Arts & Entertainment
Calendar: July 20
Parties, exhibits, concerts and more through July 26


āWild Night: A Burlesque Adventure,ā is coming to the Warehouse Theater on Saturday at midnight. (Photo courtesy Warehouse)
TODAY (Friday)
The HIV Working Group is doing outreach tonight at Townās (2009 8thĀ St., N.W.) Bear Happy Hour. It begins at 7 p.m. and tickets are $5. For more information, visit towndc.com or thedccenter.org.
Burgundy Crescent, a gay volunteer organization, needs volunteers today through July 25 to help with the AIDS Memorial Quilt on the National Mall. To participate, visit burgundycrescent.org.
Whitman-Walker Health is having HIV Testing at Arena Stage (1101 Sixth St., S.W.) tonight at 5:30 p.m. For details, visit whitman-walker.org.
Touchstone Gallery (901 New York Ave., N.W.) is hosting two exhibits, ā3D Collage the Adventureā by David Alfuth and āBeing Affectedā by Charles St. Charles until July 29. Alfuthās artwork features are surreal 3-D collages consisting of newspapers, cloth, pressed flowers and other flat objects. St. Charlesā exhibition portrays faces with various reactions to shared circumstances. The exhibit is free. For more information, visit touchstonegallery.com.
Phase 1 (525 8thĀ St. SE) is hosting its āRed, White & Boobs with D.C. Gurly Showā starting at 7:30 p.m. This event will have a special guest, Miss Flora Bush. Cover charge is $5. For more information, visit phase1dc.com.
Waverly Street Gallery (4600 East-West Highway, Bethesday) is hosting the exhibition āHeard it Through the Grapevine,ā paintings and collage by Ronnie Spiewak today from noon to 6 p.m. Access to the exhibition is free. For more information, visit waverlystreetgallery.com.
The Bachelorās Mill (1104 8thĀ St., S.E.) is having its happy hour today starting at 5 p.m. All drinks are half off until 7:30 p.m. After 9 p.m., admission is $15, and after 11 p.m. admission is $3. The party includes a pool, video gaming system and card tournaments. For details, visit thebachelorsmill.com.
Green Lantern (1111 14thĀ St., Green Court, N.W.) is hosting its āPop Goes the Worldā party tonight at 10 p.m. Cover charge is $5. For more information, visit greenlanterndc.com.
Saturday, July 21
A reception will be held tonight at 6 for artists John Gascotās and MG Stoutās art exhibit at the D.C. Center (1318 U St. NW). Wine and refreshments will be served. Many or the paintings are inspired by or named after songs. The exhibit will be up through Sept. 8 and attendees can visit for free during the D.C. Center business hours. For more information, visit thedccenter.org.
Spunk-E Productions presents āInk & Scruffā at Green Lantern (1111 14th St., Green Court, N.W.)Ā tonight at 10 p.m.Ā Thereās a hot body contest, drink specials all night and music by DJ Tone. Cover is $5. For details, visit greenlanterndc.com.
Tilted Torchās āWild Night: A Burlesque Adventureā is at the Warehouse Theater (645 New York Ave. N.W.) tonight at midnight. This burlesque show allows audience members decide what happens in the story. The decisions will lead to consequences, danger and even death. General admission is $17. For more information, visit warehousetheater.com.
The Black Cat (1811 14th St., N.W.) tonight is hosting āRight Round,ā its ā80s alternative-pop dance night with DJ Lilāe. Tickets are $7 and doors open at 9:30. For more information, visit blackcatdc.com.
Town Danceboutique (2009 8th St., N.W.) is hosting an AIDS 2012 Conference Party tonight at 10 p.m. The party is to bring men together to kick off the conference weekend. The music is by DJ Chord. Cover is $8 before 11 p.m. and $12 after 11 p.m. There are $3 drinks before 11 p.m. A drag show starts at 10:30 p.m. For more information, visit towndc.com.
Sunday, July 22
Youth Score 2012 is hosting āUniting an AIDS-Free Generationā today at the Bell Multicultural High School (3101 16thĀ St., N.W.) from 11:30 a.m. to 5 p.m. This basketball and soccer tournament will feature games are for ages 13-24 with great prizes for participants. The event is free. For details, visit facebook.com/YouthScore2012.
The Kennedy Center (2700 F St., N.W.) is hosting the seven arts-related panels of the AIDS Memorial Quilt in its South Gallery. The show is free and will be up until July 27. The gallery is open daily between 10 a.m.-10 p.m. For more information, visit kennedy-center.org.
Monday, July 23
Cobalt (1639 R St., N.W.) is hosting its Martini Monday tonight at 10 p.m. There is no cover charge and martinis are $5. For more information, visit cobaltdc.com.
The Bachelorās Mill (1104 8th St., S.E.) is offering half-price drinks all night long. A free pool and NFL, NBA and NCAA games will be on the flat screen TVs. Admission is free. For details, visit thebachelorsmill.com.
Tuesday, July 24
Cobalt (1639 R St., N.W) hosts its Flashback dance night with DJ Jason Royce starting at 10 p.m. There is no cover charge. For more details, visit cobaltdc.com.
Wednesday, July 25
The D.C. Center (1318 U St. NW) is hosting its Center arts meeting today at 5:30 p.m. Attendees are discussing things like chapbooks (handmade books of poetry), that are performed at Capturing Fire, the National Queer Spoken Word Summit, and Slam, a Busboys & Poets event. The meetings are free and occur on the fourth Wednesday of each month. For details, visit thedccenter.org.
Transgender Health Empowerment is hosting the benefit āGlamā at Omega (2122 P St., N.W.) tonight at 7 p.m. Admission is $10 at the door and the event will include drinks and a drag show. All proceeds goes toward HIV/AIDS services for the trans community in D.C. For more information, visit thedccenter.org or contact Evan Hempel at [email protected].
HIV Prevention Working Group, an HIV/AIDS prevention outreach, volunteer and education program, meets tonight at 7 p.m. at the DC Center (1318 U St. NW). For details, visit thedccenter.org.
Thursday, July 26
Lambda Sci-Fi book group (1425 S St., N.W.)Ā meets tonight at 7 p.m. The book for this month is āWelcome to Bordertown,ā an anthology edited by Ellen Kushner and Holly Black. For more information, visit lambdascifi.org.
Cobalt (1639 R St., N.W) is hosting its weekly Best Package Contest tonight at 9 p.m. Thereās a $3 cover and there are $2 vodka drinks. Participants in the contest can win $200 in cash prizes. The event is hosted by Lena Lett and music by DJ Chord, DJ Madscience and DJ Sean Morris. For details, visit cobaltdc.com.
Photos
PHOTOS: DCGFFL 25th Anniversary Party
Gay flag football league marks milestone at Penn Social

The D.C. Gay Flag Football League (DCGFFL) held a 25th season anniversary party at Penn Social on Saturday, Sept. 23. Proceeds from the event benefited the LGBTQ youth services organization SMYAL as well as the D.C. Center for the LGBTQ Community.
(Washington Blade photos by Michael Key)



















Books
New book goes behind the scenes of āA League of Their Ownā
āNo Crying in Baseballā offers tears, laughs, and more

āNo Crying in Baseball: The Inside Story of āA League of Their Ownā
By Erin Carlson
c.2023, Hachette Books
$29/320 pages
You donāt usually think of Madonna as complaining of being ādirty all dayā from playing baseball. But thatās what the legendary diva did during the shooting of āA League of Their Own,ā the 1992 movie, beloved by queers.
āNo Crying in Baseball,ā the fascinating story behind āA League of Their Own,ā has arrived in time for the World Series. Nothing could be more welcome after Amazon has cancelled season 2 of its reboot (with the same name) of this classic film.

In this era, people donāt agree on much. Yet, āA League of Their Ownā is loved by everyone from eight-year-old kids to 80-year-old grandparents.
The movie has strikes, home runs and outs for sports fans; period ambience for history buffs; and tears, laughs and a washed-up, drunk, but lovable coach for dramady fans.
The same is true for āNo Crying in Baseball.ā This āmaking ofā story will appeal to history, sports and Hollywood aficionados. Like āAll About Eveā and āThe Rocky Horror Picture Show,ā āA League of Their Ownā is Holy queer Writ.
Carlson, a culture and entertainment journalist who lives in San Francisco, is skilled at distilling Hollywood history into an informative, compelling narrative. As with her previous books, āIāll Have What Sheās Having: How Nora Ephronās three Iconic Films Saved the Romantic Comedyā and āQueen Meryl: The Iconic Roles, Heroic Deeds, and Legendary Life of Meryl Streep,ā āNo Crying in Baseball,ā isnāt too āeducational.ā Itās filled with gossip to enliven coffee dates and cocktail parties.
āA League of Their Ownā is based on the true story of the All-American Girls Professional Baseball League (AAGPBL). From 1943 to 1954, more than 600 women played in the league in the Midwest. The leagueās players were all white because the racism of the time prohibited Black women from playing. In the film, the characters are fictional. But the team the main characters play for ā the Rockford Peaches ā was real.
While many male Major and Minor League Baseball players were fighting in World War II, chewing gum magnate Philip K. Wrigley, who owned the Chicago Cubs, founded the league. He started the AAGPBL, āTo keep spectators in the bleachers,ā Carlson reports, āand a storied American sportāmore important: his business afloat.ā
In 1943, the Office of War Information warned that the baseball season could be āscrappedā ādue to a lack of men,ā Carlson adds.
āA League of Their Ownā was an ensemble of womenās performances (including Rosie OāDonnell as Doris, Megan Cavanagh as Marla, Madonna as Mae, Lori Petty as Kit and Geena Davis as Dottie) that would become legendary.
Girls and women still dress up as Rockford Peaches on Halloween.
Tom Hanksās indelible portrayal of coach Jimmy Dugan, Gary Marshallās depiction of (fictional) league owner Walter Harvey and Jon Lovitzās portrayal of Ernie have also become part of film history.
Filming āA League of Their Own,ā Carlson vividly makes clear, was a gargantuan effort. There were āactresses who canāt play baseballā and ābaseball players who canāt act,ā Penny Marshall said.
The stadium in Evansville, Ind., was rebuilt to look like it was in the 1940s āwhen the players and extras were in costume,ā Carlson writes, āit was easy to lose track of what year it was.ā
āNo Crying in Baseballā isnāt written for a queer audience. But, Carlson doesnāt pull any punches.
Many of the real-life AAGPBL players who OāDonnell met had same-sex partners, OāDonnell told Carlson.
āWhen Penny, angling for a broad box-office hit chose to ignore the AAGPGLās queer history,ā Carlson writes, āshe perpetuated a cycle of silence that muzzled athletes and actresses alike from coming out on the wider stage.ā
āIt was, as they say, a different time,ā she adds.
Fortunately, Carlsonās book isnāt preachy. Marshall nicknames OāDonnell and Madonna (who become buddies) āRoā and āMo.ā Kodak is so grateful for the one million feet of film that Marshall shot that it brings in a high school marching band. Along with a lobster lunch. One day, an assistant director āstreaked the set to lighten the mood,ā Carlson writes.
āNo Crying in Baseball,ā is slow-going at first. Marshall, who died in 2018, became famous as Laverne in āLaverne & Shirley.ā Itās interesting to read about her. But Carlson devotes so much time to Marshallās bio that you wonder when sheāll get to āA League of Their Own.ā
Thankfully, after a couple of innings, the intriguing story of one of the best movies ever is told.
Youāll turn the pages of āNo Crying in Baseballā even if you donāt know a center fielder from a short stop.
The Blade may receive commissions from qualifying purchases made via this post.
Theater
Rupert Murdochās powers on full display in āInkā
Media baron helped pave the way for Brexit, Prime Minister Thatcher

āInkā
Through Sept. 24
Round House Theatre
4545 East-West Highway, Bethesda, MD 20814
$46-$94
Roundhousetheatre.org
Yes, Rupert Murdochās loathsome traits are many, but his skills to succeed are undeniably numerous.Ā
In the first scenes of John Graham’s West End and Broadway hit drama āInk,ā an exciting year-long detail from the life of a burgeoning media baron, Murdoch’s powers of persuasion are on full display.
Itās 1969 London. Over dinner with editor Larry Lamb, a young Murdoch shares his plan to buy the Sun and rebrand the dying broadsheet, replacing the Daily Mirror as Britainās best-selling tabloid. Whatās more, he wants to do it in just one year with Lamb at the helm.
Initially reluctant, Lamb becomes seduced by the idea of running a paper, something thatās always eluded him throughout his career, and something Murdoch, the outsider Australian, understands. Murdoch taunts him, āNot you. Not Larry Lamb, the Yorkshire-born son of a blacksmith, not the guy who didnāt get a degree from Oxford or Cambridge, who didnāt get a degree from anywhere. Not you.ā
Still, Lamb, played convincingly by Cody Nickell in Round House Theatreās stellar season-opener, a co-production with Olney Theatre Center, remains unsure. But Murdoch (a delightfully brash Andrew Rein) is undeterred, and seals the deal with a generous salary.
Superbly staged by director Jason Loweth, āInkā is riveting. Its exchanges between Lamb and Murdoch are a strikingly intimate glimpse into ambition involving an ostensibly average editor and a striving money man who doesnāt like people.
Once on board, Lamb is trolling Fleet Street in search of his launch team, played marvelously by some mostly familiar actors. He makes his most important hire ā news editor Brian McConnell (Maboud Ebrahimzadeh) ā in a steam bath. The remainder of the Sunās new masthead falls handily into place: Joyce Hopkirk (Kate Eastwood Norris) the womenās page editor whose forward thinking is marred by her casual racism; Zion Jang plays Beverley Goodway, an awkwardly amusing young photographer; persnickety deputy editor Bernard Shrimsley (Michael Glenn) who learns to love ugly things; and an old school sports editor who proves surprisingly versatile, played by Ryan Rillette, Round Houseās artistic director.
At Lambās suggestion, the team brainstorms about what interests Sun readers. They decide on celebrities, pets, sports, free stuff, and ārather revolutionarily for the time āTV. Murdoch is happy to let readersā taste dictate content and the āWhyā of the sacred āfive Wsā of journalism is out the window.
Murdoch is portrayed as a not wholly unlikable misanthrope. He dislikes his editors and pressman alike. He particularly hates unions. His advice to Lamb is not to get too chummy with his subordinates. Regarding the competition, Murdoch doesnāt just want to outperform them, he wants to grind them to dust.
Loewith leads an inspired design team. Scenic designer Tony Cisekās imposing, inky grey edifice made from modular walls is ideally suited for Mike Tutajās projections of headlines, printed pages, and Reinās outsized face as Murdoch. Sound designer and composer Matthew M. Nielson ably supplies bar noises and the nonstop, pre-digital newspaper clatter of presses, linotypes, and typewriters.
From a convenient second tiered balcony, the Daily Mirrorās establishment power trio Hugh Cudlipp (Craig Wallace), Chris Lee Howard (Chris Geneback) and Sir Percy (Walter Riddle) overlook all that lies below, discussing new tactics and (mostly failed) strategies to remain on top.
Increasingly comfortable in the role of ruthless, sleazy editor, Lamb is unstoppable.
Obsessed with overtaking the Daily Mirrorās circulation, he opts for some sketchy reportage surrounding the kidnapping and presumed murder of Muriel McKay, the wife of Murdochās deputy Sir Alick (Todd Scofield). The kidnappers mistook Muriel for Murdochās then-wife Anna (Sophia Early). Next, in a move beyond the pale, Lamb introduces āPage 3,ā a feature spotlighting a topless female model. Awesta Zarif plays Stephanie, a smart young model. She asks Lamb if he would run a semi-nude pic of his similarly aged daughter? His reaction is uncomfortable but undaunted.
For Murdochās purposes, history proves he chose well in Lamb. By yearās end, the Sun is Britainās most widely read tabloid. Together they give the people what they didnāt know they wanted, proving the pro-Labour Daily Mirrorās hold on the working class is baseless and paving the way for things like Brexit and a Prime Minister Thatcher.
āInkā at Round House closes soon. See it if you can.
-
U.S. Federal Courts4 days ago
Federal judge: drag is ‘vulgar and lewd,’ ‘sexualized conduct’
-
Real Estate3 days ago
D.C. rentals: DIY or seek professional help?
-
Virginia4 days ago
Lawsuit seeks to force Virginia Beach schools to implement state guidelines for trans, nonbinary students
-
Congress5 days ago
House GOP sinks their own spending bill, Dems object to anti-LGBTQ riders