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Ahead of their time

New book explores how 20th century writers put gay issues on America’s radar

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Gay writer Christopher Bram knew in researching his new book, which involved excavating ancient reviews of the work of prominent queer authors of the mid-20th century and beyond, he’d find ugly instances where homophobia colored the various assessments — he just didn’t realize how unrelenting and vitriolic it would be.

“I just wasn’t prepared for how mean and ugly and vicious the reviews could be of anything gay from the ‘50s well into the ‘80s,” Bram says during a phone chat from San Francisco. “The amount of anti-gay feeling among literary straight people just floored me. Even from people who were more on our side, the amount of condescension and this sneering, snickering tone, it got quite tiring and I only ended up quoting about half of what I found.”

(Image courtesy Twelve Books)

The book, out this month, is “Eminent Outlaws: the Gay Writers Who Changed America” (Twelve Books, $27.99). Bram’s premise is that the work of mid-century gay writers such as Truman Capote, Gore Vidal, James Baldwin, Allen Ginsberg, Tennessee Williams and others, on through to later novelists and playwrights such as Christopher Isherwood, Edward Albee, Edmund White, Armistead Maupin, Mart Crowley and Tony Kushner, was a literary revolution that laid the post-World War II groundwork for the modern gay rights movement. Bram, author of “The Father of Frankenstein” (adapted for the screen as the Oscar-winning film “Gods and Monsters”) and eight other novels, says the writers he includes in the book “introduced America to gay experience and sensibility and changed our literary culture.”

It’s a weighty thesis that unleashes an ocean of questions, some covered in the book, others pitched at Bram during this week’s Blade interview. And with Oscar season upon us (they’ll be handed out in Los Angeles Sunday evening), it’s an especially timely moment to consider the seemingly disproportionate contributions of gay writers to the arts. Nearly all the writers he covers have had work adapted to the big screen so their cultural reach is far-ranging and every bit as considerable as their straight counterparts.

Bram was a fan of these writers for decades. About three years ago he was approached by another writer, Sam Wasson, who was researching a book about the film “Breakfast at Tiffany’s” (based on a Capote novel), and contacted Bram for literary context. After riffing on the state of gay life and gay writing in the ‘50s and thereafter in the U.S., it occurred to Bram that while nearly all of the writers he focuses on had been written about, there was no single book that explored how their lives and work — many of them knew each other — overlapped and fit into the cultural norms of the day while also influencing those norms often in shocking ways.

While much of the historical material in the book has been presented elsewhere — Bram says only a few points required fresh interviews — the overall story, he says, is not widely known but should be.

“There were all these little bits and pieces like this scattered jigsaw puzzle, but I really wanted to pull them all together to form one big picture,” he says. “What I did was connect the dots. Nobody had ever told this as a single narrative. There were some simple connections I was able to make, even something as simple and obvious as the fact that ‘Other Voices, Other Rooms’ (a gay-themed Capote book), ‘The City and the Pillar’ (from rival Gore Vidal) and the Kinsey Report all came out within a few weeks of each other in 1948, which is surprisingly early and yet it became really this powerhouse year where these gay books were suddenly getting all this attention.”

Bram (Photo courtesy Twelve Books)

Bram says it was a uniquely American phenomenon the catalyst of which was the way World War II had “suddenly brought all these people together in the Army, the Navy — they were exposed to this other type of sexuality, to bad language and profanity they’d never heard before and it didn’t take long for this to be reflected in the publishing industry.”

The book is setting gay tongues wagging and even those who’ve yet to read it, say Bram’s premise is intriguing.

Nicholas Benton, a local gay writer and founder/publisher of the Falls-Church News Press who’s written at length about the unique contributions of gays in culture and society, says that although he takes issue with some of Bram’s contextualization and assessments of some of his subject’s supposed lesser works — Benton’s about halfway through “Outlaws” — he calls it “a very important book with a lot of important information in it.”

So did these writers’ homosexuality and perhaps the outsider status it brought it with it make their work greater than it otherwise might have been?

“One of the features of being a gay person is you can’t help but have an alternate perspective on life,” Benton says. “A straight man walks in the room, sees the hot secretary and that’s all he can think about. A gay man comes in and notices the drapes clash with the rug. I mean obviously that’s an oversimplification, but gay sensibility has something to do with seeing the plight of people who are often invisible to the mind of a straight person … we bring an alternate perspective.”

Bram has a slightly different take. He says, “One would like to think (being gay) would create more empathy but maybe what we can say about homosexuality is much like what we say about religion — it makes the good people better and the bad people worse … for gays, that could mean being overly bitchy, negative or hypercritical of others or full of self pity that doesn’t turn to empathy, it could affect them in many different ways.”

Others say these writers helped America shed some of its Puritanical squeamishness toward sex and “grow up.” Ginsberg’s poem “Howl,” especially, is shockingly bold for its time. It’s amazing it got published in 1955.

“In the case of Williams, he was inestimable in helping to hammer the nails in movie censorship in post-war America,” says Drew Casper, a film expert and professor of critical studies at the School of Cinematic Arts at the University of Southern California. “Whether his adaptations came through strong or diluted, no mistaking his championing the importance of sex in the lives of his characters, often as a way for them to touch God. Sexuality is an important concern in gay life and relationships, so when gay writers take pen in hand, sexuality is a concern.”

Gay author William J. Mann, who has a bounty of novels and non-fiction Hollywood-themed books to his credit, says he’s “a huge fan” of Bram and “can’t wait” to read “Outlaws.” Mann calls the topic “fascinating” and “great.”

“The role of the arts is always to push what’s expected or what’s understood and certainly when you read the works of James Baldwin for example … you have this real sense of ground being broken and getting people to really understand the wider experience of humanity in a way that the world is much more than just your own little sphere of existence,” Mann says.

Bram says the writers he covers deserve enormous credit — whether it’s Vidal’s cheeky handling of transsexuality in “Myra Breckenridge” or Kushner’s sophisticated handling of the AIDS crisis in “Angels in America” — for getting gay topics on the cultural radar.

“They got the stories out there,” he says. “Homosexuality became a subject that straight and gay people could finally talk about and once people were talking about it, other people started talking about it too. It’s an example of where art did a better job than activism. ‘Boys in the Band’ was made into a movie in 1970 and it played in every major city in the country with prominent actors just a year after the Stonewall riots. In my group of friends at the time, none of us had heard of the Stonewall riots, but we’d all heard of ‘Boys in the Band.’”

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Bars & Parties

Impulse Group DC to host fundraiser

Giving Tuesday and Happy Hour held at Thurst Lounge

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Thurst Lounge (Washington Blade photo by Michael Key)

Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge. 

This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.

A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.

Admission is free and more details are available on Eventbrite

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Calendar

Calendar: November 28-December 4

LGBTQ events in the days to come

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Friday, November 28

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, November 29

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday, November 30

Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.

Monday, December 1

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Tuesday, December 2 

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions. 

Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite

Wednesday, December 3

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected]

Thursday, December 4

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].

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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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