Arts & Entertainment
Local gay coaches find support from students, parents
‘Building trust holds the relationship together’


Brendan Roddy began coaching swimming at age 14 and currently coaches at an area high school. (Washington Blade photo by Kevin Majoros)
With the LGBT sports movement receiving more national media attention over the past several years, there have been multiple headlines about coaches coming out as gay to their teams. Some of the names that have made the news are high school basketball coach Anthony Nicodemo in Philadelphia and high school track coach Micah Porter of Denver.
In the D.C. metro area, there are a number of LGBT coaches who have been instructing straight athletes for years, even decades. When asked what the obstacles have been for them, the answers offer some surprises.
The relationship between a coach and an athlete is a special one and often the coach becomes a surrogate parent to the athlete and a good friend to the athlete’s family. The announcements of the above mentioned coaches certainly prompted many to wonder if the relationship between a coach and an athlete is different if a gay coach is instructing a group of straight athletes.
Brendan Roddy began swimming competitively at age 11 and continued to do so through college at Salisbury State University. As a 14-year-old he became a junior swim coach for Rockville Montgomery Swim Club and then coached at Salisbury State University during grad school.
After returning to the area as a teacher at Churchill High School, Roddy realized he missed coaching and became the swimming and diving coach at the high school.
“Parents that are ‘with it’ caught on quickly that I was gay,” says Roddy. “The others figured it out eventually. The kids would generally test the waters with pronouns when asking about my personal life. If they asked directly, I would tell them.”
Roddy says that his sexual orientation rarely comes up in conversations with his athletes or their parents and it has never stood in the way of his coaching.
“Building a level of trust and respect is what holds the athlete/coach relationship together,” says Roddy. “It is amazing how much kids have evolved over the past decade. The smiles on their faces are what keeps me in it.”
Jeff Nolt began his figure skating career in New York and as it progressed, trained in Pennsylvania and Delaware. In the early 1980s, he qualified for nationals as a pairs team with his sister Susan. Following their retirement from competitive skating, they performed in the Ice Capades for two years.
Nolt started coaching in Syracuse and eventually his work brought him to the Baltimore/Washington area. His students range in age from six to 60.
“The parents of my students trust who I am and there is no fear of me being gay,” Nolt says. “The bottom line is that I get paid to teach people how to skate choreographically and technically correct. Kids can smell you a mile away; if you are unprepared and have doubts about yourself, the respect and trust will never come.”
He adds, “I like being a mentor. It is exciting to know that I can have an impact on someone’s life and it is important for me to give back what I have learned.”
Sami Holtz grew up in Montgomery County and began competing in soccer and swimming at age eight. She eventually changed over to softball and took on rugby during her college years at Johnson and Wales and Springfield College. She also played full-contact football in the Independent Women’s Football League.
She began coaching swimming in New England, which led to a coaching position in the Montgomery County Swim League in 2007. She is now coaching swimming at Forest Knolls and the Silver Spring YMCA.
“In the community I work in, nobody cares that I am gay,” says Holtz. “The only discrimination I have encountered was related to my religious beliefs.”
Holtz says that one of her swimmers has two moms and another teenage swimmer recently came out as gay.
“His mother thought it would be nice if we connected at Capital Pride this past June,” Holtz says laughing.
Akil Patterson was a three-sport, all-state athlete during his years at Frederick High School and went on to play football at the University of Maryland. He left the Terps and played two years at California University of Pennsylvania.
He later played for the United Indoor Football League. After an Arena Football tryout his weight ballooned to 380 pounds and he ended up back on the University of Maryland campus where a wrestling coach asked him to work with their heavyweights.
He went on to become a coach with the Terps wrestling program and the Terrapin Wresting Club (TWC). The TWC provides training and competitive opportunities for the wrestling community and for post-collegiate wrestlers who have international aspirations. They are an official Regional Olympic Training Center of USA Wrestling.
Patterson coaches athletes who range in age from 13 to 22 and says that his sexual orientation is also a non-issue.
“I know that some people trash talk me behind my back for being gay, but I am not ashamed and I am not shy,” says Patterson. “Anyone that knows me knows that I am all about the athletes. I love my kids.”
Patterson has developed trusting and respectful relationships with his athletes and their families over the years. He has been asked by parents to step in when their children are not doing well in school.
“I have an athlete whose father is with the U.S. Marshals and he volunteered to speak at diversity training for the Marshals,” says Patterson. “When he stepped up to the microphone he simply stated; my son loves his coach and my son looks up to his coach.”
Patterson adds, “I believe that one’s sexuality transcends sports.”
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)























The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)


































