Arts & Entertainment
Missionary man
Mormon-skewering Broadway hit at Kennedy Center


Mark Evans, left, and Derrick Williams in ‘The Book of Mormon.’ (Photo by Joan Marcus; courtesy Kennedy Center)
‘The Book of Mormon’
Through Aug. 18
The Kennedy Center for the Performing Arts
$43-$250
kennedy-center.org
You’ve seen them. Those squeaky clean Mormon boys on their post-high school mission, indefatigably going door to door pushing the Latter Day message.
Dressed in their white shirts, black ties and pants, they look lifted from the Eisenhower era. “The Book of Mormon,” the Broadway favorite from “South Park” creators Trey Parker and Matt Stone and “Avenue Q” co-creator Robert Lop, hilariously trades on this iconic image so ripe for lampooning. And now the first national tour of the delectably irreverent musical is parked at the Kennedy Center through late August. Tickets have been in extremely high demand.
The action kicks off in Salt Lake City (imagined here as a flat, pretty colored picture map) with a passel of eager young Mormons honing their proselytizing skills in the very funny opening number “Hello.” Next the young men are paired off and assigned their mission destinations. Mormon poster boy Elder Price (Mark Evans) is matched with unlikely counterpart Elder Cunningham (Christopher John O’Neill). With his perfect hair and no-nonsense demeanor, Price is an admired over achiever; while Cunningham who’s never been able to slog through the Book of Mormon is rumpled and desperate for a friend. Together they’re sent to a remote Ugandan village (Price was hoping for Orlando, Fla.).
In Uganda, Scott Pask’s set morphs into a darker world of ominous skies and broken down huts. A villager casually crosses the stage dragging a life size, bloody donkey carcass. After presenting themselves to some of the leading natives, Price and Cunningham join a group of other young missionaries stationed in the village. They learn that things aren’t going too well, religious conversions aren’t happening. It seems that the understandably jaded local population, tired from dealing with AIDS, forced female genital mutilation and a threatening violent warlord, has little time for far out Bible stories.
Undaunted, Price is determined to do something incredible. But surprisingly, it’s less-than-promising Cunningham, not Price, who connects with the native population. He strikes up a romance with local girl Nabulungi (the sweet and sexy Samantha Marie Ware), and with her help, peddles a watered down version of Mormonism filled with references from his favorite science fiction and fantasy films, and wins loads of converts.
With the creators of “South Park,” nothing is sacred. In the second act’s “Spooky Mormon Hell Dream,” Price sees his father having hot sex with serial killer Jeffrey Dahmer. Then there’s casual talk of raping babies as a cure for AIDS. One villager routinely complains, “I have maggots in my scrotum.” Yes, it’s a little offensive and very foulmouthed, but it’s also big-hearted and admirably executed.
As Price, sterling-voiced Evans gives a nuanced performance, ably conveying his character’s big ego as well as his decency and likeability. Evans’ stirring rendition of “I Believe” is one of the show’s more memorable moments. And though not as musically blessed as Evans, O’Neill (making his professional debut as Cunningham) oozes comic ability.
Smartly, the show’s creators use musical theater elements including heartrending ballads and big song and dance numbers (delightfully choreographed by co-director Casey Nicholaw) to poke fun. Grey Henson is terrific as the closeted Elder McKinley who likes to think that suppressing his gayness is as simple as turning off a light switch. He and the other Mormons sing about it in a fabulous tap-filled number titled “Turn it Off.”
With “The Guardsman” and “Anything Goes,” the Kennedy Center has been on a roll. And now with “The Book of Mormon,” that winning streak continues for the big boxy landmark on the Potomac.
Books
A boy-meets-boy, family-mess story with heat
New book offers a stunning, satisfying love story

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages
Happy is the bride the sun shines on.
Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.
He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.
He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.
But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.
Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.
Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.
What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.
In short, this book is quite stunning.
Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.
If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.
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The Victory Fund held its National Champagne Brunch at the Ritz-Carlton on Sunday, April 27. Speakers included Tim Gunn, Sen. Tammy Baldwin (D-Wis.), Gov. Wes Moore (D-Md.), Rep. Sarah McBride (D-Del.), Rep. Chris Pappas (D-N.H.) and Rep. Mark Takano (D-Calif.).
(Washington Blade photos by Michael Key)

















Music & Concerts
Tom Goss returns with ‘Bear Friends Furever Tour’
Out singer/songwriter to perform at Red Bear Brewing Co.

Singer Tom Goss will bring his “Bear Friends Furever Tour” to D.C. on Sunday, June 8 at 8 p.m. at Red Bear Brewing Co.
Among the songs he will perform will be “Bear Soup,” the fourth installment in his beloved bear song anthology series. Following fan favorites like “Bears,” “Round in All the Right Places,” and “Nerdy Bear,” this high-energy, bass-thumping banger celebrates body positivity, joyful indulgence, and the vibrant spirit of the bear subculture.
For more details, visit Tom Goss’s website.
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