Arts & Entertainment
Local gay coaches find support from students, parents
‘Building trust holds the relationship together’
Brendan Roddy began coaching swimming at age 14 and currently coaches at an area high school. (Washington Blade photo by Kevin Majoros)
With the LGBT sports movement receiving more national media attention over the past several years, there have been multiple headlines about coaches coming out as gay to their teams. Some of the names that have made the news are high school basketball coach Anthony Nicodemo in Philadelphia and high school track coach Micah Porter of Denver.
In the D.C. metro area, there are a number of LGBT coaches who have been instructing straight athletes for years, even decades. When asked what the obstacles have been for them, the answers offer some surprises.
The relationship between a coach and an athlete is a special one and often the coach becomes a surrogate parent to the athlete and a good friend to the athlete’s family. The announcements of the above mentioned coaches certainly prompted many to wonder if the relationship between a coach and an athlete is different if a gay coach is instructing a group of straight athletes.
Brendan Roddy began swimming competitively at age 11 and continued to do so through college at Salisbury State University. As a 14-year-old he became a junior swim coach for Rockville Montgomery Swim Club and then coached at Salisbury State University during grad school.
After returning to the area as a teacher at Churchill High School, Roddy realized he missed coaching and became the swimming and diving coach at the high school.
“Parents that are ‘with it’ caught on quickly that I was gay,” says Roddy. “The others figured it out eventually. The kids would generally test the waters with pronouns when asking about my personal life. If they asked directly, I would tell them.”
Roddy says that his sexual orientation rarely comes up in conversations with his athletes or their parents and it has never stood in the way of his coaching.
“Building a level of trust and respect is what holds the athlete/coach relationship together,” says Roddy. “It is amazing how much kids have evolved over the past decade. The smiles on their faces are what keeps me in it.”
Jeff Nolt began his figure skating career in New York and as it progressed, trained in Pennsylvania and Delaware. In the early 1980s, he qualified for nationals as a pairs team with his sister Susan. Following their retirement from competitive skating, they performed in the Ice Capades for two years.
Nolt started coaching in Syracuse and eventually his work brought him to the Baltimore/Washington area. His students range in age from six to 60.
“The parents of my students trust who I am and there is no fear of me being gay,” Nolt says. “The bottom line is that I get paid to teach people how to skate choreographically and technically correct. Kids can smell you a mile away; if you are unprepared and have doubts about yourself, the respect and trust will never come.”
He adds, “I like being a mentor. It is exciting to know that I can have an impact on someone’s life and it is important for me to give back what I have learned.”
Sami Holtz grew up in Montgomery County and began competing in soccer and swimming at age eight. She eventually changed over to softball and took on rugby during her college years at Johnson and Wales and Springfield College. She also played full-contact football in the Independent Women’s Football League.
She began coaching swimming in New England, which led to a coaching position in the Montgomery County Swim League in 2007. She is now coaching swimming at Forest Knolls and the Silver Spring YMCA.
“In the community I work in, nobody cares that I am gay,” says Holtz. “The only discrimination I have encountered was related to my religious beliefs.”
Holtz says that one of her swimmers has two moms and another teenage swimmer recently came out as gay.
“His mother thought it would be nice if we connected at Capital Pride this past June,” Holtz says laughing.
Akil Patterson was a three-sport, all-state athlete during his years at Frederick High School and went on to play football at the University of Maryland. He left the Terps and played two years at California University of Pennsylvania.
He later played for the United Indoor Football League. After an Arena Football tryout his weight ballooned to 380 pounds and he ended up back on the University of Maryland campus where a wrestling coach asked him to work with their heavyweights.
He went on to become a coach with the Terps wrestling program and the Terrapin Wresting Club (TWC). The TWC provides training and competitive opportunities for the wrestling community and for post-collegiate wrestlers who have international aspirations. They are an official Regional Olympic Training Center of USA Wrestling.
Patterson coaches athletes who range in age from 13 to 22 and says that his sexual orientation is also a non-issue.
“I know that some people trash talk me behind my back for being gay, but I am not ashamed and I am not shy,” says Patterson. “Anyone that knows me knows that I am all about the athletes. I love my kids.”
Patterson has developed trusting and respectful relationships with his athletes and their families over the years. He has been asked by parents to step in when their children are not doing well in school.
“I have an athlete whose father is with the U.S. Marshals and he volunteered to speak at diversity training for the Marshals,” says Patterson. “When he stepped up to the microphone he simply stated; my son loves his coach and my son looks up to his coach.”
Patterson adds, “I believe that one’s sexuality transcends sports.”
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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