Living
Surviving Oscar
Gay writer scores Academy nomination for debut film about AIDS
A scene from David France’s harrowing documentary ‘How to Survive a Plague.’ The film has its Oscar rendezvous Sunday night at the Dolby Theatre in Hollywood where its up for Best Documentary. (Photo courtesy Sundance Selects)
It sounds so straightforward — the New York Public Library had a collection of videotapes AIDS activists made decades ago with vintage camcorders back when they were heavy behemoths you had to rest on your shoulder with full-size VHS or Beta tapes inside. Filmmaker/journalist David France combed painstakingly through the clips to compose his powerful 2012 documentary “How to Survive a Plague.”
But how this was achieved — what format was the footage stored in? What condition was it in? Could anyone go in and check these out with a library card? How did France pull this off?
In some ways, it’s the least interesting part of the film’s story, which is told via a sobering chronology of video footage shot by angry protesters — the kind the Religious Right calls “militant homosexual activists.”
The film has been almost universally praised. The New York Times called it “inspiring” and crackling with “currents of rage, fear, fiery determination and finally triumph.” It has a 100 percent freshness rating among critics on Rotten Tomatoes (a film quality-ranking site), several awards including “best documentary” from the Boston Society of Film Critics. This weekend it’s up for both an Independent Spirit Award and an Oscar. Gold Derby, a site that predicts entertainment industry awards, gives it a 4/1 chance at winning the Oscar (behind “Searching for Sugar Man” which it gives 13/8 odds). “5 Broken Cameras,” “The Gatekeepers” and “The Invisible War” (made by the “Outrage” team of Kirby Dick and Amy Ziering) are also nominated.
For “Plauge,” France took footage — some of which was housed at the New York Public Library — shot by 31 videographers and paces it chronologically to the story of the formation of ACT UP (AIDS Coalition to Unleash Power), a group that formed in March 1987 in a spirit of extreme frustration during a speech activist (and “Normal Heart” playwright) Larry Kramer gave at the Lesbian and Gay Community Services Center in New York.
France, during a lengthy phone interview last weekend before he was scheduled to fly to Los Angeles on Tuesday, gladly shares the logistics behind “Plague’s” formation.
A veteran investigative journalist, author and GLAAD Media Award winner (for a GQ piece on gays in Iraq) who’s had his work published in everything from the New Yorker to Ladies’ Home Journal, France says he was a graduate student during the time AIDS hit in the early 1980s and having written about it extensively over the years, he knew activists had brought cameras to their protests. And yes, the process of crafting “Plague” was a lot more involved than simply checking tapes out of the library.
“The tapes from the library are actually just a small portion of the footage you see in the film,” France, who’s gay, says. “That’s really the first door I went through, this archive of AIDS activism video that’s housed in the Manuscript Division of the New York Library, where you go if you want to read Lincoln’s letters. It’s an exclusive corner of the library that’s not accessible to the general public and everybody’s going around wearing white gloves and handling antiquities. In one corner, they have a television and a VCR and you watch the AIDS footage recorded in those early days. It’s just raw footage, not really ever intended for public view. Some of it you’ll be watching and all of a sudden it will go to a gay porn video, which just happened to be on the same tape they recorded on.”
France says the library kept all the tapes — recorded in every home video format on the market in those years as one might imagine — but had transferred them all to the Betacam SP format, a higher resolution tape on larger cassettes that for years was the broadcast standard and is still in use today. France convinced the library to let him take select footage to a nearby production lab and have it digitized. He ended up with about 100 hours and says the process became difficult as the project moved along.
“They’re really not accustomed to working on a film production schedule, so trying to get them to hurry got more and more difficult as we went along,” he says.
And that was just the starting point — in the library footage, France saw other people holding video cameras. He started tracking them down one by one and eventually found a group of people, many long-time AIDS survivors themselves, who had videotape footage they had never revisited. Again, formats remained a challenge.
“We had all this stuff in so many different formats from private collections,” he says. “We were constantly scouring Craigslist and eBay for decks that would play these old tapes. We ended up with about 800 hours and that really became the building blocks of the film.”
And yes, France says it did take some persuasion to get these individuals to hand over their footage.
France says, “A lot of these people had moved on but I think now have started to see the real value in this footage. I think they gradually started to realize, that yes, enough time has passed and now is the time to really use it and this is the project.”
France said his project is timely and important because many of the other landmark AIDS pieces, from Kramer’s play to Randy Shilts’ “And the Band Played On” were written before the era of anti-retroviral therapy when HIV morphed into a more manageable condition.
He says the film is important for anyone interested in the AIDS fight to see.
“There were even people in ACT UP who didn’t know the outcomes of many of these things,” he says. “If you think you know the story of AIDS, this film will surprise you and that goes for just about everybody.”
http://www.youtube.com/watch?v=wwhFS1mUaVY
WASHINGTON BLADE: Will this be your first time at the Academy Awards?
DAVID FRANCE: Yes. I’ve never gotten any closer before than my television screen.
BLADE: Have you watched very often over the years?
FRANCE: Oh yeah. My boyfriend and I always have an Oscar party. With ballots and everything. I’ve never won.
BLADE: What’s your favorite Oscar memory?
FRANCE: Tom Hanks’ acceptance speech when he won for “Philadelphia.” That’s really seared in my memory.
BLADE: What did you think of Michael Moore’s controversial speech when he won the category you’re up for? Ballsy or inappropriate for the occasion?
FRANCE: I think if you’ve got an audience of a billion people and you’ve got something to say, you need to say it. That’s not to say I’m intending any surprises should I have that opportunity.
BLADE: Have you seen the competition?
FRANCE: Of course. They’re all brilliant films.
BLADE: If you win, where will you put Oscar?
FRANCE? I’m not sure. I keep the other awards we’ve won in the production office so everyone on the crew can enjoy them and hopefully see their own contribution but if we get this little gold thing, I’m not sure. I have no idea.
BLADE: Do you feel AIDS, as horrible as it was and is, put gay issues on the national radar and that ended up being a silver lining to the cloud or is that an absurd oversimplification?
FRANCE? No, it’s absolutely true. Before that, gay people were entirely disenfranchised and we were not seen as being contributing members to the culture at all. We had no role whatsoever in civic life … From those ashes (of AIDS), now we have a president who acknowledges us as human beings and Stonewall is mentioned in the same breath as Seneca Falls.
BLADE: How did you feel when Dustin Lance Black won for “Milk”?
FRANCE: I felt it was incredible. He gave a great speech and I thought it was a very, very good movie.
BLADE: Did you plan all along to submit it for a nomination? What’s the process like?
FRANCE: There are all kinds of rules about it playing in New York and L.A. and being reviewed by the New York Times and the Los Angeles Times and that’s just the first threshold. I was lucky I had a distributor who saw the potential for the film early on and made sure we did everything we needed to do for both the Oscars and the Independent Spirit Awards. … Anytime you make a film, sure, you fantasize about getting an Oscar nomination and it’s really just because you want more people to see it. An Oscar bump is a tremendous thing.
Real Estate
The world’s on fire and D.C. is on sale (sort of)
Prices are up, but then again, nothing makes sense anymore
ICE is disappearing people, revered government agencies are shuttering, and who knows if we’ll be in World War III next week? But can you believe prices in D.C. are actually still up 6.3% since last year? It doesn’t make sense, and perhaps that does make sense, because nothing seems to make any sense any more.
That said, there are some parts of our market that are truly suffering. The interest rates, which have been up, up, up for about four years now, are the ongoing rain on our market’s military parade. Combine that with 75,000 federal employees taking a buyout nationwide, and DOGE cuts eliminating around 40,000 federal jobs in the District (per estimates by the D.C. CFO), not to mention thousands of other job losses in non-governmental organizations due to funding and program cuts, and you’ve got a case of uncertainty, and downright unaffordability in the pool of otherwise would-be buyers.
This has had a marked impact on properties that starter-home buyers and low- to mid-level employees would otherwise buy, most notably condominium and cooperative apartment units. These properties have already slowed in our market thanks to the profound impact that higher interest rates have had on their monthly carrying costs—pair that with job insecurity, and a lot of condos are proving to be very difficult to sell indeed.
So how is the average sale price up in our market?
The increase is almost entirely due to the resounding strength of the single-family home market, especially in upper Northwest D.C., where it is still quite common to see bidding wars, even on properties pushing past the $3M mark. It seems that buyers in that echelon are less impacted by a few percentage points in the interest rate, and less concerned about their job security. Notably, those buyers are often married with children and have an absolute need for more space, must stay in the area due to one spouse’s job, or the kid’s friend group, regardless of whether the cost of owning is thousands of dollars more per month than it would have been in 2020 or 2021. The continued appreciation in these neighborhoods defies imagination.
So, what to do if you are not one of those lucky enough to be shopping for a $3M home? The short answer: wait. If you want more space, rent your current place out and learn the joys of being a landlord while someone else pays your mortgage. Need the equity from your current home to buy your next place? Get a home equity line of credit, or loan, and pull the equity out of your current place to buy the next one. Or—and I have never recommended this before in 21 years of being a Realtor—rent for a few years. Sure, I’d love to list and sell your condo so you can climb the real estate ladder, but it might just be a waste of time, money or both if you could just ride out this storm and sell in a DOGE-less future.
All this said, there are some condos that seem to be immune from this recent negative news. Anecdotally, it feels like it’s the truly special ones that do just fine no matter the market. Our recent listing in Capitol Hill had a view from every one of its 15 windows of the Supreme Court. Sold in five days with six offers. Another condo was on the top two floors of a townhouse and had the coolest black wood floors that gleamed like a grand piano. Sold in four days at full price.
So, all is not for naught if you have a condo or home in an area that people want to be in, with nice space, light, amenities and a certain je ne sais quois. And, as long as we have a democracy in a few years, my experience says our market will be back, stronger than ever, really soon.
David Bediz is a Realtor and mortgage loan broker for the Bediz Group LLC and Home Starts Here, LLC. Reach him at [email protected].
In this corner, there’s the Genesis QV70, newly updated and full of glitzy gizmos. And in the opposing corner, there’s the Lexus NX, a fan fave known for comfort and reliability.
Both are strong contenders. Both have proven to be equally adept at bobbing and weaving through traffic. And both can go toe to toe with pricier competitors.
And yet, what would happen when they sparred against each other? Here’s your ringside seat to find out.
GENESIS QV70
$50,000
MPG: 22 city/28 highway
0 to 60 mph: 5.9 seconds
Cargo space: 28.9 cu. ft.
PROS: Stylish. Good value. Lots of standard amenities.
CONS: So-so fuel economy. Quirky dash controls.
IN A NUTSHELL: When it comes to speed, the Genesis QV70 is faster on its feet than the Lexus NX. Neither of these crossover SUVs is a lightweight, but the QV70 offers more potent powerplants—including an all-electric version that zips from 0 to 60 mph in just 3.8 seconds. In other words, Porsche Macan S territory.
The two gas-powered options—a four-cylinder turbo and twin-turbo V6—also got my blood pumping. So did the velvetlike suspension mixed with deft handling and stop-on-a-dime braking. But this adrenaline rush comes at a cost: sacrificing fuel economy.
As for the automaker’s design philosophy—“athletic elegance”—it’s on full display here: an oversized grille inspired by the Genesis emblem, the dramatically arcing silhouette, and those distinct quad headlights and taillights. It’s not easy to stand out when 25% of all vehicles sold in the U.S. are compact crossovers, so kudos to the QV70 for being such a head-turner.
The mod-yet-minimalist styling carries over to the cabin, with its high-quality materials: real-wood accents, soft-touch plastics and a tasteful glass shift knob. New this year is a sweeping 27-inch dashboard monitor, which houses the gauge cluster and infotainment touchscreen. Alas, this display is positioned a bit far from the driver (though I must admit reaching for it did help stretch a few tight back muscles).
Instead of being a costly extra, this gigantic monitor comes standard. So do synthetic leathers seats, nine-speaker stereo, smartphone/wireless connectivity, hands-free liftgate, tons of safety gear and more. Options include a panoramic sunroof, three-zone climate control, 16-speaker Bang & Olufsen audio, synthetic suede headliner, sound-reducing rear windows, automated parking and other goodies.
What’s the score so far? Despite some minor quibbles, the Genesis QV70 is a worthy challenger that pulls no punches.
LEXUS NX
$43,000
MPG: 26 city/33 highway
0 to 60 mph: 8.2 seconds
Cargo space: 22.7 cu. ft.
PROS: Fuel efficient. Comfy seats. Rock-solid reliability.
CONS: Pokey base model. Limited rear storage.
IN A NUTSHELL: Sure, the Lexus NX isn’t as speedy as the Genesis QV70. But, as with the tortoise and the hare, sometimes slow and steady wins the race. And really, it’s only the entry-level NX that feels sluggish, such as when trying to quickly merge into freeway traffic.
Other trim levels, including two hybrid options, are just fine. And no matter the engine choice, the counterpunch here is that these vehicles get better gas mileage: 20% higher fuel economy than in either the four-cylinder or V6 in the Genesis. The two NX hybrids are even more green, with the high-end plug-in version able to travel up to 37 miles on electric power alone. One downside: There is no all-electric NX—well, at least not yet.
As with parent-company Toyota, Lexus offers stellar vehicle reliability—often ranked No. 1 in dependability and crash-test surveys year after year. Lexus vehicles generally hold their value better than Genesis, because this newer brand has a shorter history. Lexus also has a larger dealer network, though the number of Genesis dealerships is growing.
But when it comes to cargo space, the NX is about two inches shorter and narrower than the QV70, which has more stowage area. And Genesis handling is sportier, though the Lexus feels sure and well-grounded.
Luxe interior amenities are basically the same in both vehicles. But interior styling in the QV70 is trendy, while the NX is more understated. In other words, a choice between sassy and classy.
This is a very competitive vehicle segment, with Euro models like the Audi Q5, BMW X3 and Mercedes GLC also duking it out in what seems like a clash of the titans.
But as for the Genesis QX70 or Lexus NX, which is the winner? For me, both are real knockouts—so I’d call it a draw.
Real Estate
No Rose, your interest rate has nothing to do with how many likes you got on Hinge
Many factors help determine rates these days
Picture it, you’re sitting in the lunchroom at work, and your coworker just bought a house. Another coworker bought one a few months ago and you hear that she got a totally different interest rate than the other one did, even though they both bought houses not that far from each other. Homebuyers everywhere have been wondering what interest rates they are going to get, lately. It’s easy to read an article online or see an ad on social media stating specific numbers, but there may be more than meets the eye going into a particular buyer’s interest rate.
What are the factors that can affect the interest rate a buyer eventually “locks in”?
- Property details – certain properties may be in neighborhoods with higher rates of foreclosure, or there may be specific census tracts that allow a buyer to participate in the “Fannie Mae Home Ready” and “Freddie Mac Home Possible” programs, which carry more flexible requirements such as various income limits and lower interest rates, to help people begin homeownership.
- Type of loan / loan amount– a conventional, conforming loan or a jumbo loan can have differing interest rates, as well as FHA loans.
- Credit score – most people are aware that this affects what interest rate is quoted, just like on a credit card. Some lenders will work with you on ways to improve a credit score if the goal is to buy six, nine, or 12 months from now.
- Lock period – do you want to lock in the rate for 30 days? 45? Market volatility can cause the rates to change so it will cost more money to hold onto a particular interest rate.
- Loan to value ratio – one can still buy a home with less than 20% down, but the rate that is quoted may be higher.
- Occupancy type – is this the primary residence or an investment property?
- Points bought or credits taken – A buyer can pay the lender a fee to buy down the interest rate, or the seller can sometimes offer a credit. This has become more popular in recent years.
- Market conditions – keep an eye on the news – as we are all aware, change is the only constant!
Lender Tina del Casale with Atlantic Union Bank says, “With jumbo fixed rates in the low 6’s, and first-time buyer down payment assistance loans such as DC Open Doors, rates are in the mid 7’s. With the added factors of your income, the address you are purchasing and your credit score factoring into the equation, interest rates are different from buyer to buyer these days. So, skip the online tools and make a few calls because that’s the only way to get an accurate quote these days!”
It might feel like an overwhelming amount of information to take on, but remember, there are people that help others take these big steps every day. A trusted lender and Realtor can guide their clients from start to finish when it comes to purchasing a home. And for that, you’ll be saying, “thank you for being a friend!”
Joseph Hudson is a referral agent with Metro Referrals. Reach him at 703-587-0597 or [email protected].
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