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Judy in disguise

New York production explores Garland’s wobbly London shows

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‘End of the Rainbow’
Belasco Theatre
111 West 44th Street
New York
$31.50-$121.50
212-239-6200

From left, Michael Cumpsty, Tracie Bennett and Tom Pelphrey in ‘End of the Rainbow.’ (Photo by Carol Rosegg; courtesy O and M Co.)

The Judy Garland of “End of the Rainbow” (now on Broadway) isn’t the triumphant Judy who reclaimed her starry diadem after the astonishing comeback concert at New York’s Carnegie Hall in 1961. This Judy is seven years older, further down on her luck and shakier than ever. And while playwright Peter Quilter’s close-up look at the disintegration of a great talent is compelling, it’s Tracie Bennett as Judy who takes the show to an entirely different level. Her spookily spot-on channeling of the troubled superstar is phenomenal.

Set in a suite in London’s Ritz Hotel and the nearby Talk of the Town nightclub where Judy is precariously poised to make yet another comeback, the musical play repeatedly asks the question will she or won’t she? Will Judy be able to perform? Will she stay sober? Doing their best to prop her up offstage and on are manager and soon-to-be fifth husband Mickey Deans (Tom Pelphry), and her gay Scottish-born pianist, Anthony (the excellent Michael Cumpsty). Ultimately, each is fighting a losing battle. Just months after the erratic London club dates, Judy would be dead from an accidental overdose of barbiturates. But for now the show must go on.

Bennett’s Judy draws on the star’s renowned wit, clownishness, foul humor and charm. There’s also the cunning and desperation of an inveterate drug addict. At this point in her life, Judy’s poison of choice is Ritalin washed down with Stoli vodka, but when she can’t get that, any other “adult candy” will do: After mistakenly gobbling pills that were prescribed for a mangy cocker spaniel, she says, “I don’t need a doctor. Call a vet. If I start to pee on a lamppost, then call a doctor.”

Within the fancy suite (designed by William Dudley who also did the perfect costumes), there’s tension. Judy sees her younger paramour as a protector while accompanist Anthony considers Mickey a crass opportunist. He’s written and Pelphrey plays him somewhere in between. Initially Mickey weans Judy off drugs, but later becomes her supplier when she can’t perform without them.

Like any good bio play, “End of the Rainbow” covers all the bases. Judy recalls her vaudeville roots and Benzedrine-fueled MGM youth, cracking jokes about Mickey Rooney’s cigarette–stunted growth, Deanna Durbin’s unibrow and young Elizabeth Taylor’s charm (“She was so charming you just wanted to run her down with a car!”). She covers her lifelong drug addiction and a couple ex-husbands, but conspicuously absent is any mention of her three children whom from all accounts she adored.  She gives a nod to her gay fans: “I could throw up in their laps and I would still be glamorous.”

Bennett, who’s been playing the part since early 2010 when the musical opened to critical acclaim in London before transferring to Broadway in March, sounds and looks (especially in profile) like the bony, middle-aged Garland seen in variety show and concert clips. The manic, jerky movements are all there — outstretched arms, upturned palms, jumpy legs. But it’s more than an impersonation. Directed by Terry Johnson, Bennett fully inhabits the star, artist and damaged woman.

Her quavering voice is a tad hoarse, but it works for this late stage in Judy’s career. When she sings “The Man that Got Away,” her hotel room morphs into a nightclub, nicely demonstrating the blurred boundary separating the star’s private life and career. Her riveting Ritalin-addled take on “Come Rain or Come Shine” is a poignant commentary on a once great talent now sick but still putting across one of her signature songs.

Wry and unconditionally loving, Anthony (representing Garland’s many gay fans) offers Judy permanent sanctuary at his home by the sea, promising wholesome food, quiet walks and chaste kisses. Sounds cozy, but Judy isn’t biting. Despite more than once claiming to be “all sung out,” in the end she goes with what she knows: a chaotic life of work, fans and drugs.

 

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Books

A boy-meets-boy, family-mess story with heat

New book offers a stunning, satisfying love story

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(Book cover image courtesy of Random House)

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages

Happy is the bride the sun shines on.

Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.

He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.

He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.

But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.

Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.

Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.

What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.

In short, this book is quite stunning.

Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.

If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.

The Blade may receive commissions from qualifying purchases made via this post.

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Photos

PHOTOS: Victory Fund National Champagne Brunch

LGBTQ politicians gather for annual event

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Rep. Sarah McBride (D-Del.) speaks at the 2025 Victory Fund National Champagne Brunch. (Washington Blade photo by Michael Key)

The Victory Fund held its National Champagne Brunch at the Ritz-Carlton on Sunday, April 27. Speakers included Tim Gunn, Sen. Tammy Baldwin (D-Wis.), Gov. Wes Moore (D-Md.), Rep. Sarah McBride (D-Del.), Rep. Chris Pappas (D-N.H.) and Rep. Mark Takano (D-Calif.).

(Washington Blade photos by Michael Key)

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Music & Concerts

Tom Goss returns with ‘Bear Friends Furever Tour’

Out singer/songwriter to perform at Red Bear Brewing Co.

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Singer Tom Goss is back. (Photo by Dusti Cunningham)

Singer Tom Goss will bring his “Bear Friends Furever Tour” to D.C. on Sunday, June 8 at 8 p.m. at Red Bear Brewing Co. 

Among the songs he will perform will be “Bear Soup,” the fourth installment in his beloved bear song anthology series. Following fan favorites like “Bears,” “Round in All the Right Places,” and “Nerdy Bear,” this high-energy, bass-thumping banger celebrates body positivity, joyful indulgence, and the vibrant spirit of the bear subculture.

For more details, visit Tom Goss’s website.

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