Arts & Entertainment
Queery: John Moletress
The theater visionary answers 20 gay questions
Local theater regulars know former actor John Moletress’s name. But like many creative types, he’s grown restless and is pursuing new artistic vistas. Last summer he started force/collision, an interdisciplinary performance ensemble based in Washington. It kicked off with a piece called “Collapsing Silence” at the Source Theatre. Next month his company will unveil “The Nautical Yards,” a 60-minute site-specific show at the Washington Navy Yard that will tell of two lovers separated by war and sea.
“I think it’s important that we create a large script between the arts and work more holistically,” the 34-year-old Pottsgrove, Pa., native says. “I’ve worked in traditional theater forms, been in lots of plays and musicals, but when we band together it opens up the door to explore different forums and takes us into the next generation of making art together.”
Moletress says some of the traditional forms feel somewhat exhausted to him.
“When you run out of a way to tell a story by speaking it, I think there are other ways to do it,” he says. “Like with dance … when you run out of words, there’s a certain collective memory our body has that we can share with movement. Our bodies become storehouses for our memories.”
Moletress studied acting in college, both in Allentown, Pa., and during graduate school at the University of Tennessee. He spent two years in London in the ‘90s studying acting and modern dance and worked in regional theaters around New York City where he lived in the early ‘00s. He came to Washington in 2008 after two years working as an artistic director at a company in Pennsylvania. In 2009, he started Factory 449, a Helen Hayes-winning project from which he’s since parted ways. Force/collision (force-collision.org) was started with a grant he got through Source Theatre.
Moletress lives in D.C.’s Navy Yard area and enjoys reading — “I have hundreds of books in my apartment” — and decoupage in his free time. (Photo courtesy Moletress)
How long have you been out and who was the hardest person to tell?
Pretty much since high school. Before the Grindr phenomena, we had AOL chat rooms. It was a fun little platform for meeting other high school guys who were for the most part, not out. I can’ t say I really made the choice to come out, so much as outed myself with a crumpled up page ripped from an International Male catalogue I left in my pants pocket. My mother was doing laundry that day. I don’t think she was really surprised, given that my early obsessions included Cheryl Tiegs workout videos and musical theater.
Who’s your LGBT hero?
Christopher Isherwood.
What’s Washington’s best nightspot, past or present?
Does my couch count? Honestly, wherever my friends are. I adore them.
Describe your dream wedding.
No, thank you. Although if I ever found myself wearing a white dress, I’d most likely be standing on a cliff somewhere on the Galway coast of Ireland, contemplating two choices.
What non-LGBT issue are you most passionate about?
Genocide and reconciliation. My friend, Erik Ehn, is a playwright who founded an annual conference to investigate theatre on this subject. He writes about collective trauma. I’ll be directing the premiere of his new play “Shape” which infuses the stories of blacks in 1900 Ambrose Park with the 1921 Tulsa Race Riot.
What historical outcome would you change?
This is a challenging question. I believe we are where and who we are because of our histories. I would negotiate peace and dialogue before violence.
What’s been the most memorable pop culture moment of your lifetime?
Manic Panic hair dye and Siouxsie Sioux on high school Sundays with like-minded outcasts.
On what do you insist?
Pausing and breathing. Oh, and Diet Pepsi.
What was your last Facebook post or Tweet?
@soulographiedesignmeetings at The New Schoolpic.twitter.com
If your life were a book, what would the title be?
I’d have to look to Jackie Collins for inspiration. Perhaps, “The World Is Full of Married Men” or “Lady Boss.”
If science discovered a way to change sexual orientation, what would you do?
Either run screaming or mount Tom Brady.
What do you believe in beyond the physical world?
Connectivity. Universal law. Energy and frequency. Love.
What’s your advice for LGBT movement leaders?
Persevere. Trust your instincts. If one door closes, open another.
What would you walk across hot coals for?
My friends. To have seen Velvet Underground perform live.
What LGBT stereotype annoys you most?
I’m sure I pretty much fit all of them at one point or another. However, I wish we could all be more open to the possibilities of gender duality. Regardless of whether people think I swing more toward my feminine or my masculine side, nothing turns me off more than men who state they are “straight acting” when they like to play leap frog with other men.
What’ s your favorite LGBT movie?
“Mommie Dearest.” The gay man’ s guide to opera acting and OCD.
What’s the most overrated social custom?
Utensils.
What trophy or prize do you most covet?
Bjork’s Polar Music Prize. I wish I could be as brilliant as her.
What do you wish you’d known at 18?
That I was going to live past 25. I certainly didn’t behave that way.
Why Washington?
I’m attracted to the sizzle of American politics. The Hill staffers are cute, too. I dated one for a while. Moreover, this IS a theater town and the resources here for my profession are overwhelming. Source Theatre/Cultural Development Corporation has played an integral part in getting my work seen. I owe a lot to them, especially Jenny McConnell Frederick.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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