Arts & Entertainment
From Larry Kramer to the ruby slippers
AFI DOCS festival continues through weekend
Larry Kramer speaking at a Boston Gay Town Meeting 6.9.87 at historic Faneuil Hall in Boston MA sponsored by the Boston Lesbian and Gay Political Alliance.
Openly gay film curator Michael Lumpkin is now also openly bi-coastal.
Since he was named executive director of AFI DOCS last December, Lumpkin has been splitting his time between the two coasts. After spending more than three decades in California, he’s enjoying life in the nation’s capital.
Every year, AFI DOCS brings the nest new documentaries from around the globe to Washington with dozens of screenings at AFI Silver in Silver Spring and other theaters throughout the District. Now in its 13th year, the festival runs through Sunday. The full schedule is at afidocs.org.
Lumpkin is thrilled with the slate of films that will be shown this year, but says that the selection process is very difficult.
“It takes several months,” he says. “We had close to 2,000 entries. Most of those are feature length films, but we also show short documentaries. We have a number of experienced screeners who send their evaluations to us. A screening committee goes through all the films that are rising to the top and then we make the final selections.”
Turning away talented filmmakers and exciting films is the worst part of the process.
“There are way more film that we would like to show than we can. There are so many great documentaries. That’s the hard part of the job — deciding what you’re not going to show. Deciding what you want to show is easy. Having to say, ‘Sorry we can’t include you’ to way too many great documentaries is the hard part.”
Looking over this year’s films, Lumpkin says he is excited by the latest film by Malcolm Ingram, director of “Bear Nation.”
“One that I’m really, really happy about is ‘Out To Win,’ a documentary about LGBT people in sports,“ he says. “Malcolm is one of my favorite filmmakers. I became aware of him with his film ‘Small Town Gay Bar.’ He’s a great filmmaker and a great guy.”
Lumpkin is also intrigued by “Larry Kramer In Love And Anger,” the new HBO documentary by Jean Carlomusto about the fiery author and AIDS activist.
“It’s interesting to look back at Larry and see his role in our community. He’s a volatile, very outspoken guy. It was so great to look back at these moments in LGBT history and activism. It’s a great bio-documentary that gives you the full picture of Larry.”
He adds, “There are a lot of great bio-documentaries in his year’s festival. I kinda go towards those a lot. I’m really into learning about people and their lives. We have documentaries about Steve Jobs and Nina Simone. We have a movie about the great arts patron Peggy Guggenheim. Closing night we’re featuring a movie about Mavis Staples, the great gospel singer.”
Two other films of special interest to the LGBT community are “Code: Debugging the Gender Gap” by Robin Hauser Reynolds, which looks at the absence of women in the coding industry, and “From This Day Forward,” a stunning film by Sharon Shattuck that explores her father’s gender identity struggles and how her parents have remained married through it all.
There’s also “Who Stole the Ruby Slippers?” a delightful short documentary that investigates the disappearance of one of the iconic pairs of ruby slippers from “The Wizard of Oz” from the Judy Garland Museum in her hometown of Grand Rapids, Minn. There are four programs of short documentaries throughout the festival.
Michael Lumpkin (Photo courtesy AFI DOCS)
Some other notable films that will be screened as part of AFI DOCS include “The Armor of Light,” a film by Abigail Disney about an evangelical leader who is forced to reconsider his views about gun control; “Very Semi-Serious” about Bob Mankoff, the quirky cartoon editor of “The New Yorker”; and “Welcome to Leith” which looks at how the resident of a small North Dakota reacted to the arrival of notorious white supremacist.
The love of documentaries has run through Lumpkin’s notable career, from when he ran the Frameline LGBT film festival for 25 years starting in the early ‘80s to today.
“Year after year, film after film, I would see people connecting with documentaries in a very different way than with fiction film. There’s something about it being truth and reality. I saw the special connection audiences have with documentaries.”
He also adds that AFI DOCS will include several opportunities for audience members to interact with the filmmakers and their subjects. Throughout the festival, there will be several Q&A sessions and panel discussions.
“For a fiction film, it’s great to have the director there, or a cast member who has just given a great performance. But to see a great documentary and then for the artist and the real person to be there, to be on stage, it’s a whole different reaction from audiences. I think it just goes much deeper.”
Lumpkin took several years off from his job at Frameline to produce the groundbreaking documentary “The Celluloid Closet” with Rob Epstein and Jeffrey Friedman. Based on the pioneering film criticism of Vito Russo, the fascinating documentary examines Hollywood representations of gay men and lesbians. Working on the film gave Lumpkin a renewed appreciation for the genre. For several years he ran the Documentary Association, an organization in Los Angeles that supports documentary filmmakers around the world. When the opportunity to get back into the festival business with AFI DOCS came along, he “jumped at the opportunity.”
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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