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Fiennes’ fine film

Actor-turned-director gives bold, homoerotic spin on Shakespeare classic

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The final image in Ralph Fiennes’ fine adaptation of Shakespeare’s “Coriolanus” is riveting — two men in a war-torn landscape locked in a deadly embrace. Their final coupling sums up the passionate love-hate relationship and the series of personal and political betrayals that have led them to this fatal climax.

One of the men is the Roman general Caius Martius (played by director Fiennes) and the other is his sworn enemy, the Volscian leader Tullus Aufidius (played with brooding intensity by Gerard Butler, probably best known to gay audiences as the title character in the movie version of “The Phantom of the Opera” and the buff, scantily clad Spartan general in “300.”) When the movie opens, Martius is at the top of his game. He brutally but effectively suppresses an uprising by the starving plebians and almost single-handedly halts an attack on Rome by the Volscian army. (He is given the honorific Coriolanus to mark his conquest of the Volscian city of Corioles.) The tables turn, however, when his mother and their well-meaning patrician friends try to push the warrior into a political career. The skills that serve him so well on the battlefield (rage, invective, decisive action, foolhardy risk-taking) fail him in the public sphere. The fallen war hero is banished from Rome and joins forces with his former Volscian enemies.

Screenwriter John Logan (Gladiator) does an excellent job of streamlining and updating Shakespeare’s timeless and timely tale. He and Fiennes present the story in a modern-day setting yet retain the richness of Shakespeare’s language, story and characters. The text is tidily trimmed throughout, but the only major excision is the famous fable of the belly, a charming parable used to keep the lower classes in check. Several expository scenes and messenger speeches are transferred with great facility to television anchors and pundits (on the wittily named Fideles TV). Battle scenes were shot in Belgrade and most of the secondary roles are filled by Serbian actors. Cinematographer Barry Atkinson (who worked with Fiennes on the award-winning The Hurt Locker) captures the noise, rage, terror and brutality of contemporary warfare in horribly effective detail. The savage intensity of the battle scenes contrasts nicely with the suave treachery of the political scenes.

Fiennes and Logan also follow Shakespeare in highlighting the homosocial bonds between the politicians and the soldiers and the explicitly homoerotic nature of the relationship between Coriolanus and Aufidius. Soldiers routinely greet each other by declaring they are happier to see their returning colleagues than they ever were to see their wives. Politicians taunt each other with charges of feminine or boyish behavior. Aufidius declares that Coriolanus is his enemy, yet welcomes him gladly to the Volscian camp. Under Fiennes’ assured direction, the two men literally cannot keep their hands off each other, yet they cannot stop battling for dominance. Their smoldering glances burn up the screen and their scary fight scenes only stop when one of the participants loses consciousness.

Fiennes’ focus on the homosocial and misogynistic world of the battlefield and the halls of power (in this case, smoke-filled bars, marble hearing rooms and brightly lit television studios) give a clear context for Vanessa Redgrave’s chilling performance of Coriolanus’ monstrous mother Volumnia, clearly one of the most intelligent people in this Rome, but there she has no effective outlet for her brains or passion. Instead of participating in the great events at the Capitol, she is forced to watch them unfold on TV. Her thwarted ambition is poured into her son, an inadequate vessel for her grand dreams, and the result is tragedy. Redgrave shines in every scene, whether chastising her daughter-in-law for her fears, tenderly dressing her son’s wounds, attacking the opposition or pleading with her son to return to Rome. The picture of Redgrave as Volumnia giddily applauding her warrior son while wearing the same junior military uniform as her young grandson is an unforgettable image of the societal price of sexism.

The rest of the cast is also uniformly strong. Brian Cox (Menenius) and John Kani (Cominius) give nuanced performances as leaders of the patrician party and they are well matched by the oily Tribunes of the People, James Nesbitt (Sicinius) and Paul Jesson (Brutus). Newcomer Jessica Chastain (“The Help”), one of the breakout performers of 2011, makes a surprisingly vivid impression as Coriolanus’ wife Virgilia, who he describes as “my gracious silence.”

For many years, “Coriolanus” was rarely produced, although there has been a resurgence of interest in the play in recent years. Shakespeare’s tricky political tale is very well-served by first-time director Ralph Fiennes (who has played the role onstage). He deserves extra credit for highlighting the homoerotic undertones that many directors shy away from, especially since the end result is a nuanced and fascinating portrayal of thwarted ambition, military bravado and political treachery. This is not a warm and fuzzy film, but it is a compelling and important one.

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DC Center marks one year at new location

Milestone celebrated with tours, programming

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The DC LGBTQ+ Community Center opened in its new location last April. (Washington Blade file photo by Michael Key)

The DC LGBTQ+ Community Center is marking a milestone year in its new home with a vibrant birthday celebration, inviting the community, allies, and media to join the festivities on Saturday, April 25 at 1 p.m.

Since opening its doors in Shaw, The DC LGBTQ+ Community Center has become a hub of support, advocacy, and celebration for LGBTQ+ residents across the District.

The birthday bash promises a day of programming including Yoga (Center Wellness), Micro Bouquet Making (Center Social), Zine Making (Center Arts), and so much more. Guests can also enjoy tours of the Center’s expanded facilities, showcasing spaces for programs, services, and community events.

Since relocating, the Center has expanded its programs, providing critical services. The birthday bash underscores the DC LGBTQ+ Community Center’s commitment to creating an inclusive space where everyone regardless of identity, age, or background can find community and empowerment.

For more details, contact Paul Marengo at 202-705-2890.

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Calendar: April 24-30

LGBTQ events in the days to come

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Friday, April 24

Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.

Lesbian Visibility Week will be at 7 p.m. at the DC Center for the LGBT Community. There will be a special screening of “Ahead of the Curve.” Enjoy an evening of film, conversation, and community, with cocktails and beverages available throughout the night For more details, visit the DC Center’s website

Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].

Saturday, April 25

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite

Sunday, April 26

Nellie’s Sports Bar will host “Nellie’s DC Drag Brunch” at 12 p.m. Join Sapphire Blue, Deja Diamond and their team of drag performers for the most fun you’ll have all weekend. Tickets start at $58.51 and are available on Eventbrite

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite

Monday, April 27

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook

Tuesday, April 28

The DC Center for the LGBT Community will host “Candlelight Vigil” at 6:30 p.m. This is a vigil centered on reflection, support, and collective care. Attendees are encouraged to gather at 6:30 p.m., with the program beginning promptly at 7 p.m. and concluding by 8 p.m. The event will take place on the closed-off  Wiltberger Street, providing a dedicated and intimate space for remembrance. Electronic candle lights will be available to participants. For those seeking additional support or who have questions ahead of the event, please contact [email protected]

Wednesday, April 29

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

The DC Center for the LGBT Community will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website

Thursday, April 30

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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