Arts & Entertainment
Queery: John Moletress
The theater visionary answers 20 gay questions
Local theater regulars know former actor John Moletress’s name. But like many creative types, he’s grown restless and is pursuing new artistic vistas. Last summer he started force/collision, an interdisciplinary performance ensemble based in Washington. It kicked off with a piece called “Collapsing Silence” at the Source Theatre. Next month his company will unveil “The Nautical Yards,” a 60-minute site-specific show at the Washington Navy Yard that will tell of two lovers separated by war and sea.
“I think it’s important that we create a large script between the arts and work more holistically,” the 34-year-old Pottsgrove, Pa., native says. “I’ve worked in traditional theater forms, been in lots of plays and musicals, but when we band together it opens up the door to explore different forums and takes us into the next generation of making art together.”
Moletress says some of the traditional forms feel somewhat exhausted to him.
“When you run out of a way to tell a story by speaking it, I think there are other ways to do it,” he says. “Like with dance … when you run out of words, there’s a certain collective memory our body has that we can share with movement. Our bodies become storehouses for our memories.”
Moletress studied acting in college, both in Allentown, Pa., and during graduate school at the University of Tennessee. He spent two years in London in the ‘90s studying acting and modern dance and worked in regional theaters around New York City where he lived in the early ‘00s. He came to Washington in 2008 after two years working as an artistic director at a company in Pennsylvania. In 2009, he started Factory 449, a Helen Hayes-winning project from which he’s since parted ways. Force/collision (force-collision.org) was started with a grant he got through Source Theatre.
Moletress lives in D.C.’s Navy Yard area and enjoys reading — “I have hundreds of books in my apartment” — and decoupage in his free time. (Photo courtesy Moletress)
How long have you been out and who was the hardest person to tell?
Pretty much since high school. Before the Grindr phenomena, we had AOL chat rooms. It was a fun little platform for meeting other high school guys who were for the most part, not out. I can’ t say I really made the choice to come out, so much as outed myself with a crumpled up page ripped from an International Male catalogue I left in my pants pocket. My mother was doing laundry that day. I don’t think she was really surprised, given that my early obsessions included Cheryl Tiegs workout videos and musical theater.
Who’s your LGBT hero?
Christopher Isherwood.
What’s Washington’s best nightspot, past or present?
Does my couch count? Honestly, wherever my friends are. I adore them.
Describe your dream wedding.
No, thank you. Although if I ever found myself wearing a white dress, I’d most likely be standing on a cliff somewhere on the Galway coast of Ireland, contemplating two choices.
What non-LGBT issue are you most passionate about?
Genocide and reconciliation. My friend, Erik Ehn, is a playwright who founded an annual conference to investigate theatre on this subject. He writes about collective trauma. I’ll be directing the premiere of his new play “Shape” which infuses the stories of blacks in 1900 Ambrose Park with the 1921 Tulsa Race Riot.
What historical outcome would you change?
This is a challenging question. I believe we are where and who we are because of our histories. I would negotiate peace and dialogue before violence.
What’s been the most memorable pop culture moment of your lifetime?
Manic Panic hair dye and Siouxsie Sioux on high school Sundays with like-minded outcasts.
On what do you insist?
Pausing and breathing. Oh, and Diet Pepsi.
What was your last Facebook post or Tweet?
@soulographiedesignmeetings at The New Schoolpic.twitter.com
If your life were a book, what would the title be?
I’d have to look to Jackie Collins for inspiration. Perhaps, “The World Is Full of Married Men” or “Lady Boss.”
If science discovered a way to change sexual orientation, what would you do?
Either run screaming or mount Tom Brady.
What do you believe in beyond the physical world?
Connectivity. Universal law. Energy and frequency. Love.
What’s your advice for LGBT movement leaders?
Persevere. Trust your instincts. If one door closes, open another.
What would you walk across hot coals for?
My friends. To have seen Velvet Underground perform live.
What LGBT stereotype annoys you most?
I’m sure I pretty much fit all of them at one point or another. However, I wish we could all be more open to the possibilities of gender duality. Regardless of whether people think I swing more toward my feminine or my masculine side, nothing turns me off more than men who state they are “straight acting” when they like to play leap frog with other men.
What’ s your favorite LGBT movie?
“Mommie Dearest.” The gay man’ s guide to opera acting and OCD.
What’s the most overrated social custom?
Utensils.
What trophy or prize do you most covet?
Bjork’s Polar Music Prize. I wish I could be as brilliant as her.
What do you wish you’d known at 18?
That I was going to live past 25. I certainly didn’t behave that way.
Why Washington?
I’m attracted to the sizzle of American politics. The Hill staffers are cute, too. I dated one for a while. Moreover, this IS a theater town and the resources here for my profession are overwhelming. Source Theatre/Cultural Development Corporation has played an integral part in getting my work seen. I owe a lot to them, especially Jenny McConnell Frederick.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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