Arts & Entertainment
Local gay coaches find support from students, parents
‘Building trust holds the relationship together’

Brendan Roddy began coaching swimming at age 14 and currently coaches at an area high school. (Washington Blade photo by Kevin Majoros)
With the LGBT sports movement receiving more national media attention over the past several years, there have been multiple headlines about coaches coming out as gay to their teams. Some of the names that have made the news are high school basketball coach Anthony Nicodemo in Philadelphia and high school track coach Micah Porter of Denver.
In the D.C. metro area, there are a number of LGBT coaches who have been instructing straight athletes for years, even decades. When asked what the obstacles have been for them, the answers offer some surprises.
The relationship between a coach and an athlete is a special one and often the coach becomes a surrogate parent to the athlete and a good friend to the athlete’s family. The announcements of the above mentioned coaches certainly prompted many to wonder if the relationship between a coach and an athlete is different if a gay coach is instructing a group of straight athletes.
Brendan Roddy began swimming competitively at age 11 and continued to do so through college at Salisbury State University. As a 14-year-old he became a junior swim coach for Rockville Montgomery Swim Club and then coached at Salisbury State University during grad school.
After returning to the area as a teacher at Churchill High School, Roddy realized he missed coaching and became the swimming and diving coach at the high school.
“Parents that are ‘with it’ caught on quickly that I was gay,” says Roddy. “The others figured it out eventually. The kids would generally test the waters with pronouns when asking about my personal life. If they asked directly, I would tell them.”
Roddy says that his sexual orientation rarely comes up in conversations with his athletes or their parents and it has never stood in the way of his coaching.
“Building a level of trust and respect is what holds the athlete/coach relationship together,” says Roddy. “It is amazing how much kids have evolved over the past decade. The smiles on their faces are what keeps me in it.”
Jeff Nolt began his figure skating career in New York and as it progressed, trained in Pennsylvania and Delaware. In the early 1980s, he qualified for nationals as a pairs team with his sister Susan. Following their retirement from competitive skating, they performed in the Ice Capades for two years.
Nolt started coaching in Syracuse and eventually his work brought him to the Baltimore/Washington area. His students range in age from six to 60.
“The parents of my students trust who I am and there is no fear of me being gay,” Nolt says. “The bottom line is that I get paid to teach people how to skate choreographically and technically correct. Kids can smell you a mile away; if you are unprepared and have doubts about yourself, the respect and trust will never come.”
He adds, “I like being a mentor. It is exciting to know that I can have an impact on someone’s life and it is important for me to give back what I have learned.”
Sami Holtz grew up in Montgomery County and began competing in soccer and swimming at age eight. She eventually changed over to softball and took on rugby during her college years at Johnson and Wales and Springfield College. She also played full-contact football in the Independent Women’s Football League.
She began coaching swimming in New England, which led to a coaching position in the Montgomery County Swim League in 2007. She is now coaching swimming at Forest Knolls and the Silver Spring YMCA.
“In the community I work in, nobody cares that I am gay,” says Holtz. “The only discrimination I have encountered was related to my religious beliefs.”
Holtz says that one of her swimmers has two moms and another teenage swimmer recently came out as gay.
“His mother thought it would be nice if we connected at Capital Pride this past June,” Holtz says laughing.
Akil Patterson was a three-sport, all-state athlete during his years at Frederick High School and went on to play football at the University of Maryland. He left the Terps and played two years at California University of Pennsylvania.
He later played for the United Indoor Football League. After an Arena Football tryout his weight ballooned to 380 pounds and he ended up back on the University of Maryland campus where a wrestling coach asked him to work with their heavyweights.
He went on to become a coach with the Terps wrestling program and the Terrapin Wresting Club (TWC). The TWC provides training and competitive opportunities for the wrestling community and for post-collegiate wrestlers who have international aspirations. They are an official Regional Olympic Training Center of USA Wrestling.
Patterson coaches athletes who range in age from 13 to 22 and says that his sexual orientation is also a non-issue.
“I know that some people trash talk me behind my back for being gay, but I am not ashamed and I am not shy,” says Patterson. “Anyone that knows me knows that I am all about the athletes. I love my kids.”
Patterson has developed trusting and respectful relationships with his athletes and their families over the years. He has been asked by parents to step in when their children are not doing well in school.
“I have an athlete whose father is with the U.S. Marshals and he volunteered to speak at diversity training for the Marshals,” says Patterson. “When he stepped up to the microphone he simply stated; my son loves his coach and my son looks up to his coach.”
Patterson adds, “I believe that one’s sexuality transcends sports.”
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
























Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
