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Arts & Entertainment

Calendar: July 20

Parties, exhibits, concerts and more through July 26

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‘Wild Night: A Burlesque Adventure,’ is coming to the Warehouse Theater on Saturday at midnight. (Photo courtesy Warehouse)

TODAY (Friday)

The HIV Working Group is doing outreach tonight at Town’s (2009 8th St., N.W.) Bear Happy Hour. It begins at 7 p.m. and tickets are $5. For more information, visit towndc.com or thedccenter.org.

Burgundy Crescent, a gay volunteer organization, needs volunteers today through July 25 to help with the AIDS Memorial Quilt on the National Mall. To participate, visit burgundycrescent.org.

Whitman-Walker Health is having HIV Testing at Arena Stage (1101 Sixth St., S.W.) tonight at 5:30 p.m. For details, visit whitman-walker.org.

Touchstone Gallery (901 New York Ave., N.W.) is hosting two exhibits, “3D Collage the Adventure” by David Alfuth and “Being Affected” by Charles St. Charles until July 29. Alfuth’s artwork features are surreal 3-D collages consisting of newspapers, cloth, pressed flowers and other flat objects. St. Charles’ exhibition portrays faces with various reactions to shared circumstances. The exhibit is free. For more information, visit touchstonegallery.com.

Phase 1 (525 8th St. SE) is hosting its “Red, White & Boobs with D.C. Gurly Show” starting at 7:30 p.m. This event will have a special guest, Miss Flora Bush. Cover charge is $5. For more information, visit phase1dc.com.

Waverly Street Gallery (4600 East-West Highway, Bethesday) is hosting the exhibition “Heard it Through the Grapevine,” paintings and collage by Ronnie Spiewak today from noon to 6 p.m. Access to the exhibition is free. For more information, visit waverlystreetgallery.com.

The Bachelor’s Mill (1104 8th St., S.E.) is having its happy hour today starting at 5 p.m. All drinks are half off until 7:30 p.m. After 9 p.m., admission is $15, and after 11 p.m. admission is $3. The party includes a pool, video gaming system and card tournaments. For details, visit thebachelorsmill.com.

Green Lantern (1111 14th St., Green Court, N.W.) is hosting its “Pop Goes the World” party tonight at 10 p.m. Cover charge is $5. For more information, visit greenlanterndc.com.

Saturday, July 21

A reception will be held tonight at 6 for artists John Gascot’s and MG Stout’s art exhibit at the D.C. Center (1318 U St. NW). Wine and refreshments will be served. Many or the paintings are inspired by or named after songs. The exhibit will be up through Sept. 8 and attendees can visit for free during the D.C. Center business hours. For more information, visit thedccenter.org.

Spunk-E Productions presents “Ink & Scruff” at Green Lantern (1111 14th St., Green Court, N.W.)  tonight at 10 p.m.  There’s a hot body contest, drink specials all night and music by DJ Tone. Cover is $5. For details, visit greenlanterndc.com.

Tilted Torch’s “Wild Night: A Burlesque Adventure” is at the Warehouse Theater (645 New York Ave. N.W.) tonight at midnight. This burlesque show allows audience members decide what happens in the story. The decisions will lead to consequences, danger and even death. General admission is $17. For more information, visit warehousetheater.com.

The Black Cat (1811 14th St., N.W.) tonight is hosting “Right Round,” its ‘80s alternative-pop dance night with DJ Lil’e. Tickets are $7 and doors open at 9:30. For more information, visit blackcatdc.com.

Town Danceboutique (2009 8th St., N.W.) is hosting an AIDS 2012 Conference Party tonight at 10 p.m. The party is to bring men together to kick off the conference weekend. The music is by DJ Chord. Cover is $8 before 11 p.m. and $12 after 11 p.m. There are $3 drinks before 11 p.m. A drag show starts at 10:30 p.m. For more information, visit towndc.com.

Sunday, July 22

Youth Score 2012 is hosting “Uniting an AIDS-Free Generation” today at the Bell Multicultural High School (3101 16th St., N.W.) from 11:30 a.m. to 5 p.m. This basketball and soccer tournament will feature games are for ages 13-24 with great prizes for participants. The event is free. For details, visit facebook.com/YouthScore2012.

The Kennedy Center (2700 F St., N.W.) is hosting the seven arts-related panels of the AIDS Memorial Quilt in its South Gallery. The show is free and will be up until July 27. The gallery is open daily between 10 a.m.-10 p.m. For more information, visit kennedy-center.org.

Monday, July 23

Cobalt (1639 R St., N.W.) is hosting its Martini Monday tonight at 10 p.m. There is no cover charge and martinis are $5. For more information, visit cobaltdc.com.

The Bachelor’s Mill (1104 8th St., S.E.) is offering half-price drinks all night long. A free pool and NFL, NBA and NCAA games will be on the flat screen TVs. Admission is free. For details, visit thebachelorsmill.com.

Tuesday, July 24

Cobalt (1639 R St., N.W) hosts its Flashback dance night with DJ Jason Royce starting at 10 p.m. There is no cover charge. For more details, visit cobaltdc.com.

Wednesday, July 25

The D.C. Center (1318 U St. NW) is hosting its Center arts meeting today at 5:30 p.m. Attendees are discussing things like chapbooks (handmade books of poetry), that are performed at Capturing Fire, the National Queer Spoken Word Summit, and Slam, a Busboys & Poets event. The meetings are free and occur on the fourth Wednesday of each month. For details, visit thedccenter.org.

Transgender Health Empowerment is hosting the benefit “Glam” at Omega (2122 P St., N.W.) tonight at 7 p.m. Admission is $10 at the door and the event will include drinks and a drag show. All proceeds goes toward HIV/AIDS services for the trans community in D.C. For more information, visit thedccenter.org or contact Evan Hempel at [email protected].

HIV Prevention Working Group, an HIV/AIDS prevention outreach, volunteer and education program, meets tonight at 7 p.m. at the DC Center (1318 U St. NW). For details, visit thedccenter.org.

Thursday, July 26

Lambda Sci-Fi book group (1425 S St., N.W.)  meets tonight at 7 p.m. The book for this month is “Welcome to Bordertown,” an anthology edited by Ellen Kushner and Holly Black. For more information, visit lambdascifi.org.

Cobalt (1639 R St., N.W) is hosting its weekly Best Package Contest tonight at 9 p.m. There’s a $3 cover and there are $2 vodka drinks. Participants in the contest can win $200 in cash prizes. The event is hosted by Lena Lett and music by DJ Chord, DJ Madscience and DJ Sean Morris. For details, visit cobaltdc.com.

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Television

ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat

A sweet, savvy show about breaking free to embrace your true self

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Holmes, Benito Skinner and Wally Baram in ‘Overcompensating.’ (Photo courtesy of MGM Amazon)

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.

One of the most notable of these –  the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.

Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.

In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.

That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.

Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.

By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.

As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.

The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.

There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.

As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.

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Photos

PHOTOS: Independence Day Weekend in Rehoboth

Wicked Green Pool Party, fireworks among festivities

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A fireworks show was held in Rehoboth Beach, Del. on Saturday, July 5. (Washington Blade photo by Daniel Truitt)

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.

(Washington Blade photos by Daniel Truitt)

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Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

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Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

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