Arts & Entertainment
2014 YEAR IN REVIEW: Film
‘Stranger,’ ‘Imitation Game’ and indie fare among year’s best

Bill Hader and Kristen Wiig in ‘The Skeleton Twins.’ (Courtesy Roadside Attractions)
There were strong feature films (both mainstream and indie releases), fascinating documentaries and several supportive venues and festivals in Washington that are slowly growing a queer film culture here making 2014, overall, an excellent year in film.
One of the best releases was one of the first — “Stranger by the Lake.” This award-winning French film was billed as an erotic gay thriller and it lived up to that description. The action unfolds on the banks of a lake where men meet for sex, which is shown in graphic detail. The thriller starts when the seemingly innocent Franck watches Michel swim out into a lake with a man and swim back to shore alone. Director Alain Guiraudie skillfully captures the mundane yet thrilling rituals of cruising and the inscrutable passion that arises between Franck and Michel.

Pierre Deladonchamps in ‘Stranger by the Lake.’ (Photo courtesy Strand Releasing)
Other highlights included:
- • “Calvary” opens when Father James (Brendan Gleeson) is threatened with death by an unseen man in the confessional who was sexually molested by a priest when he was a boy. Among the suspects are a hypocritical closeted detective and a Hollywood-obsessed gay hustler who has also been the victim of clerical sexual abuse.
- • Based on a true story, “Pride” tells the tale of an unlikely alliance between gay and lesbian activists from London and striking Welsh coal miners. While the screenplay relies a little too heavily on well-worn plot devices, the movie is an infectious and uplifting tale of personal growth and political solidarity.
- • Written and directed by talented newcomer Julien Simien, “Dear White People” looks at the lives of four black students who get drawn into a racial incident at a predominantly white college. One of them is Lionel Higgins (Tyler James Williams), an undergraduate journalist who doesn’t fit in with either the gay or African-American student groups. Simien’s groundbreaking film marks the first time that a gay character has been featured in a predominantly African-American movie.
- • “The Skeleton Twins” stars “Saturday Night Live” alumni Kristen Wiig and Bill Hader as estranged twins who are reunited after his suicide attempt. He returns to their hometown to recover and to reignite an affair with his high school English teacher (Ty Burrell) while she tries to work out her marriage to Luke Wilson. Both Wiig and Hader turn in strong nuanced performances and Hader’s scenes in drag are wonderful.
- • “Hector and the Search for Happiness” stars Simon Pegg as a bored psychiatrist who travels the globe to find the secret of happiness. One of his tour guides is an old friend who has found happiness by coming out of the closet.
- • Though technically a made-for-TV movie, “The Normal Heart” debuted in May on HBO and was a widely lauded adaptation of Larry Kramer’s legendary AIDS-themed play of the same name.
- • “The Way He Looks” is a charming Brazilian coming-of-age tale about Leo, a blind teenager who’s trying to escape from his overprotective mother. Leo befriends Gabriel, the new kid in town, and feelings begin to flicker between the two boys, much to the dismay of Leo’s best friend, Giovanna.

Brendan Gleeson, left, and Chris O’Dowd in ‘Calvary.’ (Photo courtesy Fox Searchlight)
While it didn’t include any LGBT content, one of the most progressive and thought-provoking movies of 2014 was “Belle,” a beautifully filmed movie about a mixed-race heiress being raised by her aristocratic uncle in eighteenth-century England. Director Amma Asante and a knockout ensemble cast tackle complex themes of race, class and gender and tell a moving story that combines intimate details and epic historical sweep.
The year in LGBT feature films came to a dramatic conclusion with “The Imitation Game,” the story of Alan Turing (Benedict Cumberbatch), the gay British mathematician who broke the German Enigma code during World War II but was later prosecuted for his homosexuality.
It was also a great year for LGBT-themed documentaries. One of the most notable was HBO’s “The Case Against 8,” which followed two California couples who brought their fight for marriage equality to the U.S. Supreme Court.
Other standout documentaries included “Shoot Me,” an incisive portrait of the legendary actress Elaine Stritch who passed away earlier this year; “Campaign of Hate: Russia and Gay Propaganda,” a searing examination of the spread of anti-gay sentiment and legislation in Russia; and, “Through a Lens Darkly,” a fascinating exploration of how photography has shaped the African-American community, including LGBT people of color.
There were, of course, a few disappointments. The highly anticipated “Love is Strange” starred John Lithgow and Alfred Molina as long-term partners whose lives fall apart when they lose their rent-controlled Manhattan apartment. Luminous performances from Lithgow and Molina could not overcome Ira Sachs’s implausible script and slack direction. Jennifer M. Kroot’s “To Be Takei” failed to create a cohesive portrait of the actor and activist, and in “Citizenfour” lesbian filmmaker Laura Portras and gay journalist Glen Greenwald failed to fully question the actions of NSA whistle-blower Edward Snowden.
The emerging queer cinema scene in D.C. has been strongly supported by a number of marvelous venues and film festivals. The Landmark Theatres (on E Street in downtown D.C. and on Bethesda Row in downtown Bethesda) and the West Ed Cinema in Foggy Bottom frequently present LGBT movies, as does the newer Angelika Film Center Mosaic in Fairfax. AFI Silver in downtown Silver Spring often features LGBT works in its delightfully eclectic mix of contemporary independent releases and classics from Hollywood and international cinema.
The acclaimed D.C. Shorts Film Festival, headed by openly gay filmmaker Jon Gann, always includes strong LGBT programming, as does AFI Docs, which will now be headed by Michael Lumpkin, who served for more than 25 years as both executive director of Frameline and Festival Director for the San Francisco International LGBT Film Festival. LGBT films have also been featured at the new Middleburg (Virginia) Film Festival.
With sponsorship from the D.C. Center for the LGBT Community, Human Rights Campaign and the Washington Blade, Reel Affirmations has returned to offer monthly move nights and other film events.
The early winter months of 2015 give LGBT cinephiles in D.C .the chance to watch some of 2014’s best releases on DVD and to anticipate the exciting releases of 2015.

Tyler James Williams, center, in a scene from ‘Dear White People.’ (Photo by Ashley Nyugn; courtesy Roadside Attractions)
Dining
Spark Social House to start serving alcohol
D.C.’s only ‘LGBTQ alcohol-free bar’ changes course
Washington, D.C.’s only LGBTQ alcohol-free bar will lose that distinction in December: Spark Social House, located at the corner of 14th and U streets, N.W., will no longer serve only booze-free drinks.
Spark Social, as it is commonly known, received significant media attention and accolades when it debuted in March. Opening in the beating heart of the LGBTQ community’s social scene, its doors stand next to other popular nightlife establishments, including Crush, Bunker, District Eagle, and Revolt (which opened after Spark Social). All of those other bars serve alcohol.
Spark maintained a separate identity, creating a “third space” for sober guests or those who did not wish to spend their evening in an alcohol-forward space. Owner Nick Tsusaki, a former bartender, opened Spark Social to fill a gap he saw in queer nightlife establishments that centered drinking. Instead, Spark was intended to be a convening bar. By day, it has served coffee and tea as a café for remote workers, meetings, and catch-ups. In the evening, the bar hosts a wide array of events, with DJs, dancing, drag queens, speakers, open mic nights, and stand-up comedy, movie showings, among other events.
At the bar, it served cans, bottles, and craft cocktails, as well as “wellness drinks” or functional beverages like mushroom elixirs, Kava, and kombucha. All of these are currently non-alcoholic. Currently, in November, the bar is serving seasonal morning drinks like toasted almond and French Toast lattes, plus non-alcoholic cocktails like a “Hottie Hottie” with non-alcoholic spiced rum, lemon, and maple butter; plus a maple espresso “martini” without liquor, which includes mushroom tinctures.
Spark Social, even in its short time in existence, won “Best DC Coffee Shop” in the 2025 Washington Blade annual poll.
Nevertheless, in early November, the Spark owners and leadership team hosted a town hall to share updates and hear directly from the community about the next chapter for Spark.
According to the bar’s Instagram posts, the town hall reviewed the intent and purpose behind the bar: to create a queer third space where people can connect, create, and feel at home.”
“After eight months as a fully non-alcoholic bar, we’ve learned that sobriety exists on a spectrum and inclusion means offering choice.”
To that end, in December, Spark’s offerings will evolve. Instead of serving only drinks without alcohol, there will be a new “1 for 1” menu in which every cocktail comes in two versions: booze and boozeless. While alcohol will be served, the bar owners insist that they remain committed to maintaining its welcoming and relaxed vibe.
In a separate post, Spark wrote that “Although this was not our intent when we started the business, after 6 months of operations we’ve made the difficult decision to change our business model so that we can keep providing this space to the community.”
They acknowledged that this pivot might have “come as a surprise,” and offered to received feedback to ensure that the bar’s initial objective of being a unique space could continue.
Alcohol will only be served at the bar in the evenings during the week, and all day during the weekend.
Tsusaki spoke to the Blade about the changes and offered these statements:
“When we opened, the goal was to create a queer third space where people could spark a connection, spark creativity, spark an idea — especially for folks looking for an alternative to the typical drinking environment,” Tsusaki said. “From day one, Spark has been about the vibe — a place where you can just exist, feel at home, and be surrounded by community without pressure or pretense. After eight months as a fully non-alcoholic space, we learned a lot about what people actually want from spaces like this. Most folks exist somewhere on a spectrum of sobriety — some are fully sober, some are sober-curious, some drink occasionally. We realized that if our mission is to bring people together, inclusion has to mean options for everyone.
“We had to face the financial reality of running a small independent space in D.C. The city has been hit hard — especially with reduced spending and recent federal layoffs — and it’s made things tough for hospitality businesses like ours. Adding alcohol helps make Spark sustainable so we can keep doing what we do: building community, creating jobs, and keeping this space alive for the long haul.
“We’re using this moment to make the space even better — enclosing the back patio so it’s usable year-round, upgrading our DJ booth and sound system, and making a few design tweaks that better reflect the energy and creativity Spark has always had.”
Photos
PHOTOS: Miss Gay Mid-Atlantic America
Victoria Bohmore crowned in regional pageant held at Freddie’s Beach Bar
The 2025 Miss Gay Mid-Atlantic America Pageant was held at Freddie’s Beach Bar in Arlington, Va. on Friday, Nov. 7. Victoria Bohmore was crowned the winner, with Lady Lords named first alternate. Bohmore and Lords both qualify to compete against the winners of the Miss Gay Maryland America Pageant as well as other state and regional title holders from across the nation at the Miss Gay America Pageant in January.
(Washington Blade photos by Michael Key)
















Books
A history of lesbian workarounds to build family
Fighting for the right to have and raise kids
‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages
You don’t have a white picket fence with an adorable gate.
The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.
Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.
Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.
This book tells nine stories of everyday lesbians who succeeded.
Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”
Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”
In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”
What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.
If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.
The Blade may receive commissions from qualifying purchases made via this post.
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