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Music & Concerts

Years & Years play to adoring D.C. crowd

British electro-pop outfit charms at packed 9:30 Club



Olly Alexander, Years & Years, gay news, Washington Blade
Years & Years, Years and Years, Olly Alexander, gay news, Washington Blade

Years & Years played a sold-out show at the 9:30 Club last weekend. (Photo by Fiona Garden)

Watching the sold-out crowd for British electronic/indie band Years & Years wrap around the block for their sold-out 9:30 Club show on Saturday, the energy was crackling in the same way it must have been in the beginning careers of artists such as Chuck Brown, Dave Grohl and Lady Gaga, who have also graced the historic 9:30 Club stage. (Read the Blade’s interview with Olly Alexander here.)

The diversity in the crowd was apparent as young gay couples held hands next to little kids who were asking their parents when Olly Alexander, lead singer and keyboardist of the band, was going to appear on stage. Groups of friends out for a girls’ night to see the show mingled amidst the crowd as well as everyone waited for the band to arrive.

Before Years & Years took the stage their opening act, singer/songwriter Tei Shei, got the show started. Her R&B-esque tunes complemented her strong voice as she hit every note thrown her way. The crowd didn’t seem familiar with her music at the start of her set but by the end everyone was jumping around to the beat.

Shei played her last song “Bassically” to the crowd with high energy as she bounced around on stage singing. Not only was the crowd hyped, but Alexander could be seen dancing along to his tour mate’s finale song backstage.

Soon after, Years & Years took the stage to a packed club. From the ground floor to the upstairs, there was hardly any room to move without bumping into another eager fan trying to glimpse the band. The trio, comprised of Alexander, bassist Mikey Goldsworthy and synth player Emre Türkmen, looked startled, nervous and pleased all at once at the turnout as they launched into their first song “Foundation,” which ended to deafening applause.

Years & Years then sang their hit song “Take Shelter,” a reggae electronic dance song that appeared to be Alexander’s favorite. He became just as caught up in the music as the crowd, a couple times forgetting to sing because he was too busy dancing. Alexander used his entire body to twist and gyrate his way around the stage with so much confidence it was less of a dance and more of a statement.

Later in the show Alexander grabbed a fan’s poster that said, “Thanks for reminding us all we are kings and queens” and read it out to the crowd. He seemed just as excited to be interacting with the fan as the fan was to interact with him.

High-paced songs like “Real” had the crowd dancing with vigor while slower ones like “Memo,” found them watching in awed silence as Alexander softly played on the keyboard while singing his lilting vocals.

One of the best parts of the show was when Shei joined the band on stage for a cover of “Breathe” by Blu Cantrell and Shaggy. The song, a staple in millennial nostalgic culture, was a huge hit. The duet was reignited with their original vocals but still followed the same well-known beat, with a Years & Years’ twist.

The encore was the hit “King,” which the crowd chanted for. The entire venue exploded with vigor and energy during the song as the air was filled with the sound of voices singing along and the space was over taken by dancing bodies. Alexander let the crowd sing along and threw himself into the performance while his band mates Goldsworthy rocked the bass and Türkmen powered away on the synth.

When the song was over, the crowd screamed and cheered with ecstasy. Meanwhile Alexander, Goldsworthy and Türkmen looked like they were just as pleased with their own performance as the crowd while simultaneously looking like they thought they were going to wake up from a dream at any second.

When the show ended and the crowd dispersed onto the already crowded sidewalks of V Street, passerby stopped some concertgoers to ask what the huge crowd was for. When the response was Years & Years, not some bigger-name Billboard artist, people looked confused and responded they hadn’t heard of them.

They will.


Music & Concerts

The Atlantis to showcase musical legends of tomorrow

New venue, a near replica of original 9:30 Club, opens next month



A look at the interior of the original 9:30 club. (Photo public domain/Library of Congress)

A new nirvana for music fans opens next month adjacent to the 9:30 Club. Dubbed The Atlantis, this intimate venue embraces a 450-person capacity – and pays homage as a near-replica of the original 9:30 Club.

The $10 million venue comes courtesy of I.M.P., the independent promoter that owns and operates the 9:30 Club and The Anthem, and operates The Lincoln Theatre and Merriweather Post Pavilion.

The Foo Fighters will inaugurate The Atlantis on May 30, which is also the 9:30 Club’s anniversary. Foo Fighters lead singer Dave Grohl, during a concert in 2021, kicked off speculation that I.M.P was planning to open a new venue, noting that, “We’ll probably be the band that opens that place, too, right?”

Other big names on the inaugural 44-show run roster: Franz Ferdinand, Barenaked Ladies, Third Eye Blind, Spoon, and Billy Idol.

To thwart scalpers, The Atlantis utilized a request system for the first 44 shows when they went on sale two weeks ago. Within four days of the announcement, fans had requested more than 520,000 tickets, many times more than the total 19,800 available. All tickets have been allocated; fans who were unable to snag tickets can attempt to do so in May, when a fan-to-fan ticket exchange opens.

While I.M.P. oversees multiple larger venues, “We’ve been doing our smallest shows in other peoples’ venues for too many years now,” said Seth Hurwitz, chairman of I.M.P. “We needed a place that’s ours. This can be the most exciting step in an artist’s career.”

The 9:30 Club holds 1,200 people, while The Anthem has space for up to 6,000.

“This will be where we help introduce new artists to the world… our smallest venue will be treated as important, if not more, than our bigger venues. If the stories are told right, both the artists and the fans begin their hopefully longterm relationship. Its stage will support bourgeoning artists and the legends of tomorrow,” Hurwitz said. Hurwitz and the team developed a tagline for the new venue: The Atlantis, Where Music Begins.

Hurwitz got his start at the original 9:30 Club, originally located at 930 F St., N.W. He was an independent booker of the club for the first six years and then he bought it, and managed the move from its original location to its current location in 1996. The venue first opened in 1980.

Audrey Fix Schaefer, I.M.P. communications director, provides further insight. “We were missing small venues in our umbrella. Big acts don’t start in stadiums. We need a place for emerging artists and for the community to discover new acts. The Atlantis can help new artists grow.”

While design elements are still coming into focus, Schaefer says that the space will be intimate, with almost no separation between the artist and the crowd. “There will be energy on both sides of the stage,” she says.

Although The Atlantis is set to be a replica of the original 9:30, I.M.P. has spared no expense. Schaefer notes that the sound and light systems use the latest available technologies, similar to next door at the current 9:30 Club.

The Atlantis takes over the footprint of now-closed Satellite Room. The venue will have at least two bars flanking the stage; cocktails but no food will be available.

Schaefer notes that since its early days, 9:30 Club and I.M.P. “has always been a place where people are welcome. People come and feel safe with us.” 9:30 Club has hosted several LGBTQ Pride parties, the BENT dance party series, and other events for LGBTQ patrons. Particular acts of note during the kickoff run include Tegan & Sarah and Tove Lo.

The Washington Blade was a neighbor to the 9:30 Club at its original F Street location back in the 1980s. Despite their proximity, noise wasn’t an issue for on deadline nights, when Blade staff worked late hours.

“We would of course work later hours back then,” said Phil Rockstroh, a longtime Blade staffer, in a 2016 Blade interview. “Everything was typeset and done by hand without computers and fax machines so getting through deadlines was much more time consuming.”

Rockstroh said the noise wasn’t a distraction.

“It wasn’t too bad as older buildings were constructed more solidly,” Rockstroh said. “There was only one entrance to the building and you entered so far to the elevator that went up to the other floors and then continued down the hall to the entrance to the 9:30 Club. Frequently at night if I was coming or going, there were people spilling out the doors.”

“The Blade has always had a friendly relationship with the 9:30 Club,” he added.

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Music & Concerts

National Philharmonic to perform classical, contemporary works

Violinist Melissa White returns



The National Philharmonic will host “Beethoven’s 7th” on Saturday, April 15 at 8 p.m. at Strathmore.

Past and present will collide in this performance of contemporary works and classical masterpieces. Maestro Piotr Gajewski will direct Valerie Coleman’s “Umoja, Anthem for Unity for Orchestra” Violinist Melissa White will also return to the Philharmonic to perform Florence Price’s sweeping, melodic “Violin Concerto No. 2.”

Tickets start at $19 and can be purchased on the Philharmonic’s website.

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Music & Concerts

Bruce & Janet & John Legend, oh my!

Slew of iconic acts hitting the road after pandemic cancellations



Janet Jackson is among the iconic acts touring this spring.

Pop and rock icons are releasing their pent-up pandemic frustrations by mounting huge tours this spring and summer. After three years of canceled and postponed shows, everyone from Bruce Springsteen to Janet Jackson is hitting the road at long last. But save your coins because the TicketMaster algorithms are driving ticket prices to astronomical highs. Here are a few highlights from D.C.-area venues this spring. Although some of the iconic acts aren’t coming until summer — Beyonce, Madonna, Pink — several others are hitting the road this spring.

Betty Who plays March 10; Keyshia Cole headlines the All Black Extravaganza 20 Year Anniversary tour on March 18; the Yeah Yeah Yeahs come to town on May 3; Seal brings his world tour to town on May 10; and the beloved Pixies are back on the road with a new North American tour stopping here on June 10.

9:30 CLUB
Don’t miss Gimme Gimme Disco, an Abba dance party on March 18; Inzo arrives on March 31, followed by Bent on April 1; Ruston Kelly brings his The Weakness tour on April 17 along with Purr; The New Pornographers show on May 19 is sold out but there are tickets available for the May 20 show; The Walkmen have added a fourth show on May 23 because the other three shows are sold our;

Living legend Bruce Springsteen and the E Street Band are back with a vengeance, playing one of four area shows on March 27. (They’re in Baltimore the night before.) If you missed out this time, don’t worry, Bruce is playing Nats Park in September as well as at Baltimore’s Camden Yards. April 1 brings the R&B Music Experience, including Xscape, Monica, Tamar Braxton, and 112. Blink-182 comes to town on May 23. And this summer watch for Sam Smith to continue his hot streak, bringing his “Gloria” tour to town on Aug.4.

Janet Jackson makes her highly anticipated return to the stage this spring, arriving in our area on May 6 along with guest Ludacris. The LGBTQ ally and icon has promised new music on her upcoming “Together Again Tour,” which follows the pandemic-related cancellation of her “Black Diamond Tour.” Jackson also plays Baltimore’s newly renovated CFG Bank Arena on May 13.

John Legend plays two nights at Wolf Trap on June 2 and 3; Charlie Puth follows on June 4. Wolf Trap also hosts the Indigo Girls on June 7 just in time for Pride month. Celebrate St. Patrick’s Day with the Smithereens at the Birchmere on March 17. Fans of ‘80s alternative will be lined up for the Church also at the Birchmere at April 4, followed by Suzanne Vega on April 26. Amy Grant returns to the stage this spring and plays the Birchmere on May 2. Echostage plays host to a slew of buzz worthy shows this spring, including Ella Mai on April 8 and Fisher on May 12.

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