe Iconis’s “The Untitled Unauthorized Hunter S. Thompson Musical” suggests otherwise.
As the titular, drug addled and gun-toting writer, Eric William Morris memorably moves toward his character’s suicide in 2005 at 67. He’s accompanied by an ensemble cast playing multiple roles including out actor George Salazar as Thompson’s sidekick Oscar “Zeta” Acosta, a bigger than life Mexican American attorney, author, and activist in the Chicano Movement who follows closely behind.
Salazar performs a show-stopping number — “The Song of the Brown Buffalo,” a rowdy and unforgettable musical dive into a man’s psyche.
“Playing the part of Oscar, I’m living my Dom daddy activist dreams. For years, I was cast as the best friend with a heart of gold. Quite differently, here, I’m tasked with embodying all the toxic masculinity of the late ‘60s, and a rampant homophobia, almost folded into the culture.”
He continues, “My sexuality aside, I like to think that Oscar would be thrilled by my interpretation of him in that song.
“Our upbringings are similar. I’m mixed race – Filipino and Ecuadorian and we grew up similarly,” says Salazar, 39. “He didn’t fit in as white or Mexican American, and fell somewhere in the middle. Playing Oscar [who also at 39 in 1974 forever disappeared in Mexico], I pulled out a lot of experience about having to code switch before finally finding myself and being confident just doing my own thing.
“As we meet Oscar in the show we find exactly where’s he’s at. Take me or leave me, I couldn’t care less.”
In 2011, just three years after earning his BFA in musical theater from the University of Florida in Gainesville, Salazar fortuitously met Iconis at a bar in New York. The pair became fast friends and collaborators: “This is our third production,” says George. “So, when Joe comes to me with an idea, there hasn’t been a moment that I don’t trust him.”
In “Be More Chill,” one of Iconis’s earlier works, Salazar originated the role of Michael Mell, a part that he counts as one of the greatest joys of artistic life.
With the character, a loyal and caring friend who isn’t explicitly queer but appeals to queer audiences, Salazar developed a fervent following. And for an actor who didn’t come out to his father until he was 30, being in a place to support the community, especially younger queer people, has proved incredibly special.
“When you hear Hunter and Oscar, you might think ‘dude musical,’ but I encourage all people to come see it.” Salazar continues, “Queer audiences should give the show a shot. As a musical, it’s entertaining, funny, serious, affecting, and beautiful. As a gay man stepping into this show, it’s so hetero and I wasn’t sure what to do. So, I took it upon myself that any of the multiple characters I play outside of Oscar, were going to be queer.
Queer friends have seen it and love it, says Salazar. His friend, Tony Award-winning director Sam Pinkleton (“Oh, Mary!”) saw Hunter S. Thompson at the La Jolla Playhouse during its run in California, and said it was the best musical he’d seen in a very long time.
“Since the work’s inception almost 10 years ago, I was the first Oscar to read the script. In the interim, the characters’ relationships have grown but otherwise there have been no major changes. Still, it feels more impactful in different ways: It’s exciting to come here to do the show especially since Hunter S. Thompson was very political.”
Salazar, who lives in Los Angeles with his partner, a criminal justice reporter for The Guardian, is enjoying his time here in D.C. “In a time when there are so many bans – books, drag queens, and travel — all I see is division. This is an escape from that.”
He describes the Hunter Thompson musical as Iconis’s masterpiece, adding that it’s the performance that he’s most proud of to date and that feels there a lot of maturity in the work.
“In the play, Thompson talks to Nixon about being a crook and a liar,” says Salazar. “The work speaks volumes about how sad things land on our country: We seem to take them one step forward and two steps back; the performance is almost art as protest.”
Photos
PHOTOS: Goodwin Living Pride Parade
Senior living and healthcare organization holds fifth annual march at Falls Church campus

The senior living and healthcare organization Goodwin Living held its fifth annual Pride Parade around its Bailey’s Crossroads campus in Falls Church, Va. with residents, friends and supporters on Thursday, June 12.
(Photos courtesy of Goodwin Living)










