Arts & Entertainment
Calendar: Nov. 16
Parties, events, concerts and more through Thanksgiving Day


The Washington Chorus presents ‘The Essential Bernstein’ Sunday at 5 at the Kennedy Center Concert Hall. The late composer/conductor Bernstein was gay. (Photo courtesy of the Washington Chorus)
TODAY (Friday)
Gay Districts hosts its fourth Thanksgiving potluck dinner at St. Margaret’s Episcopal Church (1830 Connecticut Ave., NW) tonight at 8:30 p.m. Attendees are asked to bring food and drink. For details, visit gaydistrict.org.
Touchstone Gallery (901 New York Ave., NW) presents “Drag Illusion”, a photo essay about drag queens by Michael Lang. Lang particularly focused on Town and the process the performers went through. The gallery is opened today from 11 a.m. to 6 p.m. For more information, visit touchstonegallery.com.
The Speakeasy Shorts Film Challenge ends tonight at the U.S. Navy Memorial Heritage Center (701 Pennsylvania Ave., NW). The challenge was to write, shoot and edit a film based off of eight local storytellers in five days. The first day is when the filmmakers learned about their story. Now it is time to see their product. Tickets are $20. For more information, visit speakeasydc.com.
The Music Center at Strathmore (5301 Tuckerman Lane, North Bethesda) presents Olivia Newton-John tonight at 8 p.m. In her most recent tour she is revisiting some her classics such as “Physical” and “Hopelessly Devoted to You” along with some of her more recent pieces. Tickets range from $48 to $78. For more information, visit Strathmore.org.
Town (2009 8th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m. This event is for people 21 and older. There is no cover charge. For details, visit towndc.com.
The Bachelor’s Mill (1104 8th St., S.E.) is having its happy hour tonight starting at 5 p.m. All drinks are half off until 7:30 p.m. After 9 p.m., admission is $10. The dance floor opens at 11 p.m. with DJ Tim-Nice and DJ Cameron. For details, visit thebachelorsmill.com.
Phase 1 (528 8th St. SE) has its weekly dance party with DJ Jay Von Teese tonight starting at 7:30. Cover is $10. For more information, visit phase1dc.com.
Saturday, Nov.17
The D.C. Center (1318 U St., NW) holds Transgender Community Discussion today at 3 p.m. The goal of the meeting is to discuss the needs of transgender community. For more information, visit thedccenter.org.
Burgundy Crescent, a gay volunteer organization, needs volunteers for the MLK Library (901 G St., NW) in the morning from 9:30 to noon. Approximately 12-15 volunteers are needed. If volunteers want to go to lunch at Potbelly or California Tortilla, they should bring $7-$10. For more information, visit burgundycrescent.com. Members also volunteer at Lost Dog and Cat Rescue Foundation at the Petsmart (6100 Arlington Blvd., Falls Church) today from 11:45 a.m.-3 p.m. For details, visit burgundycrescent.com.
Town (2009 8th St., N.W.) celebrates its fifth anniversary tonight at 10 p.m. The club is celebrating with DJ Chris Cox and performances by its dance troupe The Dance Camp. Cover is $8 before 11 p.m. and $12 after. There are $3 drinks before 11 p.m. The drag show starts at 10:30 p.m. For more information, visit towndc.com.
Sunday, Nov. 18
The Washington Chorus presents “The Essential Bernstein” today at 5 at Kennedy Center Concert Hall (2801 Upton St., NW). The concert is presenting music of the legendary Leonard Bernstein, featuring music from “Candide,” “West Side Story” and “Chichester Psalms.” Tickets are $15-$65. For more information, visit thewashingtonchorus.org.
Cobalt (1639 R St., N.W.) holds its weekly Martini Sundays and Homowood Karaoke, which starts at 10 p.m. No charge for admission. For details, visit cobaltdc.com.
Monday, Nov. 19
Cobalt (1639 R St., N.W.) hosts its Martini Monday tonight at 10 p.m. There is no cover charge and martinis are $5. For more information, visit cobaltdc.com.
Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It is a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.
Tuesday, Nov. 20
Today is Transgender Day of Remembrance, a day to commemorate those who have been killed as a result of transphobia. It began in 1998 when transgender activist Gwendolyn Ann Smith memorialized Rita Hester who was killed for being transgender. Metropolitan Community Church of Washington (474 Ridge St. NW) is holding a service this evening at 6 p.m. For more information, visit thedccenter.org.
Cobalt (1639 R St., N.W.) hosts its Martini Monday tonight at 10 p.m. There is no cover charge and martinis are $5. For more information, visit cobaltdc.com.
Wednesday, Nov. 21
The Tom Davoren Social Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., SE) for social bridge. A partner is not needed. For more information, visit lambdabridge.com.
Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It is a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.
Town (2009 8th St., N.W.) hosts “WTF: Thanksgiving in Space” party tonight at 10. The celebration includes cosmo-nauts and pumpkin moonpies. Cover is $5. For more information, visit towndc.com.
Thursday, Nov. 22
Burgundy Crescent, a gay volunteer organization, helps with the Thanksgiving Dinner for the homeless and needy at Rosemary’s Thyme restaurant (18 & S St., NW) today from 10:30 a.m. to 2 p.m. It is expected that 500-600 homeless and needy people will be served. For details, visit burgundycrescent.com.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.