District of Columbia
Hotel Monaco launches Pride-themed suite ahead of WorldPride
Historic hotel unveils campy and artist Pride themed suite
Washington boasts many historic landmarks. From well-known spaces that have been around for at least a century — like the White House and Capitol — to lesser-known locations of historic significance, such as Frank Kameny’s house in Northwest that became the headquarters of the first gay civil rights organizing group in the U.S., it’s clear that history is not in short supply in Washington.
One space in the city with a historic past and grand — some may even say flamboyant — features is now attempting to make the most of history in the making, as Washington prepares to host its first-ever WorldPride celebration this June.
The General Post Office in Penn Quarter, built in 1866 to house the U.S. Post Office Department and U.S. Patent Office, is now home to the boutique Kimpton Hotel Monaco (700 F St., N.W.) Its Italian Renaissance-inspired architecture — complete with a marble façade, lion statues, and red carpet entrance — exudes luxury and opulence.
As WorldPride inches closer, with an estimated 2 million visitors expected during the two-week-long celebration, the Kimpton Hotel Monaco is unveiling a unique suite designed to reflect “the fun, eclectic, and vibrant nature of the LGBTQ community,” Michelle Ison, the Washington-based designer, founder of Picnic and Peonies, and creative mind behind the “Free to Fly” suite, told the Washington Blade during a special preview of the room.
The Pride Suite at Hotel Monaco bursts with color in every corner, each detail carefully curated to spark joy-or at the very least, inspire a vibrant Instagram story. Bright, Warhol-esque portraits of Dorothy and Sophia Petrillo frame the television, painted by local LGBTQ artist Wayne Hollowell, who-fun fact-also works in the hotel’s accounting department. Across the room, a classical Greek statue head is playfully adorned with David Bowie’s iconic Ziggy Stardust lightning bolt and crowned with green carnations, a clear nod to queer legend Oscar Wilde. Even the bed’s tray table serves as a tribute to LGBTQ culture, featuring a vintage copy of “The Wizard of Oz.” From camp icons to literary references, the suite is a love letter to queer popular culture, designed to be both comforting and celebratory.

The artistic centerpiece of the room is the 300 handmade butterflies that appear to flutter across the space, a “fun, labor of love” that truly makes this room stand out.
“The Free to Fly Suite was designed to celebrate love, freedom, and acceptance. At the heart of the room is a gradient butterfly mural, symbolizing transformation, movement, and the beauty of becoming your authentic self,” said Ison. “Alongside the mural, we incorporated a playful mix of colors and patterns that reflect the vibrant spirit of the LGBTQ+ community. These design choices aren’t just aesthetic-they evoke energy, joy, and the dynamic individuality that the space is meant to honor.”

The room, which can only be booked through the Kimpton Monaco’s website, is available as a standalone stay with rates starting at $289 per night, or as part of the “Rainbow Recharge” package. The package includes a $100 credit for breakfast (or brunch) in bed from the hotel’s on-site restaurant, Dirty Habit; colorful Daise bath amenities; and a $10 donation to the national nonprofit the Trevor Project.
Regardless of whether guests book the room alone or as part of the package, they will receive two SuperGay Spirits canned cocktails, sweets from local LGBTQ-owned shop the Capital Candy Jar, and a daily complimentary single-ride promo code for Bird and Spin scooters and bikes-along with a curated map of historic Pride sites across Washington.
By collaborating with local LGBTQ businesses, Hotel Monaco DC is making it clear that supporting the LGBTQ community takes more than just putting up Pride flags in June.

“Through the creation of the Free to Fly Suite and partnership with brands supporting Pride, we hope to create an immersive guest journey that celebrates our core values and further supports and inspires our neighborhood’s contributions to the LGBTQ+ community,” said Kelsey Jones, director of sales and marketing for Hotel Monaco DC and Kimpton George.
To make WorldPride weekend even more special, guests staying over on Saturday, June 7, can get a complimentary “tiny tattoo” by a professional artist from NYC tattoo shop Tiny Zaps in the lobby’s Library from 1–7 p.m., a souvenir you can’t accidentally leave behind.
Additionally, the hotel lobby features a Pride photo op adorned with rainbow butterflies, also handmade by Ison.
Dirty Habit, the hotel’s swanky restaurant, will be decked out in its rainbow best-including more artwork from the accountant/artist Wayne Hollowell, with portraits of Liza Minnelli, Alyssa Edwards, RuPaul, and Judy Garland available for purchase. The restaurant will feature a special Pride cocktail menu and will host a WorldPride Drag Brunch with RuPaul’s Drag Race Global All-Stars winner Alyssa Edwards on Sunday, June 8, 2025, at 11 a.m. After June, Hollowell’s artwork will be showcased at Provincetown’s Post Office Café and Cabaret.
The “Free to Fly” suite and the additional “Rainbow Recharge” package are available through October 11, which coincides with National Coming Out Day. To book the room, visit monaco-dc.com.

District of Columbia
Hands Off the Arts to form ‘human chain’ around Kennedy Center
Drag performer Tara Hoot among event organizers
An organization called Hands Off the Arts has announced it is holding a protest on Friday, Sept. 18, in which between 400 and 800 participants are expected to create a “human chain” around the Kennedy Center to voice their strong objection to President Donald Trump’s call for possibly demolishing the Kennedy Center.
“Hands Off the Arts is organizing a rally Sept. 18 against the president’s defacing of JFK’s memorial, his removal and censorship of art, and the threat to demolish the center if he can’t remake the site in his image,” a statement released by the group says.
The statement says the event will start with a rally at 6:30 p.m. on the Kennedy Center steps and culminate with a “human chain” around the building. “There will be musical performances, testimonials from current and former employees, along with other special guest speakers,” it says
A separate announcement by the group says longtime D.C. drag performer Tara Hoot, who has performed at the Kennedy Center in past years, was among the organizers of the Sept. 18 protest.
The planned protest follows Trump’s decision last year to use his authority to replace the existing members of the Kennedy Center’s board of directors with new members loyal to him. Over the objection of longtime Kennedy Center supporters, the Trump-appointed board changed the name of the center, at Trump’s request, from the John F. Kennedy Memorial Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.
But following the threat of legal action by opponents who pointed out that the name change could not be legally made unless approved by Congress, the name change was cancelled, with Trump saying he would take steps to restore it later.
The Washington Post, meanwhile, reports in a Sept. 13 news story that because of negative publicity related to Trump’s actions, the Kennedy Center was facing “fiscal collapse” and possible bankruptcy and could be forced to shut down as early as this week.
According to the Post report, a 57-page document presented to the Kennedy Center’s board of trustees says the center was facing a financial and structural building crisis, with the recent collapse of part of the building’s inside ceiling, indicating the building was unsafe for employees and the public. Among other things, the document says the Kennedy Center may not be able to make payroll or pay for routine maintenance “within a matter of weeks,” the Post reports.
Some LGBTQ advocates were among those who joined others in boycotting the Kennedy Center to express their objections to Trump’s actions, including a statement by Trump that he objected to the Kennedy Center’s practice of hosting drag performances.
The Gay Men’s Chorus of Washington has been among the LGBTQ performing arts groups and artists that have performed at the Kennedy Center.
“With the future still very much uncertain, now more than ever, the Center needs you to stand up for freedom of expression and against authoritarian overreach into arts and culture institutions,” the Hands Off the Arts group says in its announcement of the Hands Around the Kennedy Center protest.
“You have the opportunity to make a difference — show up with Hands Off the Arts and show your power as part of Hands Around the Kennedy Center,” it says.
A spokesperson for the Kennedy Center couldn’t immediately be reached for comment.
District of Columbia
Blade welcomes fall intern
Alexis McLean is student at University of North Florida
The Washington Blade this week welcomed Alexis McLean as its fall intern.
Alexis is studying political science at the University of North Florida in Jacksonville, Fla. She is interning with the Blade as part of a continued partnership with the Washington Center.
“I am looking forward to spending my time in the fall with the Washington Blade, as this is a new experience for me,” said Alexis. “I have not experienced any journalist jobs in the past so this would be my first time, and I am excited to better my writing and communications skills with this internship.”
Alexis’s internship with the Blade ends in early December.
District of Columbia
‘People don’t see me. They see a trend’
New popularity of all things Asian warps view of multiple cultures
As I was growing up, my parents often shared stories about how they were bullied when they were my age, just for being Asian. My mom is Cambodian and my dad is “Wasian,” Chinese and white. Students teased them for their looks, their homemade lunches, and treated their traditional holidays as jokes.
I once asked my mom when I was little if she could pack me dumpling leftovers for lunch. “Yes,” she said with a surprised look, adding, “I would have never wanted to bring dumplings to school when I was your age because I would always get bullied for them. I’m glad times have changed.”
At the time, I was confused. Whenever I brought a homemade Asian dish to school for lunch, I was happy to hear intriguing and curious questions from the other kids. It felt good to have my meal be popular and different from the Lunchables everyone else had.
Though times have changed, racism still continues. It just has a new face. Today, social media pretends to flatter our cultures in an insincere way trying to gain popularity just for clicks. Think anything from K-pop to Japan’s surge in international tourism. Even Starbucks has added drinks with the flavor of ube yam, native to the Philippines, onto its menu.
I feel that now when people see me, they don’t see me, they see a trend.
For years, Asian people have been portrayed as foreign or exotic. The new embrace of foods and fashion at first felt good. Asians have never been represented as much as they’ve deserved.
But this new popularity warps what non-Asians see. Instead of the blunt and direct racism my parents faced, everything now is a gray area, more discreetly hidden behind some TikTok video. It actually normalizes racism and stereotypes.
Whitewashing my culture
As a 15-year-old Asian American who lives in D.C., I’ve always been one of the few Asian kids in school; my high school today counts less than 2 percent of students as being of Asian descent. I remember always being called “that one Asian girl” or some slur a kid learned from their parents. Every time I search for something related to Asian culture, such as a recipe or maybe a holiday, it’s always the same thing: some white person whitewashing my culture.
Social media is the main culprit, of course. I realized this when I entered high school and got a phone and was introduced to the internet. That is when I realized how messed up the new stereotypes around Asians are.
One pattern I started to notice was people wanting to be Asian just because it was popular. It was hurtful, patronizing, and annoying. They made assumptions about our race and then only found us “cool” because we were trending. How can people go from hating us or finding us weird, to then only liking us because we’re popular?
There was a trend going around on TikTok called “race change to another” or RCTA. It is this trend of people manifesting certain physical traits to change their appearance in order to change races. According to journalist Emi Tran, writing then as an intern for NBC Digital, the trend started when a white woman wanted to be Japanese. The woman began posting TikTok videos of herself wishing for different features such as monolids. Tran wrote in that 2023 article that “the overwhelming majority of the RCTA community wants to be East Asian.”
People also look up to K-pop culture, idolizing the pop groups pulled together by big entertainment companies. Most people expect all Koreans to be K-pop fans. Korean friends are asked about K-pop all the time even though they are not into the South Korean music genre.
Although I am not South Korean — I am half Cambodian and Chinese — I still get asked, almost like I’m expected, “You’re really into this group, right?” or “Can you tell me how to pronounce this member’s name?”
I was asked even worse questions during COVID-19. Suddenly, discrimination and violence were increasing specifically toward Asians everywhere. Suddenly, almost everyone was blaming Chinese people for spreading and causing COVID-19.
I remember going to school for one of the last times before quarantine had started and hearing kids whisper, “Oh, she’s going to give us the Coronavirus.” President Donald Trump had publicly posted his opinions about the situation on social media, blaming China for the pandemic, even calling it the “Chinese Virus” or the “Wuhan Virus.” According to NPR, anti-Asian hate crimes in U.S. cities surged 149 percent that year.

The topic of Asians in the media has always been complicated. One moment people can hate us for being weird and different and the next we’re suddenly popular and cool for the same reasons.
I feel conflicted on whether I should feel happy that we’re being represented or angry that it’s all for the wrong reason and has the wrong effects.
Lily Brugman is a sophomore at Benjamin Banneker Academic High School, one of Youthcast Media Group’s journalism class partners. She worked with YMG volunteer and Professor Emerita in journalism at American University Amy Eisman on this piece.
