Arts & Entertainment
Local gay coaches find support from students, parents
‘Building trust holds the relationship together’
Brendan Roddy began coaching swimming at age 14 and currently coaches at an area high school. (Washington Blade photo by Kevin Majoros)
With the LGBT sports movement receiving more national media attention over the past several years, there have been multiple headlines about coaches coming out as gay to their teams. Some of the names that have made the news are high school basketball coach Anthony Nicodemo in Philadelphia and high school track coach Micah Porter of Denver.
In the D.C. metro area, there are a number of LGBT coaches who have been instructing straight athletes for years, even decades. When asked what the obstacles have been for them, the answers offer some surprises.
The relationship between a coach and an athlete is a special one and often the coach becomes a surrogate parent to the athlete and a good friend to the athlete’s family. The announcements of the above mentioned coaches certainly prompted many to wonder if the relationship between a coach and an athlete is different if a gay coach is instructing a group of straight athletes.
Brendan Roddy began swimming competitively at age 11 and continued to do so through college at Salisbury State University. As a 14-year-old he became a junior swim coach for Rockville Montgomery Swim Club and then coached at Salisbury State University during grad school.
After returning to the area as a teacher at Churchill High School, Roddy realized he missed coaching and became the swimming and diving coach at the high school.
“Parents that are ‘with it’ caught on quickly that I was gay,” says Roddy. “The others figured it out eventually. The kids would generally test the waters with pronouns when asking about my personal life. If they asked directly, I would tell them.”
Roddy says that his sexual orientation rarely comes up in conversations with his athletes or their parents and it has never stood in the way of his coaching.
“Building a level of trust and respect is what holds the athlete/coach relationship together,” says Roddy. “It is amazing how much kids have evolved over the past decade. The smiles on their faces are what keeps me in it.”
Jeff Nolt began his figure skating career in New York and as it progressed, trained in Pennsylvania and Delaware. In the early 1980s, he qualified for nationals as a pairs team with his sister Susan. Following their retirement from competitive skating, they performed in the Ice Capades for two years.
Nolt started coaching in Syracuse and eventually his work brought him to the Baltimore/Washington area. His students range in age from six to 60.
“The parents of my students trust who I am and there is no fear of me being gay,” Nolt says. “The bottom line is that I get paid to teach people how to skate choreographically and technically correct. Kids can smell you a mile away; if you are unprepared and have doubts about yourself, the respect and trust will never come.”
He adds, “I like being a mentor. It is exciting to know that I can have an impact on someone’s life and it is important for me to give back what I have learned.”
Sami Holtz grew up in Montgomery County and began competing in soccer and swimming at age eight. She eventually changed over to softball and took on rugby during her college years at Johnson and Wales and Springfield College. She also played full-contact football in the Independent Women’s Football League.
She began coaching swimming in New England, which led to a coaching position in the Montgomery County Swim League in 2007. She is now coaching swimming at Forest Knolls and the Silver Spring YMCA.
“In the community I work in, nobody cares that I am gay,” says Holtz. “The only discrimination I have encountered was related to my religious beliefs.”
Holtz says that one of her swimmers has two moms and another teenage swimmer recently came out as gay.
“His mother thought it would be nice if we connected at Capital Pride this past June,” Holtz says laughing.
Akil Patterson was a three-sport, all-state athlete during his years at Frederick High School and went on to play football at the University of Maryland. He left the Terps and played two years at California University of Pennsylvania.
He later played for the United Indoor Football League. After an Arena Football tryout his weight ballooned to 380 pounds and he ended up back on the University of Maryland campus where a wrestling coach asked him to work with their heavyweights.
He went on to become a coach with the Terps wrestling program and the Terrapin Wresting Club (TWC). The TWC provides training and competitive opportunities for the wrestling community and for post-collegiate wrestlers who have international aspirations. They are an official Regional Olympic Training Center of USA Wrestling.
Patterson coaches athletes who range in age from 13 to 22 and says that his sexual orientation is also a non-issue.
“I know that some people trash talk me behind my back for being gay, but I am not ashamed and I am not shy,” says Patterson. “Anyone that knows me knows that I am all about the athletes. I love my kids.”
Patterson has developed trusting and respectful relationships with his athletes and their families over the years. He has been asked by parents to step in when their children are not doing well in school.
“I have an athlete whose father is with the U.S. Marshals and he volunteered to speak at diversity training for the Marshals,” says Patterson. “When he stepped up to the microphone he simply stated; my son loves his coach and my son looks up to his coach.”
Patterson adds, “I believe that one’s sexuality transcends sports.”
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
Why trans suffering is more palatable than trans ambition
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