Connect with us

Arts & Entertainment

Calendar through September 12

Ana Matronic, Blondie in town, parties on tap for weekend

Published

on

Ana Matronic, gay news, Washington Blade

Ana Matronic, gay news, Washington BladeFriday, September 6

Adodi, a same-gender-loving men’s group, hosts its bi-monthly potluck from 7-9 p.m. tonight at a member’s home in Burke, Va. For more information, email [email protected].

Town (2009 8th St., N.W.) hosts its monthly “So, You Think You’re A Drag Queen?” tonight at 10:30 p.m. The winner will earn $200 and is chosen by the audience. Cover is $10 all night for guests 18-20 and $5 for guests 21 and over before 11 p.m. For details, visit towndc.com.

OUT NVA hosts “Gay Night Out,”, a bar crawl on King Street for charity, starting at 6 p.m tonight. Begin the night at Rock-It Bar (1319 King St., Alexandria Va.) with a drag show and happy hour. Purchase a wristband for $10 to aid nurses going to Haiti and receive Purple Drink Specials at each bar. For more details, visit facebook.com/OUTNVa.

The District of Columbia Arts Center (2438 18th St., N.W.) hosts its annual “1460  Wallmountables” exhibition through Sunday. Almost 100 artists feature over 300 works on 2×2 foot spaces in a range of styles and media. For details, visit dcartscenter.org.

Whitman-Walker Health provides free HIV testing at Bachelor’s Mill (1104 8th St., S.E.) from 10 p.m.-12:30 a.m. tonight. For more information, visit whitman-walker.org.

Saturday, Sept. 7

Burgundy Crescent, a gay volunteer organization, volunteers today for a lost dog and cat rescue foundation at Falls Church PetSmart (6100 Arlington Blvd., Falls Church, Va.) from 11:45 a.m-3 p.m. today. For more details visit burgundycrescent.org.

Ana Matronic, Scissor Sister’s front woman and long time LGBT advocate, performs tonight at Town (2009 8th St., N.W.). Doors open at 10 p.m. and cover charge is $8 from 10-11 p.m. and $12 after 11 p.m. Admission is limited to guests 21 and over. For details, visit towndc.com.

Adventuring, an LGBT outdoors group, hosts a hike through Paw Paw Tunnel near Cumberland today. The group meets at the Grosvenor-Strathmore Metro Station (10300 Rockville Pike, Bethesda, Md.) at 9 a.m., and then walks through the tunnel to the banks of the Potomac and back through the tunnel. Transportation and trip fees are $25. For more information, visit adventuring.org.

Phase 1 of Dupont (1415 22nd St., N.W.) hosts its weekly “Booty Beach Ladies Dance Party” tonight. The winner of the party’s bikini and board shorts contest will receive cash and prizes. Doors open at 7:30 p.m. and admission is $5. For more details, visit phase1dc.com.

Sunday, Sept. 8

Burgundy Crescent, a gay volunteer organization, volunteers today for the D.C. Central Kitchen (425 2nd St., N.W.) from 9 a.m.-noon. For more information, visit burgundycrescent.org.

Perry’s (1811 Columbia Rd., N.W.) hosts its weekly “Sunday Drag Brunch” today from 10 a.m.-3 p.m. The cost is $24.95 for an all-you-can-eat buffet. For more details, visit perrysadamsmorgan.com.

The Arlington Gay & Lesbian Alliance (AGLA) hosts an ice cream social and firehouse tour at Aurora Highlands Community Center (735 18th St., South, Arlington, Va.) from 3-6 p.m. today. Free for AGLA members. Non-AGLA members suggested donation is $10. Firehouse tour is from 3-3:30 p.m. For details, visit agla.org.

Monday, Sept. 9

Blondie performs with X at the 9:30 Club (815 V St., N.W.) at 7 p.m. tonight. Tickets are $43 and include exclusive new music download codes from Blondie. For details, visit 930.com.

http://www.youtube.com/watch?v=k20jR3FwEIU

The D.C. Center (1318 U St., N.W.) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.

Nellie’s Sports Bar (900 U St., N.W.) hosts its weekly “Poker Face” poker game night at 8 p.m. Free to play. For details, visit nelliessportsbar.com.

Tuesday, Sept. 10

Whitman-Walker Health provides free HIV testing at Giant (1535 Alabama Ave., S.E.) from 7-9 p.m. tonight. For more information, visit whitman-walker.org.

Trans Legal and Whitman-Walker Health host a name and gender change clinic at Whitman-Walker Health Services (1701 14th St., N.W.) from 6:30 p.m.-7:30 p.m. tonight. Meet one on one with an attorney to complete name and/or gender change documents. Pizza is provided. For more information call 202-939-7627.

D.C. Bi Women hosts its monthly meeting at the Dupont Italian Kitchen Restaurant (1837 17th St., N.W.) in the upstairs room from 7-9 p.m. tonight. All women welcome regardless orientation, partner preference or relationship status. For more information, visit thedccenter.org.

Wednesday, Sept. 11

Big Gay Book Group meets tonight at 7 p.m. at 1155 F St., N.W. Suite 200 to discuss “The Starboard Sea,” a powerful coming-of-age story by first-time novelist Amber Dermont. For details email [email protected].

The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for duplicate bridge. No reservations required and newcomers welcome. If you need a partner, call 703-407-6540.

The D.C. Center and Pros in the City host speed dating for gay professionals at Chi-Cha Lounge (1624 U St., N.W.) from 7-9 p.m. tonight. Dating begins at 7:20 p.m. and there is a cash bar. Admission is limited to guests 21 and over. For more information, visit thedccenter.org.

Us Helping Us (3636 Georgia Ave., N.W.) hosts a support group for black gay men living with HIV tonight from 7-9 p.m. For information, visit uhupil.org.

Thursday, Sept. 12

Burgundy Crescent, a gay volunteer organization, volunteers today from 6-8 p.m. for Food and Friends near the Fort Totten Metro Station (Red and Green line). Parking also available. For more information visit burgundycrescent.org.

SMYAL (410 7th St., S.E.) hosts “Women’s Leadership Institute” for LGBT women and their straight allies from 5-7 p.m. Discuss female sexuality, relationships and women’s rights. Ages 13-21. For details, visit smyal.org.

Cobalt (1639 R St., N.W.) hosts its weekly “Ripped-Hot Body Contest” tonight from 9 p.m.-2 a.m.  Win up to $200 in prizes. $2 rail drinks from 9-11 p.m. Admission is 18 and up and is free.

Rude Boi Entertainment hosts “Tempted 2 Touch,” a ladies dance party, at Fab Lounge (2022 Florida Ave., N.W.). Doors open at 10 p.m. Drink specials $5 and vodka shots $3 all night. No cover charge. Admission limited to guests 21 and over. For more information, visit rudeboientertainment.wordpress.com.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Photos

PHOTOS: Pride on the Pier

Blade’s WorldPride celebration ends with fireworks show

Published

on

The Washington Blade's Pride on the Pier. (Washington Blade photo by Michael Key)

The Washington Blade’s second day of Pride on the Pier at The Wharf DC ended with a fireworks show on Saturday, June 7. The fireworks show was presented by the Leonard-Litz LGBTQ Foundation.

(Washington Blade photos by Michael Key)

The Washington Blade’s Pride on the Pier (Photo by Cedric Craig for Wild Side Media)
Continue Reading

Out & About

‘Lou’s Legacy’ to make TV debut next week

New documentary features Blade news reporter

Published

on

Lou Chibbaro, Jr. (Washington Blade photo by Michael Key)

The new documentary “Lou’s Legacy: A Reporter’s Life at the ‘Washington Blade’” will make its broadcast TV premiere next week. 

WETA will broadcast Lou’s Legacy on Saturday, June 21 at 8 p.m. and Monday, June 23 at 9:30 p.m. Maryland Public Television will feature it on June 28 at 10 p.m. People anywhere in the U.S. can livestream the film at WETA.org, PBS.org, the PBS App, and on YouTube TV, Hulu + Live, and Amazon Prime. After the June 21 broadcast, viewers can stream the documentary on-demand on the PBS App, PBS.org, or WETA.org.

The documentary from Emmy-nominated D.C. filmmaker Patrick Sammon tells the story of the legendary Blade news reporter, Lou Chibbaro Jr., as he works on an article about the return of drag icon Donnell Robinson – also known as Ella Fitzgerald — to the Capital Pride stage. Donnell and Chibbaro reflect on their careers and discuss the ongoing backlash against the LGBTQ community, including laws targeting drag performers. 

Continue Reading

Movies

20 years later, we still can’t quit ‘Brokeback Mountain’

Iconic love story returns to theaters and it’s better than you remember

Published

on

Jake Gyllenhall and Heath Ledger in ‘Brokeback Mountain.’ (Photo courtesy of Focus Features)

When “Brokeback Mountain” was released in 2005, the world was a very different place.

Now, as it returns to the big screen (beginning June 20) in celebration of its 20th anniversary, it’s impossible not to look at it with a different pair of eyes. Since its release, marriage equality has become the law of the land; queer visibility has gained enough ground in our popular culture to allow for diverse queer stories to be told; openly queer actors are cast in blockbuster movies and ‘must-see’ TV, sometimes even playing queer characters. Yet, at the same time, the world in which the movie’s two “star-crossed” lovers live – a rural, unflinchingly conservative America that has neither place nor tolerance for any kind of love outside the conventional norm – once felt like a place that most of us wanted to believe was long gone; now, in a cultural atmosphere of resurgent, Trump-amplified stigma around all things diverse, it feels uncomfortably like a vision of things to come.

For those who have not yet seen it (and yes, there are many, but we’re not judging), it’s the epic-but-intimate tale of two down-on-their-luck cowboys – Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhall) – who, in 1963 Wyoming, take a job herding sheep on the titular mountain. There’s an unmistakable spark between them, and during their months-long shared isolation in the beautiful-but-harsh wilderness, they become lovers. They part ways when the job ends and go on about their lives; Ennis resolutely settles into a hardscrabble life with a wife (Michelle Williams) and kids, while Jack struggles to make ends meet as a rodeo rider until eventually marrying the daughter (Anne Hathaway) of a wealthy Texas businessman. Yet even as they struggle to maintain their separate lives, they reconnect, escaping together for “fishing trips” to continue their forbidden affair across two decades, even as the inevitable pressures and consequences of living a double life begin to take their toll.

Adapted from a novella by Annie Proulx, (in an Oscar-winning screenplay by co-producer Diana Ossana and acclaimed novelist Larry McMurtry), and helmed by gifted Taiwanese filmmaker Ang Lee (also an Oscar winner), the acclaim it earned two decades ago seems as well-deserved as ever, if not more so. With Lee bringing an “outsider’s eye” to both its neo-western setting and its distinctly American story of stolen romance and cultural repression, “Brokeback” maintains an observational distance, uninfluenced by cultural assumptions, political narratives, or traditional biases. We experience Ennis and Jack’s relationship on their terms, with the purely visceral urgency of instinct; there are no labels, neither of them identifies as “queer” – in fact, they both deny it, though we know it’s likely a feint – nor do they ever mention words like “acceptance, “equality,” or “pride.” Indeed, they have no real vocabulary to describe what they are to each other, only a feeling they dare not name but cannot deny.

In the sweeping, pastoral, elegiac lens of Lee’s perceptive vision, that feeling becomes palpable. It informs everything that happens between them, and extends beyond them to impact the lives they are forced to maintain apart from each other. It’s a feeling that’s frequently tormented, sometimes violent, and always passionate; and while they never speak the word to each other, the movie’s famous advertising tagline defines it well enough: “Love is a force of nature.”

Yet to call “Brokeback” a love story is to ignore its shadow side, which is essential to its lasting power. Just as we see love flowing through the events and relationships we observe, we also witness the resistant force that opposes it, working in the shadows to twisting love against itself, compelling these men to hide themselves in fear and shame behind the safety of heterosexual marriage, wreaking emotional devastation on their wives, and eventually driving a wedge between them that will bring their story to a (spoiler alert, if one is required for a 20-year-old film) heartbreaking conclusion. That force, of course, is homophobia, and it’s the hidden – though far from invisible – villain of the story. Just as with Romeo and Juliet, it’s not love that creates the problem; it’s hate.

As for that ending, it’s undeniably a downer, and there are many gay men who have resisted watching the movie precisely because they fear its famously tragic outcome will hit a little too close to home. We can’t say we blame them. 

For those who can take it, however, it’s a film of incandescent beauty, rendered not just through the breathtaking visual splendor of Rodrigo Prieto’s cinematography, but through the synthesis of all its elements – especially the deceptively terse screenplay, which reveals vast chasms of feeling in the gaps between its homespun words, and the effectiveness of its cast in delivering it to performance. Doubtless the closeness between most of its principal players was a factor in their chemistry – Ledger and Gyllenhall were already friends, and Ledger and Williams began a romantic relationship during filming which would lead to the birth of their daughter. Both Williams and Hathaway bring out the truth of their characters, each of them earning our empathy and driving home the point that they are victims of homophobia, too. 

As for the two stars, their chemistry is deservedly legendary. Ledger’s tightly strung, near-inarticulate Ennis is a masterclass in method acting on the screen, with Gyllenhall’s brighter, more open-hearted Jack serving in perfectly balanced contrast. They are yin and yang to each other, and when they finally consummate their desires in that infamous and visceral tent scene, what we remember is the intensity of their passion, not the prurient details of their coupling – which are, in truth, more suggested than shown. Later, when growing comfort allows them to be tender with each other, it feels just as authentic. Though neither Ledger nor Gyllenhall identified as gay or bisexual, their comfort and openness to the emotional truth of the love story they were cast to play is evident in every moment they spend on the screen, and it’s impossible to think of the movie being more perfect with anyone else but them.

What made “Brokeback” a milestone, apart from the integrity and commitment of its artistry, was that it emerged as a challenge to accepted Hollywood norms, simply by telling a sympathetic story about same-sex love without judgment, stereotype, identity politics, or any agenda beyond simple humanistic compassion. It was the most critically acclaimed film of the year, and one of the most financially successful; though it lost the Oscar for Best Picture (to “Crash,” widely regarded as one of the Academy’s most egregious errors), it hardly mattered. The precedent had been set, and the gates had been opened, and the history of queer cinema in mainstream Hollywood was forevermore divided into two eras – before and after “Brokeback Mountain.”

Still, its “importance” is not really the reason to revisit it all these years later. The reason is that, two decades later, it’s still a beautiful, deeply felt and emotionally authentic piece of cinema, and no matter how good you thought it was the first time, it’s even better than you remember it.

It’s just that kind of movie.

Continue Reading

Popular