Arts & Entertainment
‘In the Life’ celebrates 20 years
Groundbreaking TV series receives $1 million gift to mark anniversary
Maria and Brian Singer of Laurel, Md., and their children Lucas and Jackie, one of the families featured in ‘Becoming Me.’ (Photo courtesy of Brian and Maria Singer.)
The groundbreaking television series “In the Life” received an impressive gift for its 20th anniversary celebration — a $1 million donation from board co-chair and New York philanthropist Henry van Ameringen. This timely award gives the organization a chance to celebrate its milestone while planning for the next 20 years.
The media-shy Ameringen writes movingly about the importance of “In the Life” in a blog entry for the Huffington Post. The 82-year-old activist remembers growing up in a time when “the absence of images reflecting real gay life made it easy for people to assume we were everything bad that was said about us.” This was exacerbated when the AIDS epidemic struck the gay community in the 1980s and Ameringen, like many other LGBT activists, became politicized.
“Staying on the sidelines was impossible,” he writes. “The government was doing absolutely nothing to halt the spread of this disease nor help those who were suffering. AIDS was seen as a ‘gay disease,’ and with so few positive portrayals of gays in the media, and far fewer gay people being out at the time, most Americans believed all the stereotypes they had heard about us.”
However, the premiere of “In the Life” in 1992 contributed to the change in the media and political landscape. Ameringen notes, “The simple fact that there was a television program, airing on public television stations around the country, that represented LGBT people in such a genuine and accurate manner was stunning.” Veteran media expert and activist Cathy Renna says, “‘In the Life’ has become the ‘60 Minutes’ of LGBT journalism” and credits the show for creating a large and diverse audience for LGBT stories.
Michelle Kristel, executive director of In the Life Media, says that quality and content have been the key to the program’s longevity.
“In the early days,” she says, “we led from a place of novelty and uniqueness. When we were first broadcast in 1992, you just didn’t have out, proud gay and lesbian people on television. We were pioneers. But what has sustained us is the quality of our content and the fact that we are telling stories about real people and the critical issues facing our community.”
Philanthropist Henry van Ameringen gave $1 million to ‘In the Life,’ which has been described as the ’60 Minutes’ of LGBT news. (Photo courtesy Renna Communications)
The celebration of the show’s anniversary is already underway. The 20th season kicked off with a red carpet gala and an October 2011 episode that looked back at the history of the show. Kristel explains that “In the Life” began as a variety show hosted by lesbian comedian Kate Clinton, but that over time it evolved into a behind-the-desk news show with in-the-field reporting before assuming the short-form documentary format it has today. Over time, the award-winning show has also developed a robust online presence with web exclusives that supplement its television programming.
Kristel says the staff had a blast putting together the retrospective show. “It’s always fun for us to look at the old tapes. We had a lot of fun putting it together and taking in the depth and breadth of all that we’ve done over the years.” The anniversary celebration will culminate in the annual June Pride Brunch where supporters can “eat, drink and be merry” while watching New York’s Pride Parade from the windows of “In the Life’s” studios on Fifth Avenue in Manhattan.
When asked about the importance of the show, Kristel points out that the impact of the series goes beyond its television and online audiences. For example, this month’s episode, “Becoming Me,” which chronicles the lives of families dealing with transgender and non-gender-conforming children, is already becoming a resource for educators, parenting groups like PFLAG and social service agencies. Kristel says, “The show is a beautiful articulation of what we do really well, which is to take an issue and tell personal stories that relate to the issue and that make it tangible for our audiences. We worked on this piece for nine months and we were able to go in-depth with the eight families we interviewed and really understand their journeys.”
Kristel also cites the impact of the show on legislators and policy-makers. The two-part episode on HIV criminalization educated viewers about a little-known fact. “Very few people,” Kristel points out, “realize that in many places you can go to prison for attempted murder for having consensual sex if you are HIV-positive.” The first part of the episode, “Legalizing Stigma,” which aired in December 2010, was shown at the first-ever congressional hearing on HIV stigmatization and led to the introduction of legislation to rescind those laws. The second part, “Perpetuating Stigma,” which aired in February 2011, was shown at this year’s United Nations AIDS conference in Oslo and was referenced as a resource in the Oslo Declaration.
In addition, the celebrated web exclusive “Injustice at Every Turn” brought to life a report on transgender discrimination that was produced by the National Center for Transgender Equality and the National Gay and Lesbian Task Force. “The report was devastating,” Kristel said. “I read the report and I thought ‘people need to know about the profound levels of discrimination that transgender people are facing.’ But the fact of the matter is that very few people are going to read a report like that, so we produced a video that put a human face on these issues. That video was presented at the U.S. Department of Labor as a way of informing the department about discrimination in the workplace. This is one of the things we do well, to take an issue and put a human face on it and use it to move people to have a better understanding of the lives that people are living and the ways that people are impacted by social injustice and discrimination.”
Kristel is quick to point out that “In the Life” also produces some fun stories as well. A recent episode profiled the late Sam Steward, a sexual renegade, writer and pornographer. With a hearty chuckle, Kristel relates that “he started life as an English professor, but found that the life of an academic didn’t suit him particularly well. He left that to become a writer of erotica and a tattoo artist. Along the way, he documented, in some detail, his sexual escapades. He had a wooden card catalog that he called “The Stud File” with little cards and descriptions of everybody that he ever had sex with and with pertinent details about their physiques and their skills.”
Ameringen’s gift comes at a critical time for In the Life Media, allowing the organization to continue to deliver stories that document the lives of LGBT people and to explore the issues that affect them. About $100,000 of the donation will be used to match new and increased contributions. The balance will offer the organization a valuable opportunity to invest in its future.
Kristel says, “The media landscape has changed radically since we were first broadcast, not only in the way media is produced, but also the way that people consume media. What has remained constant is the power of media to shape the national dialogue. So we will be using this gift to make an assessment of the organization. We will be investing in digital initiatives that will allow us to not only improve our tools for engagement with our viewers but to give our viewers the tools to help us advance equality for LGBT people.”
“In the Life” airs locally on WETA and WMPB and programs can be seen at itlmedia.org/.
More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.
Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.
“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”
McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.
Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.
“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.
Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.
Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.
ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.
“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.
The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.
President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.
The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:
• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.
• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.
• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.
The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
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