Arts & Entertainment
Not forgotten
15th anniversary of Matthew Shepard’s death inspires doc, theatrical revival, controversial book and more
Filmmaker Michele Jouse with the late Matthew Shepard around the time they met in high school. (Photo courtesy Jouse)
The 15th anniversary of Matthew Shepard’s death, a college student who was tied to a fence and tortured for being gay, is being commemorated with the East Coast premiere of Michele Jouse’s documentary “Matthew Shepard is a Friend of Mine” at the Washington National Cathedral (3101 Wisconsin Ave., N.W.) on Oct. 4 at 7:30 p.m. and a month-long run of “The Laramie Project” at Ford’s Theatre (511 10th St., N.W.) beginning Sept. 27.
“Matthew Shepard Is A Friend of Mine” explores who Shepard was as a person, rather than the sensationalized LGBT rights icon he eventually became, through interviews with his family and close friends. Jouse, who met Shepard at boarding school, explains that making the documentary was therapeutic for her.
“It feels like yesterday sometimes,” she says. “I hadn’t really allowed myself to talk about it so much because it was so painful but its really helped with the healing process to talk about something that was so difficult.”
The film delves into personal moments between Shepard and his family and friends but also shows Jouse go through her own journey to better understand Shepard and the depression he dealt with before his death. Jouse visits Shepard’s home, the boarding school in Switzerland where they met and became friends and the University of Wyoming where Shepard was a student at the time of his death.
“The Laramie Project” begins its month-long run at Ford’s Theater today and goes through Oct. 27. Every Monday night at 7 p.m., a free panel discussion is scheduled with special guests Judy Shepard, Shepard’s mother, in conversation with Cokie Roberts Sept. 30 and former Laramie sheriff Dave O’Malley on Oct. 7. Ford’s hosts a special “Pay What You Can” preview performance Sunday at 7:30 p.m.
In celebration of National Coming Out Day, Dennis Shepard, Shepard’s father, will join leaders of the D.C. faith community in a candlelight vigil on Oct 11. There is also a world premiere exhibition showing through Nov. 3 of “Not Alone: The Power of Response” in which artist Jeff Sheng’s photograph “Where Matthew Lay Dying” is paired with a selection of letters sent to the Shepard family. Ford’s Theatre’s decision to participate in the anniversary is an important one for them.
“Matthew Shepard’s death in 1998 ignited a debate about the definition of hate crimes and strengthened the resolve of many to advocate for social justice,” says Paul Tetreault, Ford’s Theatre director.
Among these celebrations of Shepard’s life, the controversial new book “The Book of Matt: Hidden Truths About the Murder of Matthew Shepard” by journalist Stephen Jimenez has been released. The book claims the reason for Shepard’s murder was not because he was gay, but because he was a part of the “drug underworld” in Laramie, Wyo., the place of Shepard’s death. Jouse refutes the claim and says she has no plans to read the book because the sources are “anonymous and unreliable.”
“If people would really like to learn more about Matt as a real person and what happened to him, I would hope they watch our film and hear about it through the point of view of people who actually knew him and loved him,” Jouse says.
Since his death Shepard has become a symbol for LGBT rights and major LGBT equality efforts with The Matthew Shepard Foundation and the Matthew Shepard Act. Shepard’s death sparked an outcry for change from the public despite the large number of hate crimes that have occurred since. The documentary states that 33 hate crimes were committed during the year Shepard died alone. Jouse believes the reason for the interest in Shepard is a personal connection.
“I think people saw Matt and recognized him as someone they could have been friends with or saw something in Matt that reminded them of themselves,” Jouse says. “The idea of a hate crime can become an abstraction that you hear about in the news, but Matt made that personal and showed how hate can encroach in their lives and in their circles of friends.”
Tickets for “Matthew Shepard is a Friend of Mine” are $16. For more details and to purchase tickets, visit nationalcathedral.org or matthewshepardisafriendofmine.com. For more information on “The Laramie Project” and to purchase tickets, visit fords.org.
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By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
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Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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