Arts & Entertainment
Going Rogue
Mind-boggling array of multi-course meals available at N Street spot
Every once in a while every diner should spoil himself with a special meal and Rogue 24 (922 N Street NW) proves a great option for the adventurous diner who is looking for an extravagant night full of delicious bites.
Rogue 24 lets the diner sit back and enjoy everything the restaurant has to offer. You don’t even need to make those pesky decisions about what to eat or drink. Simply make a reservation, decide how many courses you want and leave the rest up to the staff.
They offer a couple options for diners. My husband Greg and I opted for the eight courses on the “Evolution Menu” but there were also 16- and 24-course options available. Chef RJ Cooper did inform me that the eight course Evolution Menu is “evolving” into a 16-course seating this fall but that they will also be offering a four-course Prix Fix Menu. The changes are based on feedback Cooper says.
We were seated and the hostess said she hoped we would enjoy our dining experience; the emphasis was clearly on “experience.” And what an experience it was. Rogue 24 is not for an immature palate or a closed mind. Sometimes the flavors on your plate are subtle, and sometimes they are bold, but each and every plate that makes its way out of the “kitchen in the round” — that is the centerpiece of this raw and open space — is rich and well thought out. Even if you have the most adventurous palate you may not like every plate, but that’s part of the journey. When speaking with Cooper he offered some advice for patrons dining at Rogue — “ Keep an open mind.”
Rogue 24 is like Cooper says, “completely out of the box.” We dined on a variety of dishes starting with snapper with red pepper that warmed the back of your throat, followed by a cool cucumber gazpacho, and then a pungent course of parmesan cheese with artichokes.
The pacific moonfish was rich and delectable with olives and a touch of citrus; an interesting plate of peaches in a mole sauce with heart of palm followed. I was then introduced to escargot, not a plate that I was terribly fond of but the potato foam that it was served with was exquisite.
My favorite savory dish of the evening was the braised and fried ox tail that was both chewy and crispy; a creative play on textures. Part of the joy of these courses was you didn’t know what would be arriving next; each course was a complete surprise. I asked Cooper which of these many courses was his favorite but he couldn’t answer, “Because that would be like having a favorite child,” which shows how much passion he has for his food.
The desserts began arriving, starting with the passion fruit with coconut meringue and white chocolate. This was followed by the sweet decadence of the triple chocolate mousse. The plate had white, dark and milk chocolate mousse and crumbles on it, and I scraped my plate clean. The final dish was a plate of homemade candies, chocolates and mini cookies.
Every plate throughout the meal was paired with a cocktail or wine and each beverage revealed nuances in each dish. When service was over we weren’t quite prepared to end the night, so Greg ordered a port that he insisted tasted like “liquid trail mix complete with M&Ms” and I had quite possibly the most dynamic drink ever in the form of a scotch (neat of course) from India called Amrut.
As we sat and savored our drinks we quietly reviewed the meal. The service was impeccable, well choreographed and thoughtful, and the plates consisted of bites we will be talking about for years to come whether we loved them or not. Every employee in the restaurant gives 100 percent of their attention to the patrons whether in the kitchen or on the floor. While no two experiences at Rogue 24 will be the same especially since the menu is constantly changing, it is a worthwhile adventure at least once. So, my recommendation is to save up some cash (it is an expensive meal), shed your inhibitions about food and experience all that Rogue 24 has to offer.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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