Arts & Entertainment
Elizabeth, the enigma
Warts-and-all look at Britain’s queen
‘Her Majesty’
By Robert Hardman
Pegasus Books
$27.95/384 pages‘The Rough Guide to The Royals’
By Alice Hunt
Rough Guides
$16.99/272 pages
Imagine yourself at age 10.
Life then was relatively carefree. You spent your time riding bikes, playing games and being a kid. Your future stretched for miles; the possibilities were limitless.
Now imagine that you’re 10 years old and the life you dreamed about is suddenly no longer possible. You’ll never have a “best friend.” You’ll never be allowed to make a happy fool of yourself in public. No more sloppy jeans, shopping sprees or spontaneity.
Would you chafe under the new rules?
Elizabeth Alexandra Mary of York did not. She gracefully accepted the mantle of responsibility, and in the new book “Her Majesty” by Robert Hardman, you’ll see how she copes.
Her full name is a mouthful.
Her Majesty Elizabeth the Second, by the Grace of God, of the United Kingdom of Great Britain and Northern Ireland, and of Her other Realms and Territories, Queen, Head of the Commonwealth, Defender of the Faith is a name that explains her life for the past 60 years, ever since her father died and made her the British sovereign. The name tells you who she is, but not completely.
While many think Her Majesty is traditional, impersonal, and rather humorless, she is, privately, quite the opposite. Queen Elizabeth loves the absurd, enjoys sharp wit, and she’s keenly interested in her subjects’ lives. She’s purposefully modernized protocol by including women on her staff and by changing some long-standing rules to include divorcees and gay citizens. She reads most letters sent to her (but doesn’t send or receive email) and sometimes answers missives personally.
She’s warm but then again, anyone who inappropriately tries “familiarity” with her may be on the receiving end of the “royal stare” that can reduce one to “jelly.”
Yes, it’s good to be Queen but the job has its downsides. Hardman says that Her Majesty doesn’t have a “best friend” in which to confide and is, in fact, constitutionally barred from discussing certain matters with non-officials. She’s expected to embrace decorum and maintain a certain regal bearing at all times, and it’s her duty to “be nice” to even the most ill-behaved government visitor.
In the past six decades, a lot of trees have died in order to chronicle the lives of the Royal Family. Most of those books seem basically the same.
This one, though, stands out.
Unlike those other books, “Her Majesty” gives readers a warts-and-all inside peek at the private face of Elizabeth the Enigma. Author Robert Hardman doesn’t allow any stuffiness here; his biography of the Queen is lively and, at times, sweetly amusing with a touch of respectful awe. Hardman dishes a bit of light scandal as he delights us with things we don’t know about his subject and her subjects.
Anglophiles will eat this book up, biography lovers will be charmed, and if you’re both, then you’ll feel quite regal. For you, “Her Majesty” is queen-sized enjoyment.
I also absolutely could not resist this book: “The Rough Guide to The Royals” by Alice Hunt, James McConnachie, Samantha Cook, Rob Humphreys, and Rupert Matthews.
This way-fun book goes back in time to the earliest monarchs and, of course, their scandals, decisions, ill-fated actions, and good deeds. There are pictures all over in this book, quick-to-read sidebars, and short, page-or-two articles that are meant for many afternoons of browsing.
WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)
The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
