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Celebrating silver in style

Gay-owned furniture company Mitchell Gold + Bob Williams marks milestone

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Mitchell Gold, Bob Williams, furniture, design, home, gay news, Washington Blade
Mitchell Gold, Bob Williams, furniture, design, home, gay news, Washington Blade

Mitchell Gold (left) and business partner Bob Williams at their Washington store for an event in 2013. (Washington Blade file photo by

Mitchell Gold + Bob Williams

25th anniversary event

A benefit for Sitar Arts Center

Wednesday

6-9 p.m.

Mitchell Gold + Bob Williams Washington location

1526 14th St., N.W.

mgbwhome.com

RSVP requested

[email protected]

202-332-3433

Mitchell Gold and Bob Williams, co-owners of the eponymous furniture company, didn’t originally intend for their company to be as big as it is today.

Gold says they were originally thinking of a modest business model in which they’d work four days a week, have a small stable of customers and do about $5 million a year in sales.

“We didn’t have to make that much money,” Gold says. “It was just the two of us living down South, it’s much less expensive to live here, and we thought we would just have this nice little company. … But as Bob often tells people, ‘It’s not that Mitchell lied — it’s just that he can’t count.’”

Started in 1989 with about $60,000, things took off rather quickly. They sold about 800 dining tables and 5,000 chairs before they started making any of the pieces. Gold, who’d been fired from the furniture company he’d worked for, had connections with major retailers like J.C. Penney, Crate & Barrel and others, which he visited armed with sketches and fabrics Williams had made. They were profitable the first year they were in business.

“We had fabrics that were different and unusual for the time,” Gold says. “So we were able to show retailers, ‘This is how this will look in your store.’ And they bought it right away. People have said I’m not a bad salesman, so I was able to close the sales and get the production going quickly.”

The two, who’d been together as domestic partners about two years before, had moved to Hickory, N.C., from New York and were interested in going into business together.

“We just thought we could do it better than traditional manufacturers,” Gold says. “We thought we could make a better commitment to customers, ship it more quickly and with Bob’s sense of style, you know, I certainly felt we could offer people a more stylish look for a better price.”

Williams worked for a small ad agency and gradually cut back his time there as he spent more and more with the company, then known as the Mitchell Gold Company (it was changed to its present name in 2002).

Now they’re celebrating 25 years and have more than 700 employees, a stable of celebrity clients, 17 stores and plans to open four more by year’s end and a 600,000-square-foot factory and home base in Taylorsville, N.C.

Several spoke at a company event two weeks ago where 11 of their original 21 employees who are still with the company were recognized. It appears, from a transcript of comments, that morale there is strong.

Ken Hipp, the company’s senior vice president of retail stores and merchandising, has been with them for seven years and calls Gold and Williams “wonderful mentors.”

“It’s been quite a ride,” says Hipp, who’s also gay. “I can’t imagine my career or my life without them.”

Known for a style they call “quintessentially American,” their products are designed to be stylish, yet comfortable. Interior designer Brian Patrick Flynn of TBS’s “Movie & a Makeover” show has called their products “custom-looking pieces at medium-to-high price-points” and says it’s a “genius brand” he and his clients “can’t get enough of.”

On Wednesday, the two will be in town for an event at their D.C. store at 1526 14th St., N.W., an anniversary event that will benefit the Sitar Arts Center. It’s one of a series of events they’re having at their various locations throughout the year.

In a country where just 25 percent of new employer firms are still in business 15 years or more after starting according to the Small Business Administration, theirs is a nearly unfettered success story.

It hasn’t all been easy going, though. Williams remembers many long hours in the early years, though he also says those were some of the most “exhilarating times of my life.”

They recall years of working what felt like round-the-clock schedules and didn’t take a vacation until two years into it, but were gratified by strong out-of-the-gate sales.

“Customers liked what we were doing immediately,” Williams says. “We never had to go call on people. The more they heard about us, the more we had people wanting to buy from us.”

They broke up on the personal side about 12 years into the business, though they’re wholly comfortable working together and are each married and have been with other men for years — Gold has been with Tim Gold for seven years; Williams has been with Stephen Heavner for 11 years.

Might their relationship have lasted if it weren’t for the company? It’s a thorny question they don’t wish to dwell on.

“We don’t give much thought to it,” Williams says.

“It takes a lot of time and energy to go back and visit the past,” Gold says. “We’re more focused on the future.”

They acknowledge there were “a few little awkward moments, but not too much,” as Gold says. Keeping the company strong was chief among their priorities as always, they say.

The only time they had any significant downsizing was in 2008. Gold says it was a hard, but at the time necessary, decision in the face of a huge recession.

The company prides itself on the health care package it offers, on-site day care and cafeteria and unabashed LGBT advocacy work.

They say providing such amenities pays off in the long run.

“I think what we have proven is that you can be profitable and do the right thing,” he says. “When you have people who aren’t sick, they’re being more productive and that makes things more profitable. With our day care, if little junior has a problem, somebody goes and takes care of it and is back in 15 or 20 minutes, not the three hours it would take to go across town.”

They guess about 15 percent of their employees are also LGBT and estimate between 15-20 percent of their clientele is as well. Gold says it’s “certainly higher than other furniture retailers.”

Gold, who wrote a book called “Crisis: 40 Stories Revealing the Personal, Social and Religious Pain and Trauma of Growing up Gay in America” in 2008, says being open about such things is a central component to the company.

He relishes telling of a celebration dinner they had with loan officers after paying back a $25 million loan they’d used to expand. Several of the bank execs told him how reading “Crisis” had given them new compassion for LGBT issues, from one man who stepped up his giving at a homeless shelter to another whose wife came out.

“One by one, they went around the table and told us how much our advocacy work had meant to them,” Gold says.

Coming from a staid banking environment, Hipp says finding a place he could be out on the job was a revelation.

“I thought I loved banking but I realized banking did not love me,” he says. “I was very uncomfortable and very conflicted over my future and I was met with some very harsh realities. I could not believe that someone of my age, I was in my early 20s at the time, could actually go to work someplace where it was OK for me to be who I was. I didn’t have to tuck any part of myself under my sleeve. I could actually say that I was gay and it didn’t matter. … I was just a kid from the south and I thought that was the best it would get.”

Some of the 25th anniversary events will benefit LGBT and AIDS causes. Gold next plans an open letter to the Pope urging him to change Vatican teaching that homosexuality is sinful behavior.

“When you get down to it, that’s really the seminal reason why people think gay people should not have equality,” Gold says. “The whole issue of sin is really the crux of why people are against it.”

But has there been backlash or lost sales along the way?

“Our business just keeps going at such a pace that’s ahead of the industry with sales and growth and things like that,” he says. “You know, we can’t worry about the one or two people who aren’t going to buy from us because we’re gay and outspoken.”

 

Mitchell Gold and Bob Williams on:

 

Mitchell Gold, Bob Williams, furniture, design, home, gay news, Washington Blade

Bob Williams (left) and Mitchell Gold in the early years of their business. (Photo courtesy of Mitchell Gold + Bob Williams)

• Their all-time favorite products:

GOLD: Leather club chairs they designed after spotting vintage pieces at a Paris flea market.

“If something sells that well and looks pretty, I sure do like it,” he says.

WILLIAMS: “Our slipcovers are great because they’re just so versatile — you can dress them up or down, change the style and they just give off this great ambience of relaxed, casual comfort.”

 

• How practical the whites and neutrals they use so often are for everyday

GOLD: “Today’s fabrics are a lot different from what you saw 20-30 years ago. They’re much friendlier to live with and stain resistant.” And if you spill red wine? “In a lot of the fabrics, yes, it will come out. But you have to get it quickly, not let it sit there a day.”

 

• Nate Berkus

GOLD: “We love Nate Berkus.”

WILLIAMS: “He has great hair.”

GOLD: “Yes, he has great hair, he’s cute and adorable and we’re fairly friendly with him. I like his work a lot.”

WILLIAMS: “His last book was great.”

 

• Thom Filicia (of “Queer Eye” fame)

GOLD: “Sweet guy and talented. We were at a design kind of home in South Hampton and his room was really a standout.”

 

• 2013 sales?

GOLD: “Over $100 million.”

 

• Lulu, the company mascot

GOLD: “She’s resting in peace. She was 12 and a half and she will be the mascot in perpetuity. The thing about bulldogs is once they decide on something, that’s it. They figure out a way to get it. She came to work with us everyday and loved walking around and saying hi to everyone.”

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Arts & Entertainment

Sci-fi has long been at vanguard of LGBTQ representation

Story lines now criticized as ‘woke’ is weird

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Ncuti Gatwa as the Doctor and Jonathan Groff as Rogue lock lips in the long-running sci-fi show, 'Doctor Who.' (Screen capture via Doctor Who/YouTube)

Since I was a teenager, I have liked sci-fi because of the depth with which it explores social issues. At the time, I didn’t know that I was autistic and queer, so I couldn’t see myself in other autistic and queer people. Instead, I saw myself in androids, mutants, telepaths, and sometimes aliens who were portrayed as minorities persecuted by the human majority. It was a universal language for talking about alienation, systemic discrimination, conversion therapy, segregation, and internalized self-hatred.

Now, when so many sci-fi stories are being criticized online as “woke,” it seems weird for me. This is especially true when we are talking about franchises, such as the British TV series “Doctor Who” and American franchise “Star Trek,” both of which have always been remarkably progressive by the standards of their own time. 

Let’s take a closer look at “Doctor Who.”

In June 2026, the BBC cancelled the planned Christmas special, saying that viewers would have to wait longer for the next season after internal studio issues, and now the BBC is looking for new production partners. “Doctor Who” is the longest-running science fiction television series in the world, originally airing from 1963 to 1989 before returning in 2005. The future of the franchise is currently unclear, and many people online immediately began blaming “wokeness” for what had happened to their favorite show.

After all, the Doctor, an alien Time Lord who can regenerate and literally change faces, had traditionally been played by white men. But the last, Fifteenth Doctor was played by Ncuti Gatwa, a Black Scottish-Rwandan actor who has publicly identified as queer (and the doctor himself was first presented as queer character after a queer romantic episode where he kissed a man), while the Thirteenth Doctor was played for three seasons by Jodie Whittaker, the first woman to portray the Doctor. In 2023, the series also introduced Rose Noble, a trans feminine nonbinary teenager and supportive character played by transgender English actress Yasmin Finney.

But despite popular stereotypes online, “Doctor Who” did not suddenly “go woke.” The program has existed in two main eras: the classic series, which aired from 1963 to1989, and the modern revival, which has been broadcast on BBC One since 2005.

Even in the 1960s, one of the program’s earliest stories, “The Daleks” (1963–64), presented an obvious allegory for fascism, racial purity, bigotry and the horrors of war. Throughout the classic era, the Doctor frequently opposed militarism, authoritarian governments, and dictatorships. Many fans have also pointed to moments of queer coding and subtext throughout the classic series.

However, openly queer characters appeared as soon as the modern revival began. 

The 2005 revival introduced Captain Jack Harkness, played by John Barrowman, one of the first openly queer recurring characters in the “Doctor Who” universe. He openly flirted with people regardless of their gender and later became the lead character of the spin-off series “Torchwood.” “Torchwood” went even further with LGBTQ representation, featuring multiple queer characters, including trans and nonbinary characters whose identities were treated as a normal part of the story.

“Doctor Who” has always been remarkably progressive for its time. The franchise doesn’t suddenly change its values, it’s always been “woke.”

The same happened with the American franchise “Star Trek.” 

It is widely known as one of the most openly left-wing and progressive television franchises ever broadcast. The original series, which aired from 1966-1969, was created during the Cold War and featured the utopian United Federation of Planets, a society without poverty or money that can be characterised as socialist or even communist. It also featured Lt. Uhura, played by Nichelle Nichols, a Black woman serving as a highly respected bridge officer at a time when Black women weren’t portrayed in positions of authority on American television. The series also included one of the first interracial kisses in modern American television, between Capt. James T. Kirk (William Shatner) and Uhura in the 1968 episode “Plato’s Stepchildren,” a moment that had a significant cultural impact.

Gene Roddenberry, the creator of the franchise, said that he had wanted to include openly queer characters as well, but believed it would have been impossible to keep the show on the air because it had already pushed social boundaries in so many other ways.

Today, many viewers — including Elon Musk — claim that “Star Trek” has only recently become “woke.” In reality, I think it actually became less radical than the original series. Even queer characters are not a recent addition to the franchise. One of the earliest major queer characters appeared in “Star Trek: Deep Space Nine” (1993–1999): the Trill officer Jadzia Dax, played by Terry Farrell. In the 1995 episode “Rejoined,” she shared one of the first same-sex kisses in the history of the franchise.

However, for some reason, it was the openly gay couple Paul Stamets (Anthony Rapp) and Hugh Culber (Wilson Cruz) inStar Trek: Discovery” (2017–2024), together with the trans Trill character Gray Tal, played by trans actor Ian Alexander, that triggered a major backlash among conservative parts of the fandom. That backlash reached another peak with “Star Trek: Starfleet Academy,” which features the canonically gay Klingon cadet Jay-Den Kraag. The actor has spoken about receiving abuse and threats because of the role, despite the fact that there was nothing especially ideological about his character. He was simply a gay character whose sexuality was only one aspect of who he was. In fact, considering the ideals of the original “Star Trek,” I was more surprised that the franchise still includes relatively few trans or polyamorous characters, and that they are not part of the lead cast. After all, the franchise was created to imagine a future that was ahead of its time.

So why do conservatives and anti-LGBTQ people continue to watch franchises that have always been deliberately progressive? And why do they keep claiming that these shows have only recently “gone woke”?

A more logical explanation is that parts of the audience have become less willing to accept the same kinds of progressive ideas that these franchises have embraced for decades. In other words, it is not the shows that fundamentally changed. Some long-time viewers have become more conservative than they were in their youth, while newer conservative audiences have joined them and begun criticizing franchises without knowing their real history. 

In many ways, geeks have changed more than these shows have. Sci-fi hasn’t “gone woke.” Some of its fans have simply become less comfortable with the same progressive values these franchises have promoted for decades.

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PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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