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‘Rough and tumble show biz epic’

Rufus Wainwright on his new ‘best of’ release, tour and inspirations

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Rufus Wainwright, gay news, music, Washington Blade
Rufus Wainwright, gay news, music, Washington Blade

Rufus Wainwright (Photo by Sean James; courtesy Slate PR)

‘The Best of Rufus Wainwright’

With Lucy Wainwright Roche

Lincoln Theatre

1215 U St. N.W.

Wednesday at 7 p.m.

$45

rufuswainwright.com

ticketfly.com

Rufus Wainwright took a few minutes during a tour stop in Warsaw a few weeks ago to talk to us by phone about his show next week in Washington.

Touring behind two projects that were released last month — hits package “Vibrate” and the Blu-ray video “Rufus Wainwright: Live From the Artists Den” — Wainwright, 40, says he’s at a logical career mid-point that inspired revisiting his catalogue.

WASHINGTON BLADE: Are the audiences significantly different in Europe versus the U.S.?

RUFUS WAINWRIGHT: It really varies. I did shows in Latvia and Lithuania recently and you could have been talking about the East Coast and then the West Coast in terms of differences and it’s fascinating how it’s real peaks and valleys on this continent. It’s a little daunting. Occasionally you get some kind of icy folks, but mostly they’re very happy I’m here.

 

BLADE: The Artists Den show was recorded in May 2012 but just released last month for purchase. Did you always plan it as a home video release?

WAINWRIGHT: I just thought it would be a TV special and then we did a good job on it, so it made sense to keep the ball rolling. I’ve always concentrated really hard on my live performance and making sure that the pinnacle of my career is really what you see on stage in front of you when you’re in the room. I put a lot of faith in my live work, so it’s good to release it.

 

BLADE: So this is an entirely different show from the Artists Den show?

WAINWRIGHT: Oh yes, very different. Now I’m mostly promoting the “Vibrate” CD, the best-of CD, so I’m just doing a lot of songs from the expanse of my career and even a couple of new ones to whet people’s appetite. But it’s a much more intimate show, just one on one. Or hopefully one on a thousand, at least. But yeah, you’re hitting the core of the matter when you come see this new show in the spring.

 

BLADE: It’s a solo show? No band?

WAINWRIGHT? Just me and either piano or guitar.

 

BLADE: You have a strong body of work built over many years. What’s your philosophy of set list construction? To what degree is it informed by what you’re promoting at any given time?

WAINWRIGHT: Well there’s a few projects now so it’s definitely dictated to some degree by what I’m trying to sell. There’s lots of good stuff to talk about. For instance, I’m raising money now to record my opera “Prima Donna” (pledgemusic.com/projects/primadonna) which will be my next album, but I also sing some of my mother’s material (the late Kate McGarrigle) to promote some of her work, because I feel she was a great genius. And there’s also just the fun of making music.

 

BLADE: About how long do you play on average?

WAINWRIGHT: About 90 minutes.

 

Rufus Wainwright, gay news, music, Washington Blade

Rufus Wainwright (Photo by Sean James; courtesy Slate PR)

BLADE: In addition to the aforementioned projects, you also had a lavish box set out a couple years ago. Are you curating your body of work in a sense?

WAINWRIGHT: Well, I have a lot of it and I hit 40 so I have 40 years left to fill up in terms of my career so yeah, I’ve definitely spent the last five years going over what’s happened and putting it in its rightful place. I’ve also been writing another opera, “Hadrian,” and now I’m working a lot on some films for Hollywood and putting together some other tracks for another pop record but we’re definitely at the middle point right now. The best is yet to come.

 

BLADE: It’s obvious, though, that you put some care and thought into these things. Fans can always tell when they’re just slapped together by the label. Yours clearly were not.

WAINWRIGHT: Well, I have a lot of supportive and very intellectual people who helped me do that along the way. Neil Tennant of the Pet Shop Boys was influential and instrumental I should say in putting together the list of songs for “Vibrate.” And, you know, I had such a great band for the Artists Den recording. You know, you’ve got to have good people around you.

 

BLADE: What was it like singing with Joni Mitchell at her birthday tribute last year?

WAINWRIGHT: Oh, that was wild. Really amazing. I can’t say that I was the biggest Joni Mitchell fan growing up. Not so much because I didn’t like her music but my mother was very jealous of Joni Mitchell. My mother was a very well known Canadian songwriter as well, so we weren’t allowed to listen to much Joni Mitchell in the house. So I wasn’t really that familiar. So it was really an amazing education and kind of a baptism by fire and the last lesson was singing with her on stage. It was a lot of fun.

 

BLADE: Did you get to interact much with her aside from what we saw on stage?

WAINWRIGHT: Oh yeah, a lot. We hung out a lot. I went to her house a few times because my husband (Jorn Weisbrodt) runs the festival, we had to really work with her on everything so we spent a lot of time together, Joni and I. It was a great honor.

 

BLADE: In interviews, she’s never been one to mince words. Is that how she is when the camera’s not rolling too?

WAINWRIGHT: Oh yeah, there’s no filter there whatsoever. You know, she’s lived in her own universe for so many years, there’s no way to really encapsulate and explain what she is. She’s kind of transcended what it is to be real.

 

BLADE: With the operas, which came first — the concepts or the commissions?

WAINWRIGHT: Well, I’ve always wanted to write operas, that desire was always there, but you really cannot write an opera in a vacuum. You need a commission to really hold on to because it’s such a laborious and intense process so yes, thankfully, I did receive one commission and now I’ve received another so I’m continuing that journey. But yeah, you can’t really write an opera on the side. It doesn’t work that way.

 

BLADE: Your vocals manage to be both full voiced and big, yet also have a world weariness to them. How do you do that?

WAINWRIGHT: I think part of it is due to my love of opera. They have to project in these huge halls so I try to kind of emulate that. But growing up, even before I became a big opera fan, my other influences were people like Judy Garland and Al Jolson, these, you know, much older kind of vaudevillian performers who, again, had to project. I think that kind of thing always attracted me more than, I don’t know, some kind of high quality recording. I was more into the kind of rough-and-tumble show biz epic. My voice is a very unusual and mystifying monster to me. I mean, I love my voice and I’m indebted to it eternally, but on the other hand, it puts me through hell sometimes trying to figure out what it is, where it’s going to go and what it needs. It has a life of its own. I’m just dragged around.

 

BLADE: You’ve said your last studio album (2012’s “Out of the Game”) with (producer) Mark Ronson was the most pop album you’d ever made. Do you think about pop and commercial appeal when you’re writing?

WAINWRIGHT: When I talk to my accountant I do (laughs).

 

BLADE: But do you with the muses as well?

WAINWRIGHT: A little bit. I know a lot of people who are very successful in the industry in terms of pop music. You know, Elton John or Neil Tennant. People who’ve had real hits. Norah Jones. So it’s around me and I see it happen and I wonder, you know, why not me? It’s always important to have a dangling carrot in front of you in the arts. You always have something you haven’t quite attained yet, so I’m thankful for this as an impetus.

 

BLADE: Is your stuff too smart perhaps for the masses?

WAINWRIGHT: I think that might be an issue. When I sing, it tends to grab your attention fully. I’m not very good background music. It seems like most pop music today is made to be played in restaurants really.

 

Rufus Wainwright, gay news, music, Washington Blade

Rufus Wainwright (Photo by Sean James; courtesy Slate PR)

BLADE: How gay is your fan base would you say?

WAINWRIGHT: Well, that’s an interesting question. I’ve never felt supported by my own kind. I think there are a lot of great gay music fans out there and definitely a strong nugget of wonderful queers who get it, but I’d say like the majority kind of mainstream gay sensibility really kind of runs countercurrent to what I’ve been trying to put forth. I’ve never felt that embraced by gay culture, especially by gay men. But that’s also part of my aesthetic. If I felt accepted by them, I’d be far too happy. (laughs)

 

BLADE: Do Jorn and (3-year-old daughter) Viva travel with you?

WAINWRIGHT: Jorn sometimes but he’s busy with his festival. We kind of run into each other along the way. My daughter lives with her mother (Leonard Cohen’s daugher, Lorca) in Los Angeles so I see her once a month or so.

 

BLADE: Did you see the Judy tribute at the Oscars?

WAINWRIGHT: No, I didn’t. What was it? Was Liza in it?

 

BLADE: Well she and Lorna and Joey were there but it was clips from “Wizard of Oz” and Idina Menzel sang. Do you know Liza well?

WAINWRIGHT: Well, I know Lorna a lot better. I don’t think anybody really knows Liza that well.

 

BLADE: You do so much work aside from the traditional writing/recording/touring cycle of a typical recording artist. Do you think you would have been doing as many other things had you been doing all this, say, a generation before?

WAINWRIGHT: I think if all of this had been happening even 15 years earlier, it would have been a whole other story. Financially, well, you know, there was just more of a kind of market and structure in the record business to support developing artists. I don’t think the deals were particularly good, but you were nonetheless kind of strung along more and there were more platforms to really express yourself whether it was TV or the radio. There was more to do. But I’m happy. I don’t know — I probably would have branched out anyway, now that I think about it. I tend to be pretty slippery.

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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