Arts & Entertainment
Year in review: A taste of Washington
Sampling many of the new restaurants in D.C. this year kept one food fan busy
A sampling of the array of baked goodies available at Grassroots Gourmet (Washington Blade photo by Michael Key)
New restaurants, new chefs, new menus and new food all kept a food lover and restaurant column writer busy this year in D.C.
Every day a new place was opening, some I was able to review, others are still on my list. When all was said and done however, I had the opportunity to dine in some of the best restaurants in town and enjoy some of the finest food offerings available. And in the process I got to expand my own horizons.
Since taking on this project, friends and family have asked how such a picky eater has taken on the task of reviewing restaurants. The answer is always the same: “I fell into it, but why does being picky disqualify me from writing about restaurants?”
Then, in August, I realized that I may be in a bit over my head, so I brought two knowledgeable foodies to Izakaya Seki, the first restaurant I was concerned about not being knowledgeable enough to cover fairly.
Izakaya Seki opened in August by father and daughter Hiroshi and Cizuka Seki; this new establishment features traditional Japanese dishes and delicacies. Delicacies such as cuttlefish; at that point I had no idea how it was even supposed to taste. Other items like the fresh scallop Carpaccio were delightful and set the tone for three hours of delicious food. Izakaya Seki still remains one of my most challenging and rewarding columns to date.
While Japanese cuisine was outside my comfort zone, there were many other restaurants this year I felt well prepared to write about. Ristorante Posto, in Logan Circle, was serving a new spring selections when I first set foot into this unsuspecting location, and a new pastry chef was dishing out delicious deserts. The pastry chef has since left, but Posto remains a favorite spot for delicious Italian food and brick oven pizzas. In May, at a Taste of Pride featured special, I discovered Jack Rose Dining Saloon. The food was excellent and in an environment where whiskey bottles reached toward the ceiling, I discovered I enjoy scotch.
Mike Isabella, gay chef Jamie Leeds, and Taylor Gourmet all opened new locations this year. Isabella’s Bandolero in Georgetown serves up his take on traditional Mexican dishes and strong margaritas. Standouts included the course we dubbed “Mexican Sushi,” like the blue crab taquito with coconut and red chili. The suckling pig tacos and the nachos with crispy goat and goat cheese also pleased all the diners at the table.
For Leeds, and her new Hank’s on the Hill she teamed up with “mixtress” Gina Chersevani, whose Eddy Bar is a key component of the new space. This new 40-seat location serves up Leed’s classics like the lobster roll and the Meat and Two option, as well as Chersevani’s exquisite “storytelling” cocktails. Longtime friends Casey Patton and David Mazza opened up a third Taylor Gourmet on 14th Street this year. These traditional Philadelphia-inspired sandwiches battled against sandwich shop Sun-de-Vich — Taylor won for best cold cut-based sandwiches and Sun-de-Vich won for its creative and worldly offerings. Sandwich lovers are in for a treat at either location.
Carnivores also have plenty of new options.
Gay business partners David Winer, Josh Hahn and Antonio Oquendo opened their fifth restaurant in D.C. called The Pig, a pork-centric restaurant that focuses on snout-to-tail dishes from locally sourced ingredients. The braised pork cheek was a favorite and if you’re up for the challenge, try the Sundae Bloody Sundae that includes pasteurized pig’s blood. Another meat-lovers paradise is Kangaroo Boxing Club in Columbia Heights. If you love barbeque, then there’s a dish on the menu for you here.
This year 14th Street began its transformation into a prime dining location. Pearl Dive Oyster Palace opened just over a year ago, the new Matchbox has opened, Ted’s Bulletin and many others are scheduled to open in the near future. Part of this transformation includes the new Masa 14 rooftop, which opened at the start of the summer. Masa 14 also welcomed new executive chef Adam Goldman to the mix at this Latin-Asian fusion restaurant. Another newcomer to the street called The Drafting Table has become the new local gastro pub in the former ACKC space.
No dinner is complete without a little sweetness at the end. I can never review a restaurant without at least a sampling of the desserts. One of my favorite meals this year took place at gay-helmed Art and Soul. We all had delicious entrees and to finish up the party, we tasted most of the items on the dessert menu. And to end my reviews for the year, I sampled all the delicious sweets available at Bloomingdale bakery Grassroots Gourmet. Every item at this gay-owned and -operated bakery was divine. A sweet ending to a year filled with delicious food and reviews.
(Washington Blade photos by Michael Key)
It’s been a year filled with drama and music, re-imaginings and new works. There was a lot on offer in 2025, and much to enjoy. Here are 10 now-closed productions that come to mind.
On Valentine’s Day at Folger Theatre on Capitol Hill, out actor Holly Twyford served as narrator for “The Love Birds” a Folger Consort work that melds medieval music with a world-premiere composition by acclaimed composer Juri Seo and readings from Geoffrey Chaucer’s “A Parlement of Foules”
Standing behind a podium, Twyford beautifully read Chaucer’s words (translated from Middle English and backed by projected slides in the original language), alternating with music played on old and new instruments.
While Mosaic Theater’s “A Case for the Existence of God,” closed in mid-December, it’s proving a production not soon forgotten. Precisely staged by Danilo Gambini, and impressively acted by Lee Orsorio and Jaysen Wright, the soul-searching two hander by out playwright Samuel D. Hunter, tells the story of two men who form an unlikely friendship based on single-fatherhood, a specific sadness, and hope.
The action unfolds in a small office in southern Idaho, where the pair discuss the perplexing terms of a mortgage loan while delving deep into their lives and backgrounds. Nothing is left off the table.
Shakespeare Theatre Company’s spring production of “Uncle Vanya” gave audiences something both fresh yet enduring. Staged by STC’s artistic director Simon Godwin, the production put an impeccably pleasing twist on Russian playwright Anton Chekhov’s classic. It ranks among the very best area productions of the year.
Featuring a topnotch cast led by Hugh Bonneville (TV’s “Downton Abbey”) in the title role, the play was set on an unfinished stage cluttered with costume racks and assorted props, all assembled by crew uniformed in black and actors in street clothes. Throughout the drama tinged with comedy, the actors continued to assist with ever increasingly period set changes accompanied by an underscore of melancholic cello strings. It was innovative and wonderful.
GALA Hispanic Theatre’s production of Manuel Puig’s “Kiss of the Spider Woman” was an intimate and affecting piece of theater. Staged by José Luis Arellano, it starred out actors Rodrigo Pedreira and Martín Ruiz as two very different men whose paths cross as convicts in an Argentine prison.
Arena Stage scored with a re-imagined and updated take on the widely liked musical “Damn Yankees.” Directed by Sergio Trujillo, the Broadway bound production has been “gently re-tooled for its first major revival in the 21st century,” moving the action from the struggling Washington Senators baseball team to the turn-of-the-century Yankees lineup. Ana Villafañe’s charmingly seductive Lola and a chorus of fit ball players made for a good time.
Also at Arena, out playwright Reggie D. White’s new work “Fremont Ave.” was very well received. A semi-autobiographical glimpse into home and the many definitions of that idea specifically relating to three generations of Black men, the work boasts a third act with a deeply queer storyline to boot.
Before his smash hit “Hamilton” transformed Broadway, Lin-Manuel Miranda wrote “In the Heights,” a seminal musical set against the vicissitudes of an upper Manhattan bodega. Infused with hip-hop, rap, and pop ballads, the romance/dramedy takes place over a lively few days in the vibrant, close-knit Latin neighborhood, Washington Heights.
Signature Theatre’s exciting take on “In the Heights” featured a talented cast including out actor Ángel Lozado as the bodega owner who figures prominently in the barrio and the action.
Studio Theatre’s recent production of lesbian playwright Paula Vogel’s newest work “The Mother Play,” a drama with humor, is about a well put together alcoholic mother and her two gay children living under difficult circumstances in the less glitzy parts of suburban Maryland. With nuanced performances and smart direction, the production was terrific.
Keegan Theatre surpassed expectations with its production of “Lizzie” a punk rock opera about Miss Borden, the fabled axe wielding title character. Performed by a super all-female cast, they belted a score that hits hard on subjects like money, queerness, and strained (to say the least) family relationships.
Round House Theatre impressed autumn audiences with “The Inheritance,” a two-part drama sensitively staged by out director Tom Story and acted by a mostly queer cast that included young actor Jordi Bertrán Ramírez in a breakout performance.
Penned by out playwright Matthew López, the epic work inspired by E.M. Forster’s novel “Howards End,” explores themes of love, legacy, and the AIDS crisis through the lives of three generations of gay men in New York City.
Prior to opening, Story commented that with the production’s predominately queer cast you get actors who “really understand the situation, the humor, and the struggle. It works well.” And he was right.
This past year, you’ve often had to make do.
Saving money here, resources there, being inventive and innovative. It’s a talent you’ve honed, but isn’t it time to have the best? Yep, so grab these Ten Best of 2025 books for your new year pleasures.
Nonfiction
Health care is on everyone’s mind now, and “A Living: Working-Class Americans Talk to Their Doctor” by Michael D. Stein, M.D. (Melville House, $26.99) lets you peek into health care from the point of view of a doctor who treats “front-line workers” and those who experience poverty and homelessness. It’s shocking, an eye-opening book, a skinny, quick-to-read one that needs to be read now.
If you’ve been doing eldercare or caring for any loved one, then “How to Lose Your Mother: A Daughter’s Memoir” by Molly Jong-Fast (Viking, $28) needs to be in your plans for the coming year. It’s a memoir, but also a biography of Jong-Fast’s mother, Erica Jong, and the story of love, illness, and living through the chaos of serious disease with humor and grace. You’ll like this book especially if you were a fan of the author’s late mother.
Another memoir you can’t miss this year is “Between the Devil and the Deep Blue Sea: A Veteran’s Memoir” by Khadijah Queen (Legacy Lit, $30.00). It’s the story of one woman’s determination to get out of poverty and get an education, and to keep her head above water while she goes below water by joining the U.S. Navy. This is a story that will keep you glued to your seat, all the way through.
Self-improvement is something you might think about tackling in the new year, and “Replaceable You: Adventures in Human Anatomy” by Mary Roach (W.W. Norton & Company, $28.99) is a lighthearted – yet real and informative – look at the things inside and outside your body that can be replaced or changed. New nose job? Transplant, new dental work? Learn how you can become the Bionic Person in real life, and laugh while you’re doing it.
The science lover inside you will want to read “The Grave Robber: The Biggest Stolen Artifacts Case in FBI History and the Bureau’s Quest to Set Things Right” by Tim Carpenter (Harper Horizon, $29.99). A history lover will also want it, as will anyone with a craving for true crime, memoir, FBI procedural books, and travel books. It’s the story of a man who spent his life stealing objects from graves around the world, and an FBI agent’s obsession with securing the objects and returning them. It’s a fascinating read, with just a little bit of gruesome thrown in for fun.
Fiction
Speaking of a little bit of scariness, “Don’t Forget Me, Little Bessie” by James Lee Burke (Atlantic Monthly Press, $28) is the story of a girl named Bessie and her involvement with a cloven-hooved being who dogs her all her life. Set in still-wild south Texas, it’s a little bit western, part paranormal, and completely full of enjoyment.
“Evensong” by Stewart O’Nan (Atlantic Monthly Press, $28) is a layered novel of women’s friendships as they age together and support one another. The characters are warm and funny, there are a few times when your heart will sit in your throat, and you won’t be sorry you read it. It’s just plain irresistible.
If you need a dark tale for what’s left of a dark winter season, then “One of Us” by Dan Chaon (Henry Holt, $28), it it. It’s the story of twins who become orphaned when their Mama dies, ending up with a man who owns a traveling freak show, and who promises to care for them. But they can’t ever forget that a nefarious con man is looking for them; those kids can talk to one another without saying a word, and he’s going to make lots of money off them. This is a sharp, clever novel that fans of the “circus” genre shouldn’t miss.
“When the Harvest Comes” by Denne Michele Norris (Random House, $28) is a wonderful romance, a boy-meets-boy with a little spice and a lot of strife. Davis loves Everett but as their wedding day draws near, doubts begin to creep in. There’s homophobia on both sides of their families, and no small amount of racism. Beware that there’s some light explicitness in this book, but if you love a good love story, you’ll love this.
Another layered tale you’ll enjoy is “The Elements” by John Boyne (Henry Holt, $29.99), a twisty bunch of short stories that connect in a series of arcs that begin on an island near Dublin. It’s about love, death, revenge, and horror, a little like The Twilight Zone, but without the paranormal. You won’t want to put down, so be warned.
If you need more ideas, head to your local library or bookstore and ask the staff there for their favorite reads of 2025. They’ll fill your book bag and your new year with goodness.
Season’s readings!
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