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Politics, sex, activism highlight memoir on AIDS survival

POZ magazine founder Strub recounts journey from Capitol Hill to HIV fight

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Sean Strub, AIDS, HIV, Body Counts, gay news, Washington Blade
Sean Strub, AIDS, HIV, Body Counts, gay news, Washington Blade

Sean Strub’s new memoir revisits closeted Washington in the ‘70s and the AIDS fight in New York. (Photo courtesy Public Impact Media Consultants)

Sean Strub’s newly published book Body Counts: A Memoir of Politics, Sex, AIDS, and Survival provides a vivid, first-hand account of how his own struggle with AIDS intersected with his role as an AIDS activist during the tumultuous early years of the epidemic in New York City.

But Strub, 55, also reveals a part of his life that those who know him as founder of the influential AIDS publication POZ magazine may not have known – his political and personal coming out following his move to Washington, D.C., from his home state of Iowa in 1976 at the age of 17.

After delaying his start at Georgetown University for a year to work on political campaigns in Iowa and through help from then-Sen. Dick Clark (D-Iowa), Strub landed a patronage job as an elevator operator at the U.S. Capitol in March of 1976.

“I couldn’t imagine anything more exciting for an ambitious political junkie than employment literally a few steps away from the Senate chamber,” he writes in his book.

Strub is scheduled to read from his book and take questions from listeners Tuesday night, Jan. 28, at D.C.’s Politics and Prose bookstore at 5015 Connecticut Ave., N.W., from 7-9 p.m.

As Strub tells it, over the next three years (from 1976-1979) he cautiously came to terms with his status as a gay man after having struggled with self-denial in his younger years. His gradual evolution toward self-acceptance, he writes, came in part through the help of closeted gay men in influential political positions in Washington and later in New York who became his mentors.

Like them, Strub writes, he became comfortable with his own sexual orientation but remained deep in the closet, fearing that public disclosure of his “hidden” life would destroy his long-held aspirations to become involved in politics and public policy making. His earlier dream of one day getting elected to public office would no longer be possible due to his sexual orientation, he concluded during the years from the late 1970s to early 1980s.

Before going on to chronicle his early career operating a direct mail fundraising business while helping to raise money for AIDS-related causes, Strub provides a behind-the-scenes glimpse into the closeted gay scene in the nation’s capital in the late 1970s.

Gay men of the Baby Boom generation who lived in D.C. at that time will likely relate to Strub’s stories about meeting and befriending Capitol Hill staffers and others involved in politics at the Lost and Found, the then highly popular gay disco located in a hidden warehouse district in Southeast D.C. less than a mile from the Capitol.

“Going to the Lost and Found marked my first appearance in a public gay venue, and that felt irreversible, crossing a threshold from which I could not return,” he writes.

“I learned that meeting gay men in a gay context – whether at a bar, private party or other circumstance – invoked an unspoken omerta-like agreement not to share the secret life with others, even if it meant pretending we didn’t know each other,” he says in the book.

Among those who became his mentor was Washington political operative turned journalist Alan Baron, publisher of the widely read Baron Report on Washington politics. Others – both gay and straight – gave him what he called the equivalent of a Harvard MBA in the field of fundraising through direct mail and telemarketing techniques.

Still others introduced him to the world of gay sex and gay male cruising spots both in D.C. and during his first few years in New York. It was at a time just before AIDS burst on the scene that epidemiologists later described as a “perfect storm” for the sexual transmission of HIV between men who have sex with men.

Through a friend he met at the D.C. gay bar Rascals, Strub says he was invited to a dinner party in 1978 at the home of D.C. gay businessman Bob Alfondre and his partner Carroll Sledz. Strub says it was there that he met and became friends with famed playwright Tennessee Williams, a guest of honor at the dinner party, who later invited Strub to visit him at his home in Key West, Fla.

Other VIPs with whom Strub met and befriended in subsequent years included Andy Warhol, Keith Haring, Gore Vidal and Larry Kramer.

In what his activist friends considered a major coup, Strub tells of how he mustered all of his courage and salesmanship in 1982 to persuade Tennessee Williams to sign his name to a fundraising letter for the Human Rights Campaign Fund, an arm of the then Gay Rights National Lobby that became the forerunner to today’s Human Rights Campaign.

The letter was written by Baron at the request of Steve Endean, the executive director of GRNL and whose idea it was to create the HRCF. Among other things, the letter urged potential donors to give money to HRCF, a political action committee or PAC, to help prevent anti-gay candidates backed by the Rev. Jerry Falwell from getting elected to Congress.

“I emphasized how influential the new PAC would be and how critical his signature on the letter would be to its success,” Strub wrote in describing his pitch to Williams at a hotel room in New York City where Williams was staying at the time. When Strub entered the hotel room Williams was dressed in pajamas and a bathrobe and had a glass of wine in his hand.

“I said he could set a powerful example to others,” Strub wrote. “Getting him to sign the letter, I declared, would be the most important thing I had ever done in my life.”

Over the next 90 minutes or more Williams talked about his plans for a new play and all kinds of things unrelated to the letter. At one point the then 24-year-old Strub nearly froze when Williams asked him what he would do to persuade him to sign the letter, thinking Williams might be making a pass at him, Strub writes.

“Almost anything, but I hope I don’t have to,” Strub says he replied.

Finally, thinking Williams was politely indicating he wouldn’t sign the letter, Strub got up from where he was sitting and put on his coat and walked toward the door. “Wait a minute, baby, what about your letter?” Strub quotes Williams as shouting.

The famous playwright signed the letter, which, according to Strub, became the most successful gay rights fundraising appeal to date, generating over 10,000 new donors to the gay rights cause and paving the way for the future HRC to become the nation’s leading LGBT rights organization.

Strub’s success in getting Tennessee Williams to sign the fundraising letter came after he moved to New York in 1979 to continue his studies at Columbia University. A short time later Strub and various partners established a direct mail fundraising businesses that did work for gay rights and other progressive causes as well as for Democratic Party candidates running for public office.

By the mid-1980s, around the time he discovered he was HIV positive, he helped raise money for AIDS advocacy groups, including New York’s pioneering Gay Men’s Health Crisis, the American Foundation for AIDS Research (AmfAR), and ACT UP.

 

NIH official Fauci disputes claim he was ‘uncooperative’

 

By 1987, Strub says he became further disillusioned over the federal government’s response to AIDS when fellow activist Michael Callen told him about a tense meeting in May of that year between Callen and several other AIDS activists and Dr. Anthony Fauci, who headed AIDS research programs at the National Institutes of Health.

Callen and the other activists urged Fauci to arrange for the NIH to issue guidelines recommending that doctors treating AIDS patients prescribe the drug Bactrim as a prophylaxis to prevent the onset of pneumocystis carinii pneumonia, the opportunistic infection that killed most people with AIDS at the time. Strub notes that Callen cited promising results in New York and other places where AIDS doctors, especially New York physician and researcher Joseph Sonnabend, reported Bactrim was succeeding in preventing patients from contracting the deadly pneumonia.

“Fauci was uncooperative,” Strub reports in his book. “He dismissed previous research, saying he wanted data proving that prophylaxis [Bactrim] helped prevent PCP specifically in patients with HIV.”

Strub noted that NIH ultimately issued the guidelines two years later after confirming through a drug trial that Bactrim did, indeed, effectively prevent PCP.  But during the two years prior to the release of the guidelines, Callen estimated that nearly 17,000 people with AIDS died of PCP, Strub says in his book. He says Callen expressed outrage that many of them might have survived if their doctors were informed of the effectiveness of Bactrim as a preventive measure.

When contacted by the Blade last week, Fauci disputed Callen’s account of what happened, saying he made it clear to Callen during their 1987 meeting that he did not have the authority to issue guidelines on prescription drugs.

“So what actually happened is that Michael came to me and said you know there is this preliminary activity and some small trials that Bactrim works,” Fauci said. “Would you come out and make a guideline to say it should be used by everybody. And I said ‘Michael I can’t do that but what I can do is help design and make sure that the grantees that we fund do a clinical trial in Bactrim to prove or not that it was safe and effective,’” he said.

“So I did exactly what I promised Michael,” Fauci said. “It took obviously longer than he would have wished. But I didn’t blow him off and say I don’t want to issue guidelines. The fact is that’s neither within my purview nor within the responsibility or authority I have to issue guidelines.”

In 1990, Strub ran for Congress in a district just north of New York City where he had been living while operating a fundraising business. Although he lost in the Democratic primary, many familiar with his race said he broke new ground by becoming the first openly HIV-positive candidate to run for a federal office.

Four years later, in 1994, he founded POZ magazine, a first-of-its-kind upscale publication reporting on the experiences of people with HIV and the trials and tribulations they faced – including Strub himself – in struggling to stay alive.

By that time Strub was out publicly, was a veteran of AIDS protests, and had experienced several years earlier the death of his first partner from AIDS.

In keeping with the belief at the time that nearly everyone with AIDS would die, Strub raised the bulk of the capital needed to launch POZ by selling two life insurance policies he had to a “viatical” investment company for $345,000.

The company expected to yield $75,000 in profit by cashing in the $450,000 combined value of the two policies when Strub died.

Although Strub survived, he tells in great detail how during the years immediately following the launching of POZ, he struggled with Kaposi’s sarcoma and pneumocystis pneumonia. His says his decision to discontinue treatment with the harsh drug AZT, which had side effects that caused fellow patients to become sick and weak, most likely kept him alive long enough to be saved by the new generation of protease inhibitor drugs.

In 2004 Strub sold POZ and began spending more time at his home in the small town of Milford, Penn., while retaining his home in Manhattan.

Following are excerpts of the Blade’s interview with Strub.

 

Washington Blade: What prompted you to write the book at this time?

Sean Strub: I had thought about it over the years and I kind of resisted it in the years after I left POZ. Then about five years ago enough time had passed from the very worst days that I thought I was getting more perspective on it. I felt more of a sense of wanting to remember people and I think most importantly to document a history that had not been well documented.

And there are fewer and fewer people who are around to tell the story firsthand who were really on the front lines over such a long period of time.

 

Blade: You describe in a moving way in your book how sick you were in the middle 1990s. You wrote that you expected to die. Why do you feel you survived long enough to benefit from the new generation of effective drugs such as protease inhibitors when others did not?

Strub: I think that is the question thousands of people who survived that time ask themselves often. I thought of it once as a sort of survivor’s guilt. But today it just seems like an existential question. It’s a question I don’t think I will ever answer but also one I don’t think I should ever stop asking.

The quality of care a person received is probably the most important factor, but there are others. When [the late New York AIDS activist] Michael Callen wrote “Surviving AIDS” in 1990 he recognized three shared traits amongst people with HIV at that time that were surviving. This was before combination treatment, of course. The three were, one, a belief that some people would survive; two, they could identify a reason to survive — raising a child, loving a partner, running a business, completing school, etc.; and, three, when asked how they treated their illness, they could list many different strategies. It wasn’t so much which strategy they pursued, but it was the length of the list that mattered because that indicated they were people who were seeking to survive. I think that is apt for me. I sought to survive…

Survival for me was a path, not a place. The bullet I narrowly missed was AZT mono-therapy. My doctor recommended it to me. Michael Callen constantly harangued me against it. I took it for a few weeks then stopped it. I believe if I had continued on AZT mono-therapy, I wouldn’t have survived to benefit from protease therapy.

 

Blade: To jump ahead a bit, what are you doing these days?

Strub: I’m the executive director of the Sero Project, which is a network of people and their allies fighting for freedom from stigma and injustice. And that’s our tagline. And we are particularly focused on HIV criminalization. So we have been engaged with a lot of the decriminalization advocates across the country.

 

Blade: You go into that in the last chapter of your book, saying in no uncertain terms that laws making it a crime for someone who is HIV positive to have sex with another person without telling them they are positive should be repealed.

Strub: You can see SeroProject.com. If you go to that website there is a little short film. It’s the trailer to a documentary I’ve been working on called HIV is Not a Crime. It really explains our work.

 

Blade: Wasn’t there a bill introduced in Maryland to increase the penalties for so-called intentional HIV transmission?

Strub: A couple of years ago – I think it was State Sen. [Norman R.] Stone [D-Baltimore County] who wanted to increase the maximum penalty from three years to 35 years. And that was beaten back. And then last year Del. Shirley Nathan Pulliam [D-Baltimore County] introduced a bill to get rid of the statute entirely.

In Maryland like every other state they have assault statutes and someone who maliciously intends to harm someone else they can prosecute, whether they use a gun or a baseball bat…And the HIV specific statute doesn’t contribute anything to public safety or public health. It hurts public health and it’s profoundly stigmatizing. So she introduced that bill last year. It’s been withdrawn.

 

Blade: Is it mostly states that have these statutes? Is there a federal statute?

Strub: There is not a federal statute. So it’s state by state. About two thirds of the states have these HIV specific statutes; although in every state they can use someone’s HIV-positive status inappropriately in some criminal prosecutions in heightened charges. In Texas and New York, for example, they don’t have HIV-specific statutes.

But there is a guy in Texas spending 35 years for spitting at a cop and a guy in New York who just got out of jail after serving six and a half years for spitting when a New York appeals court ruled that in New York State saliva cannot be considered a deadly weapon. So the specific statutes are in about two thirds of the states.

At the federal level we did just get through Congress recently an amendment to the Armed Services Appropriations bill to have the Secretary of Defense have a review of the Uniform Code of Military Justice and how it relates to HIV to make sure that their policies and procedures are consistent with contemporary science and not inappropriately stigmatizing people. So that’s our only legislative victory so far on this. There will be more to come. We’re organizing in individual states and I hope there will be some pretty good action in a couple of them this year.

 

Blade: So is this your main activity at this point?

Strub: That’s correct – that and here in Milford [Pa.] I also co-own a historic hotel-restaurant called the Hotel Fauchere. So that’s my sort of business here. But I spend most of my time on the advocacy work.

 

Blade: Are you in Milford, Pennsylvania right now?

Strub: I’m in Milford at the moment. I live in Milford and also in Manhattan. But lately, for a year or so, I’ve been much more in Milford than in New York.

 

Blade: That seems to be the type of thing you have done throughout your professional career – a combination of activism and as you called it entrepreneurial activity. Would that be correct?

Strub: That’s correct.

 

Blade: Do you have any interest in going back into the direct mail and fundraising field?

Strub: Not really – I’m always, I’m frequently giving pro-bono counsel to the efforts I support around fundraising. But I’ve really been much more focused on the advocacy work, particularly recreating a grass roots network of people with HIV engaged in advocacy on the state and local level, which we had in the ‘80s and even in the early ‘90s and then it kind of dissipated through the ‘90s. And now it’s enjoying a bit of a revival. We are recreating these networks of people with HIV.

 

Blade: What is your assessment of the status of the national AIDS advocacy organizations right now? Some people have referred to them as AIDS incorporated. Some people say they have overlapping functions and maybe there is duplication of efforts and there should be more consolidation.

Strub: Well, this AIDS, Inc. phrase is often used in a pejorative way. But it’s also just descriptive. It’s a big industry now. Careers are made – institutions – it isn’t the epidemic of 30 years ago by any means – and thank goodness. But in terms of the advocacy organizations, I don’t really see the advocacy organizations at the federal level…

HRC was pretty consistent in terms of advocating for the Ryan White program in some of the big funding streams. But the other issues outside of funding for service providers, for example, the issues involving privacy, confidentiality, stigma, patient autonomy, criminalization and the whole range of human rights approaches to the epidemic became an orphan in Washington and no one was really working on those.

Now what has happened in the last several years…there is sort of a growing pressure on the national LGBT groups to re-engage in the epidemic. After combination therapy came out – first of all, a lot of advocates left AIDS work because a lot of them were personally concerned about – their engagement and advocacy was due to their own fear, right? And their AIDS activism was a singular effort. It wasn’t connected to any broader social justice movement. And so a lot of those people kind of left after combination therapy came out.

And a lot of the LGBT groups turned to other opportunities and exciting things – ‘Don’t ask, Don’t Tell’ repeal and marriage equality and so on. And all of these human rights-related issues kind of got neglected. And so then we end up with things like criminalization.

Now, that is a growing and scary phenomenon that leaves every person with HIV in the country just one disgruntled, ex-partner away from being in a courtroom.

And yet the survey work has shown that gay men overwhelmingly support having it be a criminal act for someone with HIV not to disclose that fact prior to being intimate, independent of whether there is any risk involved and independent of whether there is any HIV transmission involved.

So we’re kind of playing catch up in the gay community on these issues. There are good things happening. I think HRC is certain to focus on this. They’ve been quite receptive toward us and some other groups. So I think we’re going to see more advocacy from gay groups.

 

Blade: What about the issue of prevention and what is possible? The issue of sex is always with us. Frank Kameny, the veteran gay rights pioneer, said back when the epidemic began and we learned the virus was sexually transmitted that you can never change the sex urge.

Strub: Well, even in the worst years when people were presumably the most frightened we never got much more than half of gay men to consistently use condoms. So there definitely is a limit on how far that will go. But I’m also not a fan of just relying on the biomedical approaches.

I think in terms of prevention the things we need to do – first we need to target prevention funding. Two-thirds of the new cases are among gay men. Only a small percentage of federal prevention funds are targeted to men who have sex with men…

That’s one thing. Second, there still is a reluctance to talk honestly about how gay men have sex. And this goes back to the first days of the epidemic. I write about that in New York – the conflict between the AIDS establishment and [AIDS activists] Michael Callen, Richard Berkowitz and [AIDS doctor and researcher] Joe Sonnabend. Too much of the prevention messaging is either fear based, which is sort of relying on what might have been effective in the epidemic 25 years ago. But the truth is the consequences of HIV infection today are very different than they were 25 years ago. And you can’t use tactics and strategies that worked for that epidemic and expect them to work for this epidemic. You need to deal with the epidemic we have today and the realities of that today…

The New York City Health Department has this one ad that centers on HIV and the next minute you’ve got a brain fog and anal cancer and your bones are snapping. And all of those things can be side effects of the treatments. And I’m not saying they don’t happen. They do happen. I’ve said a lot about the side effects. But they aren’t happening to everybody. And to gay men they know this is a wild exaggeration. I compare it to the anti-drug campaign that sort of implies that if you smoke a joint and two weeks later you’re going to be starting heroin. People know better than that.

And we’re not focusing on getting people real practical information for them to integrate into their own risk reduction analysis, which is what I think most gay men and most people do before they have sex with someone they don’t know a lot about.

We need to give people the information so that they are doing that risk analysis. We need prevention campaigns that are fact based, that are non-judgmental, and that are supportive of gay male sexuality.

You know, Joe Sonnabend said early in the epidemic and I quoted him in the book, he said we’ll never defeat AIDS until we treat the anus as a sex organ with the same respect given to the vagina or the penis. And that remains true today.

 

Blade: You mentioned that Dr. Anthony Fauci appeared to be an impediment to the use of the drug Bactrim back in 1987 as a prophylaxis to prevent pneumocystis pneumonia for people with AIDS.

Strub: Absolutely.

 

Blade: Did he have what he might consider legitimate reasons for needing more time to promote this drug?

Strub: Well I don’t know what he would say. It was written about at the time. Michael Callen referred to it as one of the most egregious examples of federal indifference to the lives of gay men. At the time Michael met with him in 1987 and begged him to support publicizing and making this a recommendation because Bactrim… was around a long time and was very effective. It has been used in immune compromised patients before. There were even clinical trials done in transplant patients. So there was a fair amount of literature on its use by immune compromised patients to prevent PCP [pneumocystis carinii pneumonia].

So Callen went and met with Fauci and Fauci was doubtful. He wanted clinical trials done to prove it…So when the trial results were in that’s when the feds came out with the recommendation around Bactrim. And in that intervening period – I have the number in there — something like 12 or 14 or 16,000 people with AIDS died of pneumocystis, which is a horrible death. You probably know people who died of it. They suffocate to death.

And if they had been on this treatment the majority of them would not have died of pneumocystis. They may or may not have lived until combination therapy came up. Who knows? Some of them surely would have. You know I don’t get into personally bashing Fauci. But this is kind of an example indicative of the federal response then and to a certain extent today and how all sorts of bureaucracy and funding get in the way of what is effective and needed.

 

Blade: Going back to your years in Washington you name certain members of Congress as being gay. Do you ‘out’ some of these people or were they known publicly to be gay?

Strub: The people I talk about I knew before they were outed. I talked about [former Rep.] Gerry Studds [D-Mass.]. I talked about [former Rep.] Barney [Frank (D-Mass)]. I think I referenced [former Rep.] Peter Kostmayer [D-Penn.]. I talked about the Bob Bauman scandal [former Rep. Robert Bauman (R-Md.)]. I referenced [former Rep.] Stuart McKinney [(R-Conn.)]. I don’t think I’m outing any current or former member of Congress that isn’t already known to be gay.

 

Blade: You appear to be more than a little critical of the Clinton administration on the AIDS front.

Strub: I thought I went easy on him.

 

Blade: Richard Socarides, Clinton’s White House liaison to the LGBT community, may disagree with some of the things you say in the book about Clinton.

Strub: Well, Richard Socarides – there are a lot of people who will disagree with Richard Socarides’ version of that history. I tried not to take things personally because there is always another side. But the indifference and the opportunism and the manipulation of the issue for political purposes are something I and a lot of other people saw really clearly – really visibly. And there is no question about it. The needle exchange stuff. You know, that’s a sin right up there with Fauci on the Bactrim. That is something that was so immediate, so clear.

One of the biggest reasons that the heterosexual transmission in New York has declined so precipitously is because of needle exchange.

 

Blade:  Would the Clinton people argue that they didn’t have the political support in Congress and elsewhere to fund and promote needle exchange?

Strub: That’s always the argument – that’s always the argument. But you know that’s also a decision. The other way of saying it is they weren’t willing to expend the political capital to do that. And that becomes a little chicken and egg-ish, right? They could have done it. They could have gotten it done. There would have been some price they would have had to pay. Maybe it would have screwed up the rest of their legislative agenda. I don’t know. And I suppose they could have tried and ended up failing. But I think if the president had shown the leadership on it I think it would have happened because the science was so clear.

 

Blade: Didn’t at some point Congress enact into law a funding ban on needle exchange programs?

Strub: Sure. But that isn’t a reason for the Clinton administration not to have sought to change it. There are many different strategies. The problem was they decided to roll over on it. They were not going to go out on a limb on this issue and to bring about a change was not that important to them. You can say they had other priorities. Everyone in office only has so much political capital and they have to use it on what’s important to them. And we learned that this was not something that was important to them.

 

Blade: What can you say about the status of your marriage to a woman friend Doris O’Donnell that you tell about in the book? You said the marriage, among other things, would have allowed her to obtain your disability benefits and pass them on to your life partner Xavier Morales in the event of your death. Are you still married to her?

Strub: No. We got married. And then when my health came back and she had qualified for Medicare and Social Security we then got divorced because for tax reasons it made sense. She subsequently has died.

Blade: I’m sorry to hear that.

 

Strub: She was quite elderly. She used to joke that when we got married the only good reason to get married was for money. Her parents were both journalists. Her father was the Washington bureau chief for the Daily News for decades – John O’Donnell. And her mother was Doris Fleeson, who was the first female political columnist who was syndicated and was very close friends with Eleanor Roosevelt. I think her columns started in the 1940s and went right up into the 1960s. She was in a hundred and some papers. Mary McGrory was her protégé. So that’s just an aside but she grew up in that Washington media political world.

 

Blade: You mention in the book that your partner Xavier was not all that pleased about your decision to get married to a woman. Is he still part of your life now?

Strub: He’s roasting a chicken in the other room. After my health came back – there was a real stress on my relationship as this is for a lot of people. For most of the time we were together – it was usually unspoken – but the assumption was I was going to die and he would go on with his life. And he had moved in with me and then I got sick. And after my health got better there were stresses on the relationship and we broke up for a while and a number of years ago we got back together. We’re now [together] 22 years believe it or not.

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Books

‘The Director’ highlights film director who collaborated with Hitler

But new book omits gay characters, themes from Weimar era

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(Book cover image courtesy Amazon)

‘The Director’
By Daniel Kehlmann
Summit Books, 2025

Garbo to Goebbels, Daniel Kehlmann’s historical novel “The Director” is the story of Austrian film director G.W. Pabst (1885-1967) and his descent down a crooked staircase of ambition into collaboration with Adolph Hitler’s film industry and its Minister of Propaganda Joseph Goebbels. Kehlmann’s historical fiction is rooted in the world of Weimar German filmmaking and Nazi “Aryan” cinema, but it is a searing story for our challenging time as well.

Pabst was a legendary silent film director from the Weimar Republic’s Golden Era of filmmaking. He “discovered” Greta Garbo; directed silent screen star Louise Brooks; worked with Hitler’s favored director Leni Riefenstahl (“Triumph of the Will”); was a close friend of Fritz Lang (“Metropolis”); and lived in Hollywood among the refugee German film community, poolside with Billy Wilder (“Some Like it Hot”) and Fred Zinnemann (“High Noon”) — both of whose families perished in the Holocaust. 

Yet, Pabst left the safety of a life and career in Los Angeles and returned to Nazi Germany in pursuit of his former glory. He felt the studios were giving him terrible scripts and not permitting him to cast his films as he wished. Then he received a signal that he would be welcome in Nazi Germany. He was not Jewish.

Kehlmann, whose father at age 17 was sent to a concentration camp and survived, takes the reader inside each station of Pabst’s passage from Hollywood frustration to moral ruin, making the incremental compromises that collectively land him in the hellish Berlin office of Joseph Goebbels. In an unforgettably phantasmagoric scene, Goebbels triples the stakes with the aging filmmaker, “Consider what I can offer you….a concentration camp. At any time. No problem,” he says. “Or what else…anything you want. Any budget, any actor. Any film you want to make.” Startled, paralyzed and seduced by the horror of such an offer, Pabst accepts not with a signature but a salute: “Heil Hitler,” rises Pabst.  He’s in.

The novel develops the disgusting world of compromise and collaboration when Pabst is called in to co-direct a schlock feature with Hitler’s cinematic soulmate Riefenstahl. Riefenstahl, the “Directress” is making a film based on the Fuhrer’s favorite opera. She is beautiful, electric and beyond weird playing a Spanish dancer who mesmerizes the rustic Austrian locals with her exotic moves. The problem is scores of extras will be needed to surround and desire Fraulein Riefenstahl. Mysteriously, the “extras” arrive surprising Pabst who wonders where she had gotten so many young men when almost everyone was on the front fighting the war. The extras were trucked in from Salzburg, he is told, “Maxglan to be precise.” He pretends not to hear.  Maxglan was a forced labor camp for “racially inferior” Sinti and Roma gypsies, who will later be deported from Austria and exterminated. Pabst does not ask questions. All he wants is their faces, tight black and white shots of their manly, authentic, and hungry features. “You see everything you don’t have,” he exhorts the doomed prisoners to emote for his camera. Great art, he believes, is worth the temporal compromises and enticements that Kehlmann artfully dangles in the director’s face.  And it gets worse.

One collaborates in this world with cynicism born of helpless futility. In Hollywood, Pabst was desperate to develop his own pictures and lure the star who could bless his script, one of the thousands that come their way.  Such was Greta Garbo, “the most beautiful woman in the world” she was called after being filmed by Pabst in the 1920s. He shot her close-ups in slow motion to make her look even more gorgeous and ethereal. Garbo loved Pabst and owed him much, but Kehlmann writes, “Excessive beauty was hard to bear, it burned something in the people around it, it was like a curse.” 

Garbo imagined what it would be like to be “a God or archangel and constantly feel the prayers rising from the depths. There were so many, there was nothing to do but ignore them all.”  Fred Zinnemann, later to direct “High Noon”, explains to his poolside guest, “Life here (in Hollywood) is very good if you learn the game.  We escaped hell, we ought to be rejoicing all day long, but instead we feel sorry for ourselves because we have to make westerns even though we are allergic to horses.”

The texture of history in the novel is rich. So, it was disappointing and puzzling there was not an original gay character, a “degenerate” according to Nazi propaganda, portrayed in Pabst’s theater or filmmaking circles. From Hollywood to Berlin to Vienna, it would have been easy to bring a sexual minority to life on the set. Sexual minorities and gender ambiguity were widely presented in Weimar films. Indeed, in one of Pabst’s films “Pandora’s Box” starring Louise Brooks there was a lesbian subplot. In 1933, when thousands of books written by, and about homosexuals, were looted and thrown onto a Berlin bonfire, Goebbels proclaimed, “No to decadence and moral corruption!” The Pabst era has been de-gayed in “The Director.”

“He had to make films,” Kehlmann cuts to the chase with G.W. Pabst. “There was nothing else he wanted, nothing more important.” Pabst’s long road of compromise, collaboration and moral ruin was traveled in small steps. In a recent interview Kehlmann says the lesson is to “not compromise early when you still have the opportunity to say ‘no.’” Pabst, the director, believed his art would save him. This novel does that in a dark way.

(Charles Francis is President of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)

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‘The Vampire Chronicles’ inspire LGBTQ people around the world

AMC’s ‘Interview with the Vampire’ has brought feelings back to live

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Sam Reid and Jacob Anderson star in AMC's 'Interview with the Vampire.' (Photo courtesy of FX)

Four kids pedaled furiously, their bicycles wobbling over cracked pavement and uneven curbs. Laughter and shouted arguments about which mystical creature could beat which echoed down the quiet street. They carried backpacks stuffed with well-worn paperbacks — comic books and fantasy novels — each child lost in a private world of monsters, magic, and secret codes. The air hummed with the kind of adventure that exists only at the edge of imagination, shaped by an imaginary world created in another part of the planet.

This is not a description of “Stranger Things,” nor of an American suburb in the 1980s. This is a small Russian village in the early 2000s — a place without paved roads, where most houses had no running water or central heating — where I spent every summer of my childhood. Those kids were my friends, and the world we were obsessed with was “The Vampire Chronicles” by Anne Rice.

We didn’t yet know that one of us would soon come out as openly bi, or that another — me — would become an LGBTQ activist. We were reading our first queer story in Anne Rice’s books. My first queer story. It felt wrong. And it felt extremely right. I haven’t accepted that I’m queer yet, but the easiness queerness was discussed in books helped.

Now, with AMC’s “Interview with the Vampire,” starring Jacob Anderson as Louis de Pointe du Lac — a visibly human, openly queer, aching vampire — and Sam Reid as Lestat de Lioncourt, something old has stirred back to life. Louis remains haunted by what he is and what he has done. Lestat, meanwhile, is neither hero nor villain. He desires without apology, and survives without shame.

I remember my bi friend — who was struggling with a difficult family — identifying with Lestat. Long before she came out, I already saw her queerness reflected there. “The Vampire Chronicles” allowed both of us to come out, at least to each other, with surprising ease despite the queerphobic environment.

While watching — and rewatching — the series over this winter holiday, I kept thinking about what this story has meant, and still means, for queer youth and queer people worldwide. Once again, this is not just about “the West.” I read comments from queer Ukrainian teenagers living under bombardment, finding joy in the show. I saw Russian fans furious at the absurdly censored translation by Amediateca, which rendered “boyfriend” as “friend” or even “pal,” turning the central relationship between two queer vampires into near-comic nonsense. Mentions of Putin were also erased from the modern adaptation — part of a broader Russian effort to eliminate queer visibility and political critique altogether.

And yet, fans persist to know the real story. Even those outside the LGBTQ community search for uncensored translations or watch with subtitles. A new generation of Eastern European queers is finding itself through this series.

It made me reflect on the role of mass culture — especially American mass culture — globally. I use Ukraine and Russia as examples because I’m from Ukraine, spent much of my childhood and adolescence in Russia, and speak both languages. But the impact is clearly broader. The evolution of mass culture changes the world, and in the context of queer history, “Interview with the Vampire” is one of the brightest examples — precisely because of its international reach and because it was never marketed as “gay literature,” but as gothic horror for a general audience.

With AMC now producing a third season, “The Vampire Lestat,” I’ve seen renewed speculation about Lestat’s queerness and debates about how explicitly the show portrays same-sex relationships. In the books, vampires cannot have sex in a “traditional” way, but that never stopped Anne Rice from depicting deeply homoromantic relationships, charged with unmistakable homoerotic tension. This is, after all, a story about two men who “adopt” a child and form a de facto queer family. And this is just the first book — in later novels we see a lot of openly queer couples and relationships.

The first novel, “Interview with the Vampire” was published in 1976, so the absence of explicit gay sex scenes is unsurprising. Later, Anne Rice — who identified as queer —  described herself as lacking a sense of gender, seeing herself as a gay man and viewing the world in a “bisexual way.” She openly confirmed that all her vampires are bisexual: a benefit of the Dark Gift, where gender becomes irrelevant. 

This is why her work resonates so powerfully with queer readers worldwide, and why so many recognize themselves in her vampires. For many young people I know from Eastern Europe, “Interview with the Vampire” was the first book in which they ever encountered a same-sex relationship.

But the true power of this universe lies in the fact that it was not created only for queer audiences. I know conservative Muslims with deeply traditional views who loved “The Vampire Chronicles” as teenagers. I know straight Western couples who did too. Even people who initially found same-sex relationships unsettling often became more tolerant after reading the books, watching the movie or the show. It is harder to hate someone who reminds you of a beloved character.

That is the strength of the story: it was never framed as explicitly queer or purely romantic, gothic and geeky audiences love it. “The Vampire Chronicles” are not a cure for queerphobia, but they are a powerful tool for making queerness more accessible. Popular culture offers a window into queer lives — and the broader that window, the more powerful it becomes.

Other examples include Will from “Stranger Things,” Ellie and Dina from “The Last of Us” (both the game and the series), or even the less mainstream but influential sci-fi show “Severance.” These stories allow audiences around the world to see queer people beyond stereotypes. That is the power of representation — not just for queer people themselves, but for society as a whole. It makes queer people look like real people, even when they are controversial blood-drinkers with fangs, or two girls surviving a fungal apocalypse.

Mass culture is a universal language, spoken worldwide. And that is precisely why censorship so often tries — and fails — to silence it.

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Feminist fiction fans will love ‘Bog Queen’

A wonderful tale of druids, warriors, scheming kings, and a scientist

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(Book cover image courtesy of Bloomsbury)

‘Bog Queen’
By Anna North
c.2025, Bloomsbury
$28.99/288 pages

Consider: lost and found.

The first one is miserable – whatever you need or want is gone, maybe for good. The second one can be joyful, a celebration of great relief and a reminder to look in the same spot next time you need that which you first lost. Loss hurts. But as in the new novel, “Bog Queen” by Anna North, discovery isn’t always without pain.

He’d always stuck to the story.

In 1961, or so he claimed, Isabel Navarro argued with her husband, as they had many times. At one point, she stalked out. Done. Gone, but there was always doubt – and now it seemed he’d been lying for decades: when peat cutters discovered the body of a young woman near his home in northwest England, Navarro finally admitted that he’d killed Isabel and dumped her corpse into a bog.

Officials prepared to charge him.

But again, that doubt. The body, as forensic anthropologist Agnes Lundstrom discovered rather quickly, was not that of Isabel. This bog woman had nearly healed wounds and her head showed old skull fractures. Her skin glowed yellow from decaying moss that her body had steeped in. No, the corpse in the bog was not from a half-century ago.

She was roughly 2,000 years old.

But who was the woman from the bog? Knowing more about her would’ve been a nice distraction for Agnes; she’d left America to move to England, left her father and a man she might have loved once, with the hope that her life could be different. She disliked solitude but she felt awkward around people, including the environmental activists, politicians, and others surrounding the discovery of the Iron Age corpse.

Was the woman beloved? Agnes could tell that she’d obviously been well cared-for, and relatively healthy despite the injuries she’d sustained. If there were any artifacts left in the bog, Agnes would have the answers she wanted. If only Isabel’s family, the activists, and authorities could come together and grant her more time.

Fortunately, that’s what you get inside “Bog Queen”: time, spanning from the Iron Age and the story of a young, inexperienced druid who’s hoping to forge ties with a southern kingdom; to 2018, the year in which the modern portion of this book is set.

Yes, you get both.

Yes, you’ll devour them.

Taking parts of a true story, author Anna North spins a wonderful tale of druids, vengeful warriors, scheming kings, and a scientist who’s as much of a genius as she is a nerd. The tale of the two women swings back and forth between chapters and eras, mixed with female strength and twenty-first century concerns. Even better, these perfectly mixed parts are occasionally joined by a third entity that adds a delicious note of darkness, as if whatever happens can be erased in a moment.

Nah, don’t even think about resisting.

If you’re a fan of feminist fiction, science, or novels featuring kings, druids, and Celtic history, don’t wait. “Bog Queen” is your book. Look. You’ll be glad you found it.

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