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Signature’s ‘Russia’ premiere plays loosey goosey with the Rasputin legend

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‘Brother Russia’
Through April 15
Signature Theatre
4200 Campbell Avenue, Arlington
703-573-SEAT

Doug Kreeger, center, as Grigori in Signature’s ‘Brother Russia.’ Also seen from left are Stephen Gregory Smith, Erin Driscoll, Russell Sunday and Rachel Zampelli. (Photo by Scott Suchman; courtesy Signature)

 

Advanced word on Signature Theatre’s world premiere production of “Brother Russia” promised the story of Rasputin set to music. If you’re expecting a faithful retelling of the mad monk’s rise from backwater Serbian peasant to Russian Imperial Court favorite, don’t. The show’s creators — musical team Dana Rowe (music) and John Dempsey (book and lyrics) — have toyed widely with the facts and invented something entirely new.

Propelled by a hard-driving rock score, “Brother Russia” is a play within a play. The action begins with a ragtag troupe of sometime post-Glasnost Russian actors gathering to perform their next show. The itinerant company’s leader, Brother Russia (John Lescault), suggests they tell his story, the story of Rasputin. Of course, he couldn’t possibly be the real Rasputin — though old, he’s not nearly old enough, and besides Rasputin’s murdered corpse was dragged from the Neva River in 1916. Still, the actors press on. Parts are assigned, costumes donned and places taken.

Visibly seated throughout the musical in a big wooden wheelchair, wisecracking Brother Russia watches things unfold from the sidelines. Family tragedy prompts young Rasputin (a bearded Doug Kreeger) to embark on his quixotic journey (lucidly staged by Signature’s gay artistic director Eric Schaeffer). Along the way a horny witch (Rachel Zampelli) claims his soul. Whether it’s her magic, or Rasputin’s later apprenticeship with a pair of faith-healing hucksters (Kevin McAllister and Christopher Mueller) that primes him for the big time is unclear. Once in St. Petersburg, Rasputin vaults to in-house healer to the young, hemophilic Tsarevich and wins inordinate influence with the boy’s parents, Tsar Nicholas and Tsarina Alexandra. Not surprisingly, court insiders grow jealous, particularly Prince Felix Yusupov (gay in real life, and here played by Stephen Gregory Smith as a totally louche, glam rock queen strutting in impossibly high red heels), and trouble ensues.

But what would a musical be without a love story? “Brother Russia” defies history by portraying Rasputin and the Tsar’s youngest daughter, the fabled Anastasia (played by the talented and always excellent Natascia Diaz), as a love match. Of course this never happened. Anastasia was a small child when womanizing Rasputin arrived at court. Ordinarily, reshuffling history isn’t a big deal, but with this shows it proves a recurring distraction.

Still, there are things to like. Kreeger, who is gay, is fully committed to the role. He’s terrific and his vocals are gorgeous whether sung sweetly (“The Tsarevich’s Lullaby”) or powerfully (“I Serve No Man”). Other highlights include Amy McWilliams’ turn as the opium smoking (more artistic license), fabulous headdress-wearing Tsarina; and Tracy Lynn Olivera’s number, a bawdily delivered drinking song titled “Vodka.”

Misha Kachman’s impressive set is an expansive stage of rough planks beneath strings of colored lights. In the background are tattered curtains, a depilated caravan and a battered steamer trunk. Costume designer Kathleen Geldard imagines the troupe as sexy and punk expect for Brother Russia who’s dressed as an aging hippie activist in an army surplus coat dotted with political buttons, Birkenstocks and a Che Guevara T-shirt.

In the end, Brother Russia is called out on his historical inaccuracies by the company’s irate manager (Russell Sunday). Ah ha, so this is where everything will make sense, right? Unfortunately, what feels like a tacked-on explanation is unsatisfying. Evidently, this is Brother Russia’s reality, and his proof of the eternal power of theater and the Russian spirit … or something.

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Arts & Entertainment

Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71

Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’

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(Photo courtesy of Pop TV)

Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.

O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.

In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.

In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”

Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.

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Calendar

Calendar: January 30-February 5

LGBTQ events in the days to come

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Friday, January 30

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Spark Social will host “RuPaul’s Drag Race S18 Watch Party” at 8 p.m. This event will be hosted by local drag queens TrevHER and Grey, who will provide hilarious commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. This event is free and more details are available on Eventbrite

Saturday, January 31

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday, February 1

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, February 2

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@thedccenter.org).

Tuesday, February 3

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more information, email [email protected]

Wednesday, February 4

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Center Aging Women’s Social and Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, visit the DC Center’s website

Thursday, February 5

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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