Arts & Entertainment
Here comes the Pride
Bounty of black, Latino events through Memorial Day and beyond
Pride season is here and with it brings events, concerts and festivals for everyone.
The sixth annual Latino Pride starts Sunday and this year’s theme is “History, Celebration, Diversity and Identity.” This is the first year Latino Pride is spread over multiple days.
Latino Pride begins with La Corona, the royal coronation and dance party at Cobalt (1639 R St., N.W.) from 10 p.m. to 2 a.m. hosted by Jocelyn Carrillo. There’s a $5 donation for this 21-and-older event.
“La Plática” is May 30 from 7 to 9 p.m. at Human Rights Campaign (1640 Rhode Island Ave., N.W.) and features several components including a panel discussion and networking, a historical exhibition and community resource fair. Panelists include Gustavo Velasquez, director of D.C. Office of Human Rights, and Jack Harrison of the National Gay and Lesbian Task Force. HIV testing will also be available during this event.
A bilingual ecumenical service, “La Misa,” with Rev. Joseph Palacios is June 3 at St. Thomas’ Parish Dupont Circle (1772 Church St., N.W.) from 7:30 to 8:30 p.m.
“This will be the first time we have this,” says David Perez, president of Latino GLBT History Project. “We’re partnering with [St. Thomas’ and Palacios] … and we’re also partnering with the Dignity group … focusing on a call to action of how we celebrate pride by giving back to others.”
Latino Pride ends with the official Latino Pride dance party “La Fiesta” at Town (2009 8th St., N.W.) on June 7 from 8 p.m. to 2 a.m. There is a $5 donation for this 18-and-older event.
For more information on Latino Pride, visit latinoglbthistory.org.
Black Pride starts Thursday and runs through May 27.
D.C. Black Pride starts with a wine-and-spirits reception on Thursday at Madame Tussaud’s Wax Museum (1001 F St., N.W.) from 10 p.m. to 2 a.m. Admission is $10.
The festivities continue on May 25 at the Hyatt Regency (400 New Jersey Ave., N.W.) with a hospitality suite open from noon to 9 p.m. and a game room open from 4 p.m. to 2 a.m. The opening reception is from 6:30 to 8:30 p.m. including a book signing for “King Peggy.” RainbowConnects will be running a speed dating event from 7 to 9 p.m.
Also on May 25 is a performance of “She’Baltimore” at The Warehouse Theater (1071 7th St., N.W.) at 8 p.m. Tickets to this performance are $25.
The hospitality suite is also open on May 26 from 10 a.m. to 8 p.m., but there are other events happening that day as well.
At 11 a.m. there is “Why Do You Write/Read and How Do You Succeed?” a panel sponsored by Fire & Ink featuring Rashid Darden, LaToya Hankins, J. Renee LaCour, Spectra Speaks, Red Summer and Dwayne Vernon. There are also various workshops running from 11 a.m. to 2 p.m. at the Hyatt.
At 12:30 p.m., Angela Harvey presents “The Key to the Perfect Orgasm” at the Hyatt.
At 2 p.m. is a film festival also at the Hyatt. Admission to the festival is $15. Also at 2 p.m. is a reading of “The Four of Us” at Mead Lab Theater (916 G St., N.W.). Admission to the reading is $20 and includes a small reception.
Buttafly Soul is hosting a poetry slam at the Hyatt from 5 to 8 p.m. and from 10 p.m. to 1 a.m. is the Soul Train Dance Party. Admission is $15 to both events.
Black Pride ends May 27 with a faith service organized by Courtney Williams, from 10 a.m. to noon at the Hyatt. At noon, “It’s a Family Affair,” the D.C. Black Pride Health and Wellness Expo begins. The expo will be held at Francis-Stevens Educational Campus (23 and O streets) featuring food, community vendors, children’s play area, DJ and entertainment honoring Etta James, Whitney Houston and Vesta Williams.
For more information on Black Pride, visit dcblackpride.org.
Also starting Thursday is Chocolate City Pride with “The Genesis” at Layla Lounge (501 Morse St., N.E.) on Thursday. Cover is $5 before midnight and $10 after.
On May 25, Omega Entertainment presents “5000 Men Pride Mega Party” at Fur Nightclub (33 Patterson St., N.E.) featuring R&B singer Ashanti. Doors open at 9 p.m.
May 26 brings the “Tropical Heat Rooftop Party” at Ibiza (1222 1st St., N.E.) from 3 to 8 p.m. Admission is $10. That night is the annual Manhunt party at Layla Lounge from 9 p.m. to 3 a.m. featuring a surprise celebrity performance.
May 27 starts with the “Insomniac After-Party” at Lace Nightclub (2214 Rhode Island Ave., N.E.) from 3:30 to 7:30 a.m. Then there’s the annual “Island Inferno Pool Party” at Cameron Run Regional Park (4001 Eisenhower Ave., Alexandria) from 3 to 8 p.m. Admission is $10 but the first 500 get in free. The day ends with the “Klimax Mega Party” at Love (1350 Okie St., N.E.) from 9 p.m. to 4 a.m.
The last day of Chocolate City Pride is May 28 and starts with a cookout for all pass holders at Fort Dupont Park (3600 F St., S.E.) from noon until 7 p.m. That night is “The Apocalypse” at Layla Lounge from 9 p.m. to 2 a.m. Admission is $10.
For more information and to purchase passes, visit omegapartydc.net.
The D.C. Front Runners held the 14th annual 5K Pride Run at Congressional Cemetery on Saturday, June 6.
(Washington Blade photos by Michael Key)























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Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.

Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
The Blade may receive commissions from qualifying purchases made via this post.
The Gay Men’s Chorus of Washington performed “Soul Divas” at the Lincoln Theatre over the weekend. The show featured songs popularized by Tina Turner, Aretha Franklin, Diana Ross, Gladys Knight, Whitney Houston and more.
(Washington Blade photos by Michael Key)


















































