Arts & Entertainment
Queery: Len Hirsch
The Rainbow History Project honoree and Federal GLOBE founder answers 20 gay questions
When Len Hirsch started at the Smithsonian in 1988 — he’s now a senior policy adviser working on environmental policy issues — he was fine being out but soon realized that although the agency was one of the more welcoming in the federal government, there were still many dealing with issues of discrimination and harassment and a lot who were not comfortable being out.
He’s being honored Thursday by the Rainbow History Project for his work founding Federal GLOBE: Gay, Lesbian, Bisexual, Transgender Employees of the Federal Government (fedglobe.org), a group that has worked since the late ‘80s to eliminate LGBT-based prejudice and discrimination in the federal government. Hirsch says it was one of several affinity groups that was formed about the same time or slightly before to address concerns of women and minorities.
One of their biggest victories was a 1997 executive order that removed sexual orientation as an issue of consideration in security clearances.
The Rainbow History Project’s Pioneers Reception is Thursday at the Thurgood Marshall Center (1816 12th St., N.W.) in Washington. Hirsch is one of 10 being honored this year (rainbowhistory.org).
He says it’s great to be recognized but notes there’s a lot of work left to do.
“I’m extremely honored and thrilled,” he says. “As a social scientist who studies social movements, there are always lots of good people doing lots of great things and only a few ever get any public acclaim. I was in a good place and a good time and did a lot of work but a lot of others did as well. My husband did so much too. He stuffed more envelopes than he’ll ever get credit for.”
Hirsch, a 57-year-old New York City native, spent time in California, Illinois and Florida before settling in Washington in 1985. He and husband Kristian Fauchald, a marine biologist, have been together nearly 30 years and live in D.C.
Hirsch enjoys politics, cooking, stained glass and dinner parties in his free time.
How long have you been out and who was the hardest person to tell?
Define out. On my 18th birthday, my girlfriend (later wife) and I went to Marie’s Crisis in New York. But when we split, the hardest to tell was myself. But I was quite convincing when I got around to it.
Who’s your LGBT hero?
Frank Kameny
What is Washington’s best nightspot, past or present?
Friends
Describe your dream wedding.
My husband smiling. We had it — small, intimate, good friends, some colleagues, some family. Openly gay federal judge presiding. All legal. My dream honeymoon will happen when we can get full benefits.
What non-LGBT issue are you most passionate about?
Environmentalism — loss of biodiversity and global change.
What historical outcome would you change?
The crucifixion.
What’s been the most memorable pop culture moment of your lifetime?
Does the LGBT ball at Clinton’s first inauguration count? If not, the 1987 LGBT March on Washington. Fourteen people crashed at our house (15 were there in the a.m.).
On what do you insist?
Equality, honesty, humor.
What was your last Facebook post or Tweet?
Congratulating my cousin for his participation in the U.S. Olympians visit to the White House (he was coxswain of the eight-man team).
If your life were a book, what would the title be?
“Without Boundaries”
If science discovered a way to change sexual orientation, what would you do?
Give it to Kinsey 0 heterosexuals.
What do you believe in beyond the physical world?
Nothing
What’s your advice for LGBT movement leaders?
Listen well (and have a cocktail).
What would you walk across hot coals for?
My husband. Peace.
What LGBT stereotype annoys you most?
Trendiness. Like all stereotypes, there are enough trendoids around to give it some credence, but I hope more of us are interested in quality. Not that size doesn’t matter, but that is for another time.
What’s your favorite LGBT movie?
“My Beautiful Laundrette”
What’s the most overrated social custom?
Reciprocity
What trophy or prize do you most covet?
Nobel Prize
What do you wish you’d known at 18?
That I didn’t need to act straight.
Why Washington?
Love, relationship and I am a policy wonk.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)

















Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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