Arts & Entertainment
Stadium deal prompts D.C. Center to reconsider move
Mayor promises ‘suitable’ relocation after Reeves building closes
The D.C. Center for the LGBT Community announced late Friday that it has put on hold the renovation of the space into which it planned to move in September in the city’s Reeves Center municipal building following news one day earlier that the building will likely be demolished in three years.
Mayor Vincent Gray and at least three of his top aides said the city would help the D.C. Center find a new location if and when the Reeves building closes.
Gray’s comments came during a news conference on Thursday in which Gray announced that the Reeves building at 14th and U streets, N.W. would be given to a private developer in exchange for land to build a new soccer stadium in the Buzzard Point section of Southwest D.C.
“We are going to make sure they are relocated to a suitable place,” Gray said in response to a question from the Blade.
Gray announced that the land swap was part of a proposed $300 million deal involving the city and D.C. United, the major league soccer team that has long sought to move out of the city’s aging and outdated RFK Stadium.
“Since signing our lease in January of this year, the D.C. Center has expended thousands of volunteer hours and thousands of dollars in renovating the space in the Reeves Center with anticipation of a September move-in date,” Center Board President Michael Sessa said in a July 26 statement.
“Unfortunately, continued renovation of the Reeves Center space will stop effective immediately until we have a better understanding of where the mayor proposes to relocate the D.C. Center,” Sessa said.
The soccer stadium deal and land swap must be approved by City Council. And two other private owners of land needed for the new stadium, including PEPCO, have yet to consent to sell their respective properties.
But Gray and five members of Council who support the deal predicted the remaining obstacles would be overcome because the multi-million dollar project would be of great economic benefit to the city.
Matthew Klein, president of the Akridge development company, which would acquire the Reeves building in the land swap, unveiled an architectural drawing at the news conference of a new building that would be constructed at the site of the Reeves building. The new building is expected to include residential and commercial space.
D.C. Center Executive Director David Mariner noted on Thursday following the mayor’s news conference that the Center’s 15-year lease at the Reeves building requires the Center to spend at least $70,000 to renovate the first-floor, storefront space to get it ready for occupancy.
Mariner said the demolition part of the renovation has been completed through the help of volunteers from the community. With the sudden news that the Center’s stay in the building is likely to be two or three years rather than 15 years or more, Mariner said the Center’s board must decide whether it still makes sense to move into the Reeves building.
“I don’t think we are prepared to invest the time, energy and labor on a massive renovation project if you can’t guarantee that we’ll be there for more than two years,” Mariner told Brian Hanlon, director of the D.C. Department of General Services (DGS) in a conversation following the news conference.
“You mentioned time and money and investment and I think there are ways to incorporate all those things into where we’re going,” Hanlon told Mariner.
Hanlon said one possible way to address the expenses noted by Mariner is for the city to offset them in a new rental agreement at another nearby city-owned building or city-operated building.
Tony Robinson, a spokesperson for the Office of the City Administrator, told the Blade that Gray and other city officials were looking into new rental space for the center at a private building in which a number of city agencies are located at 1250 U St., N.W. The building is two blocks from the Reeves building and one block from the D.C. Center’s current space at 1318 U St., N.W.
The Center had to look for a new location after an unrelated development project required that it vacate its current U Street space.
“What I’m saying is the DGS, the mayor, the government is committed to making sure you all find a home in Ward 1,” Hanlon told Mariner. “It’s my understanding that that’s the epicenter of the community that you serve. So we’re committed to working that through.”
Sessa told the Blade earlier in the day on Friday that Center officials will be meeting next week with Gray’s chief of staff Christopher Murphy and possibly others from the mayor’s office to discuss the Center’s options.
“Of course that’s under review,” said Sessa when asked if the Center was considering dropping plans to move into the Reeves building. “Everything is under review. But what action we take has to be based on our discussion with the city, which hasn’t happened yet.”
In the Center’s statement released later in the day on Friday Sessa said, “We have requested a meeting [with city officials] immediately as we are scheduled to vacate our current space within less than 60 days. We look forward to hearing the mayor’s plans and working with the city to ensure a permanent home for the LGBTQ community.”
Fate of gay nightclub unclear

Ziegfeld’s/Secrets (Washington Blade file photo by Michael Key)
Robinson of the City Administrator’s office told the Blade the soccer stadium proposal calls for building a hotel and other businesses such as restaurants and shops near the site of the new stadium.
The gay nightclub Ziegfeld’s/Secrets is located in that area at 1824 Half St., S.W., which is outside the footprint of the soccer stadium but within the area for the ancillary development.
Robinson said the property owners of buildings and land outside the stadium footprint are free to decline to sell to developers and remain in the area as long as they wish.
“There are no plans to do eminent domain for anything except what’s in the footprint of the site [of the stadium],” he said. “There are no plans to close any other facility.”
However, Ziegfeld’s/Secrets currently rents its space in a building owned by Denver businessman Marty Chernoff, who owned and operated the former gay nightclub Tracks in a warehouse building that has since been demolished to make way for an office building.
Chernoff told the Blade that he has known Ziegfeld’s/Secrets principal owner Allen Carroll for a long time and will give Carroll the first right to buy the building if and when Chernoff decides to sell it. He said at least one real estate broker representing a developer has approached him to buy the building.
“I want to make it completely clear that I am not the one forcing him out,” Chernoff said. “So if he chooses to do something because of whatever economic pressure there is or something like that, that would be his choice.”
Carroll couldn’t immediately be reached for comment.
Gay and Lesbian Activists Alliance President Rick Rosendall said LGBT community advocates called on the city to help Ziegfeld’s/Secrets find another suitable location when it was displaced in 2006 by construction of the Washington Nationals Baseball Stadium.
The baseball stadium development forced Ziegfeld’s/Secrets, which features drag shows and male nude dancers, and four other gay clubs to move from the unit block of O Street, S.E., where they had been located for close to 30 years.
Rosendall said GLAA would urge the city to assist Ziegfeld’s/Secrets to find a suitable new home if the club is displaced yet again by development triggered by the proposed soccer stadium.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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