Arts & Entertainment
Gladys at the Strathmore: brief but magical
Soul legend delights with all-too-short 75-minute set
Soul legend Gladys Knight played two nights at the Strathmore last week. I caught the Friday night show which found the singer in fine voice running through a vigorous hit-heavy set with a smoking tight band.
She was also in a chatty, jovial mood. Her sassy, tell-it-like-it-is stories had the sold out crowd — probably 75 percent African-American — in the palm of her hand.
Looking 25 years younger than she is (68) and with vocals that sounded as rich and solid as they did in 1967, it was an almost magical night. The only downside — and with many tickets soaring past the $100 mark, it was an issue — was the overall brevity of the evening. Knight was on stage only about 75 minutes, with nearly 15 of that being eaten up by her joined-at-the-hip brother Bubba. Yeah, he’s an original Pip and deserves respect, but it was painful after awhile realizing his heavily stage-crafted schtick was taking up so much time.
Of course the Knight siblings — true to their old school show biz roots — pretended all this heavily worked out banter was spontaneous. And while much of it was cute, a little less of that and a few more songs would have made for an almost perfect evening. The lack of an encore — she sometimes comes back out for “The Way We Were” — added to the “bare minimum” feel.
To Knight’s credit however, she doesn’t phone in her show — it was substantially different from the set list she played at Wolf Trap in 2009.
The Strathmore is truly one of Washington’s finest concert venues. I was there two weeks ago for a classical concert (organist Cameron Carpenter) yet it works just as well for a “pop” show such as Knight’s. Friends in the top balcony said the sound was muddy up there — hard to know if that’s a venue thing or something with Knight’s crew — but the sound mix was pristine on the floor.
SET LIST
Soldier of Love
Just Fine
If I Were Your Woman
You’re The Best Thing That Ever Happened To Me
Feelin’ Good (Vacilon)
I’ve Got To Use My Imagination
End of the Road Medley:
-If You Don’t Know Me By Now
-Love Don’t Love Nobody
-End of the Road
Before Me Medley:
-The Man I Love
-Stormy Weather
-Someone To Watch Over Me
I Heard It Through The Grapevine
Neither One of Us
Bubba Knight Segment:
-Yesterday (Duet w/Gladys)
-Love & Happiness
-Funky Good Time
-Dance To The Music
-Love & Happiness (Reprise)
Midnight Train To Georgia
Theater
Don’t miss summer productions at Clear Space in Rehoboth Beach
‘Cher Show,’ ‘Pretty Woman’ among season’s standouts
“The Cher Show” at Clear Space Theatre is wonderful. I am always amazed at the talent they attract for their summer series. Kudos to Wes Drummond, the artistic director of the theater. “The Cher Show” is written by Rick Elice. Compliments to the talented director, James FitzSimmons, who brought to life this production. His immensely talented cast includes Shannen Hofheimer as Star, Breanna Lemerise as Lady, Abby Lynne as Babe, and Anya Kay, as young Cher. Each is a pleasure to both watch and listen to. They command the stage. Then more kudos to the entire cast and ensemble. Also, the creative team, which includes among so many who make this show a hit, choreographer Shondelle Graulich; scenic designer, David Chappell; lighting designer Brendan Smith; costume designer Valerie Beardsley; and the entire orchestra led by conductor, Jerry Birl.
But the actor who I was looking forward to seeing in the production, was a young actor I had written about, and reviewed, when I saw him at Clear Space two years ago. In this production he is Sonny Bono, and he definitely didn’t disappoint.
Let me introduce Caetano de Sá. I have written about him before, but his resume is worth repeating. It says; Height: 5’7 ½, Eyes: Brown, Voice part: Tenor G2 – C5, Build: Athletic. All true. Then you add to this he speaks Brazilian Portuguese, is certified in stage combat by the Society of American Fight Directors, and is a 2nd Degree Black Belt in Taekwondo. Then as his resume of roles confirms, he can act, sing, and dance with the best. He does a great job as Sonny and is fun to watch on stage. Here he displays his talents as a singer and actor, and they are as good as I remembered them when I first met Caetano while he was still in school in 2024, and was starring as Frankie Valli in “Jersey Boys,” at Clear Space. At the time he was a rising senior at the Boston Conservatory at Berklee BFA Musical Theater program. I interviewed him, and Harry Sperduto, who played Tommy Devotee, after seeing them in the show, and being amazed by their talent. Since that time, I have followed their careers. When I heard Caetano was coming back to Clear Space for the summer, I reached out, and he agreed to sit down and chat, which we did. I knew Clear Space Theatre was planning a busy summer season. Their lineup of shows included “The Cher Show,” “Mean Girls,” and “Pretty Woman.” They always have talented casts, including the many college students who are getting their first chance to shine, which was the case for Caetano in 2024. Now he is back as a graduate, with more experience under his belt, a little more established. This season he was going to play Sonny in their production of “The Cher Show,” Martin/Coach Carr, in “Mean Girls,” and Mr. Hollister in “Pretty Woman,” and being a part of the ensemble. He told me he really enjoys being at Clear Space, and that his castmates are all talented. He is a lot more experienced than when he was here before, having performed in productions at the Prairie Repertory Theatre, the Emerald Coast Theatre Company, Firehouse Center for the Arts, and the Sullivan Rep, among others. In productions as diverse as “Oklahoma!,” “Mystic Pizza,” “Hairspray,” and “Rock of Ages.” He now lives in New York City and clearly New York is the perfect place for an aspiring actor. He has an agent at Bramante Artists, who is getting him gigs, like the one he had at 54 Below and even a TV commercial for AFLAC.
“The Cher Show” is the second show I have seen at Clear Space this summer. After our chat I got one of the last tickets available that evening for “Pretty Woman.” In that production he has a smaller role, and is part of the incredibly talented ensemble. It is also an entertaining show and its very talented stars, Abby McDonough as Vivian, and Jaiden Leo Riley as Edward, are a pleasure to watch. Kudos to the talented director, Ashley Williams, and the entire creative team.
For anyone living at the beach, or coming for a visit, I urge you to plan a night at Clear Space. You won’t regret it. But know tickets for all the shows, and Sunday evening cabaret nights, sell out fast. So, I suggest you see what’s available online and buy yours today.
The 2026 World Pride March was held on Saturday, Aug. 8 in Amsterdam. Tens of thousands of participants marched from Martin Luther Kingpark to the grounds of the Pride Village at Museumplein.
(Washington Blade photos by Michael Key)








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The weekly drag show “Daddy Issues” was held at Kiki on Wednesday, Aug. 5. Performers included Evry Pleasure, Indiana Bones and Tiara Missou-Sidora.
(Washington Blade photos by Landon Shackelford)










