Arts & Entertainment
Maps and memories
‘Planet’ production explores fear and isolation among gay men
‘Lonely Planet’
Through June 17
MetroStage
1201 N. Royal St., Alexandria
$45-$50 (military and student discounts available)
703-548-9044

Michael Russotto, left, and Eric Sutton in ‘Lonely Planet’ by playwright Steven Dietz. (Photo by Christopher Banks; courtesy MetroStage)
Tucked away inside his tidy map shop, Jody does his best to keep the uncertainties of the turbulent outside world at bay. But his is an unwinnable strategy. Sooner or later, he must confront what terrifies him most.
In Steven Dietz’s 1994 play “Lonely Planet” — currently playing at MetroStage in Alexandria — the playwright describes a plague that’s affecting men in an American city, and though he doesn’t refer to the disease by name, it’s never for a moment in doubt that the culprit is AIDS. Inspired by maps and Ionesco’s absurdist play “The Chairs,” Dietz explores death and friendship during the most harrowing time of the crisis.
The action is restricted to one space: a small, carefully appointed shop. Here, gay middle-aged Jody (Michael Russotto) has constructed an orderly sanctuary where he deals exclusively with the exactness of latitude and longitude, a place where sales are occasionally referred to, but customers are never seen. We do, however, see Carl (Eric Sutton), a gay younger friend who frequently visits bearing irony and chairs (ladder back, rocker, Windsor) which he persuades Jody to store for him because his apartment is too small. After spinning a tale or two and delivering a pep talk on getting out and about, Carl dashes off to one of his invented jobs (tabloid reporter, art conservator, auto glazier) only to return minutes later with more chairs and chatter.
Soon we learn that Carl’s ever-increasing hoard of chairs once belonged to his and Jody’s friends who have died in the frighteningly lethal epidemic. Carl keeps one chair belonging to each victim as a remembrance. It’s also revealed that Carl’s true employment involves clearing out the homes of these recently deceased friends. And those made-up jobs? They also belonged to the dearly departed.
After intermission, the stage is lit to reveal even more chairs (straw bottomed, barber, Breuer). The image gets a chuckle from the audience, but they’re a terrifying reminder to Jody of death, disease and the uncertainty of his HIV status (Jody has yet to be tested). His fear is palpable. It’s up to Carl to coax Jody to venture beyond the store.
Set designer Jane Fink has imagined a shop filled with globes and scrolled maps. Its heavy dark furniture and transom door feel entirely resistant to time. The stage is backed by a wall of collaged maps. At the top of a simple proscenium is the earth as photographed from outer space. By the show’s end, dozens of chairs are piled on the stage, creating a tall and odd monument. Sounds questionable, but it proves exceedingly poignant.
As Jody and Carl, Russotto and Sutton, respectively (both actors are gay), are believable as longtime, caring friends and each do their best to elevate sometimes plodding monologues. Russotto’s performance is deceptive — it’s quiet but packs an emotional wallop. And Sutton is delightful as the vexing, leather vest-wearing Carl whose sarcasm can belie his good heartedness.
Despite the sad subject matter, much of “Lonely Planet” is playful and fun. And while the allegorical and symbolic aspects of the show can get a little heavy handed, skilled director John Vreeke (also gay) guides the actors in creating some glowing, touching moments. And Vreeke (with the help of lighting designer Jessica Lee Winfield) stages the unexpected and very memorable ending just right.
At a recent performance, the audience was comprised mostly of midshipmen from the Naval Academy’s drama group, the Masqueraders. It struck others present that these young men and women were toddlers when the play was penned almost 20 years ago. Through “Lonely Planet,” they traveled to a time when testing positive was a death sentence, but they were also shown a glimpse of the gay community at its very best and the enduring value of friendship.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
Friday, January 30
Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).
Spark Social will host “RuPaul’s Drag Race S18 Watch Party” at 8 p.m. This event will be hosted by local drag queens TrevHER and Grey, who will provide hilarious commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. This event is free and more details are available on Eventbrite.
Saturday, January 31
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, February 1
Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.
Monday, February 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@thedccenter.org).
Tuesday, February 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more information, email [email protected].
Wednesday, February 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, visit the DC Center’s website.
Thursday, February 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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