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Alexander the great
Years & Years frontman on his influences, philosophies and being an out pop singer
Olly Alexander, lead singer of British electronica-pop band Years & Years, sounds like the guy you meet at the coffee shop who talks to you in a soft-spoken tone about the book heās currently reading. He gives no indication that Years & Years has won an mtvU award for āArtist to Watchā this year, has millions of views for their music videos on YouTube, and that this is their second-sold out show in D.C.
Years & Years, consisting of Alexander, bassist Mikey Goldsworthy and synth player Emre TĆ¼rkmen, has been making waves on the music charts with their single āKingā reaching number one on the U.K. Singles Chart and their new single āShineā has already shot to number two. Alexander, 25, met Goldsworthy and TĆ¼rkmen after they had decided to form a band and became the groupās lead singer and keyboardist. Now, the group will be playing a sold-out show at 9:30 Club on Sept. 19.
Calling from New York City, where Years & Years is preparing for a show before their 9:30 Club appearance, Alexander talked to the Blade about his sexuality, boyfriend and his re-found love for New Age gem shops.
Washington Blade: Lately youāve been speaking up a lot about how you feel that gay singers should use more same-sex pronouns in their songs. Why do you think thatās so important?
Olly Alexander: Well I think popular culture influences culture. It influences everybody and we should be showcasing different kinds of relationships in our mainstream culture. Not just male and female but male and male and female and female. I think we live in a world where we all know that there are different dynamics. And I think pop music should reflect that and I think why not? Also, I just think it felt empowering personally so I think it could be empowering for other people to do it too.
Blade: Do you make a real effort to try and include same-sex pronouns in your own music?
Alexander: Yeah! I donāt want to dictate how anyone writes a song, thatās not my job at all. But I think I wanted to include it in my own lyrics so I did it in a few songs and it felt good to do that.
Blade: Youāre also very open about your relationship with Neil Amin-Smith from the band Clean Bandit. Do you ever worry about peopleās reactions to you as an out gay couple?
Alexander: I donāt worry in terms of like a homophobic level. That was never a consideration. I feel like that would be living in fear. Iām a big believer you should never live in fear or shame. Largely the response has been really wonderful and lovely. I think itās been really kind of humbling for me to meet people who are so welcoming. Theyāre really grateful that weāve been open about our relationship. The difficult thing is, you can imagine having a relationship thatās somewhat in the media can have its own pressure regardless if youāre a gay couple or not.
Blade: Were you ever concerned about being out and the lead singer of a band? Did you ever consider not publicly addressing it?
Alexander:Ā I didnāt really consider that. I mean to be honest with all the music and when we made the music video for one of our earlier songs āReal,” Ā you know the song was quite obviously about a boy and we made the video that I thought reflected kind of non-heteronormative sexuality. That was really obvious to other gay people that I was gay that I was singing about a man. So it was so much apart of the music that I would never, ever hide that. It would seem ridiculous to even try and do that.
Blade: This is the second sold-out show that Years & Years has had in D.C. But you havenāt received too much radio play in this area. Do you think that your popularity came from the Internet? What do you think about the Internetās impact on music artists these days?
Alexander: I think definitely it came from building a following online. The Internet I think has changed the way we listen to music. Itās changed the way we all live and consume music. I think maybe radio and commercial radio used to really determine the acts that kids gravitated towards. Now I think if you can build a fan base online you can go to these places and still have people show up to your shows. Itās kind of amazing.
Blade: When Years & Years first started your sound wasnāt quite as electronic/pop as it is now. What brought about that change?
Alexander: It was just a natural evolution really. When we started we were just using instruments that we had. That was mainly guitars. We gradually began using more synthesizers and making more beats and producing on a laptop. Our tastes were changing and over a few years we discovered what music we enjoyed making and it was kind of electronic sounds. It kind of just came together gradually.
Blade: Youāve also done some acting in television and movies. You even co-wrote the screenplay for the film āThe Dish and the Spoon.ā Any plans for more acting or screenwriting?
Alexander: I havenāt gotten any plans at the moment. But you never know I might do it again some day in the future.
Blade: A lot of the roles you have done have been straight roles. What made you choose those particular roles?
Alexander: I just really took what I was offered. I just wanted to make some money.
Blade: Youāve mentioned before that your first job was at a New Age gem shop. Are you into New Age things like astrology or tarot cards?
Alexander: Wow, I love that you know that! Iām not so much at the moment. I used to be really into all of that kind of shit. But I went into a New Age-y kind of shop recently and bought a couple crystals. And I felt good about that.
Blade: Have you ever heard a lyric and wished that you had written it?
Alexander: Oh yeah all the time. Thereās a really good Jeff Buckley lyric from a song called āGunshot Glitter.ā And the lyric is āI wanna be your lover/Lipstick my name across your mirror.ā I really love a Joni Mitchell lyric in āCase of Youā I remember that time you told me you said ālove is touching soulsā/surely you touched mine/Cause part of you pours out of me/in these lines from time to timeā I really like that one too.
Blade: What do you want people to take away from your music? What do you think makes audiences connect to your music the way that they do?
Alexander: If they take away anything thatās kind of a win for me or make people feel a certain way. But I suppose to move someone and make them feel good or sad or make them think about something. Thatās a bonus for me. We have always believe the song has to be like a good song. Thatās a certain kind of science weāve been obsessed with creating, making good hooks and structures. But apart from that weāve really tried to do everything as authentically as possible. We write all of our own music and write every lyric and every melody. Weāve always been open and honest about that and I hope that connects with people too.
a&e features
Jussie Smollett asserts innocence while promoting new film
āI know what happened and soon you all will tooā
Jussie Smollett, the actor and musician who was convicted of lying to the police about being the victim of a homophobic and racist hate crime that he staged in 2019, attended a screening of his latest film āThe Lost Hollidayā in a packed auditorium of the Martin Luther King Jr. Memorial Library on Aug. 28.
In an interview with the Washington Blade that took place before the screening, he continued to assert his innocence and responded to concerns within the LGBTQ community that his case has discouraged real victims from reporting hate crimes.Ā
The former āEmpireā star wrote, produced, and directed āThe Lost Holliday,ā his second feature film to direct following 2021ās āB-Boy Blues.ā Produced through Smollettās company, SuperMassive Movies, he stars in the film alongside Vivica A. Fox, who also served as a producer and attended the library screening with other cast members.
In the film, Smollett plays Jason Holliday, a man grappling with the sudden death of his husband Damien (Jabari Redd). Things are complicated when Damienās estranged mother, Cassandra Marshall (Fox), arrives in Los Angeles from Detroit for the funeral, unaware of Damienās marriage to Jason or of their adopted daughter. Initially, Jason and Cassandra clash ā Cassandraās subtle homophobia and Jasonās lingering resentment over her treatment of Damien fuel their tension āā but they begin to bond as they navigate their grief together.
Smollett, Fox, Redd, and Brittany S. Hall, who plays Jasonās sister Cheyenne, discussed the film in an interview with the Washington Blade. Highlighting the wide representation of queer identities in the film and among the cast, they stressed that the story is fundamentally about family and love.
āWhat we really want people to get from this movie is love,ā Smollett said. āIt’s beneficial for people to see other people that are not like themselves, living the life that they can identify with. Because somehow, what it does is that it opens up the world a little bit.ā
Smollett drew from personal experiences with familial estrangement and grief during the making of the film, which delves into themes of parenthood, reconciliation, and the complexities of family relationships.
āI grew up with a father who was not necessarily the most accepting of gay people, and I grew up with a mother who was rather the opposite. I had a safe space in my home to go to, but I also had a not-so-safe space in my home, which was my father,ā he said.
āThe moment that he actually heard the words that his son was gay, as disconnected and estranged as we were, he instantly changed. He called me, after not speaking to him for years, and apologized for how difficult it must have been all of those years of me growing up. And then a couple years later, he passed away.ā
Smollett began working on āThe Lost Hollidayā eight years ago, with Fox in mind for the role of Cassandra from the outset. He said that he had started collaborating on the project with one of the biggest producers in Hollywood when āā2019ā happened.ā
In January 2019, Smollett told Chicago police that he had been physically attacked in a homophobic and racist hate crime. He initially received an outpouring of support, in particular from the LGBTQ and Black communities. However, police soon charged him with filing a false police report, alleging that he had staged the attack.
After prosecutors controversially dismissed the initial charges in exchange for community service and the forfeiture of his $10,000 bond, Smollett was recharged with the same offenses in 2020. Meanwhile, his character in āEmpireā was written out of the show.
In 2021, a Cook County jury found him guilty on five of the six charges of disorderly conduct for lying to police, and he was sentenced to 150 days in jail and 30 months of probation, along with a $120,000 restitution payment to the city of Chicago for the overtime costs incurred by police investigating his initial hate crime claim.
LGBTQ people are nine times more likely than non-LGBTQ people to be victims of violent hate crimes, according to a study by the Williams Institute at UCLA School of Law. Upon Smollettās conviction, some in the LGBTQ community felt that the case would discredit victims of hate crimes and make it more difficult to report future such crimes.
Smollett seemed to acknowledge these concerns, but denied that he staged the attack.
āI know what happened and soon you all will too,ā he told the Blade. āIf someone reported a crime and it wasnāt the truth, that would actually make it more difficult [to report future crimes], but I didnāt. Any belief that they have about the person that Iāve been played out to be, sure, but that person is not me, never has been,ā he said. āSo I stand with my community. I love my community and I protect and defend my community until Iām bloody in my fist.ā
āAnd for all the people who, in fact, have been assaulted or attacked and then have been lied upon and made it to seem like they made it up, I’m sorry that you have to constantly prove your trauma, and I wish that it wasn’t that way, and I completely identify with you,ā he added.
An Illinois Appellate Court upheld his guilty verdict last year, but Smollett has since appealed to the Illinois Supreme Court, which in March agreed to hear the case. He has served six days in jail so far, as his sentence has been put on hold pending the results of his appeals.
The screening at the MLK Jr. Library concluded with a conversation between Smollett, Fox, and David J. Johns, CEO and executive director of the National Black Justice Coalition. Smollett discussed his current mindset and his plans for the future, revealing he is working on a third movie and will be releasing new music soon.
āIām in a space where life is being kind,ā he said.
āThe Lost Hollidayā recently secured a distribution deal for a limited release with AMC Theatres and will be out in theaters on Sept. 27.
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DIK Bar cements its status as LGBTQ institution, prepares to expand
Dupont Cantina coming soon to the former Malbec space
Two immigrant brothers who could not return home, Michael and Tony Askarinam, turned instead to making a community space of their own. Nearly 40 years after debuting their casual, gay-friendly restaurant, the (straight) owners of Dupont Italian Kitchen are expanding, reinforcing their status as a center of gay life on 17th Street. By early fall, they plan to debut a casual Mexican restaurant, complete with a spacious patio, tons of tacos, and big margarita energy that will please outdoor diners and karaoke singers upstairs alike.
DIK Bar, as it is affectionately known, still serves fan-favorite lasagna and eggplant parmesan, though no longer for a cool $4.25 from its opening menu. Michael, who moved to the U.S. from Iran to study in 1974, graduated in 1980 ā less than a year after the Iranian revolution. Part of a Jewish family, he felt unsafe going back to his homeland with the new regime, and has never returned. Instead, he and his brother, who also fled, opened a restaurant that still sits on the same corner as the day it opened. Though he is not Italian, Michael had plenty of relevant experience: He had worked in Italian restaurants during summers while studying, and another brother owned the now-closed restaurant Spaghetti Garden (where Pitchers stands today). The menu, he admits, pulled heavily from his family influence.
Opening on 17th Street in the mid-ā80s, the brothers knew the community vibe. Annieās, just a block away, was already well known as an LGBTQ-friendly institution. At the time, he says, the street was a bit grittier ā not the well-manicured lane it is today. Still, they decidedĀ to open a restaurant and Italian Kitchen was born. His brother at Spaghetti Garden suggested adding āDupontā in front to help ground the location, and DIK came into being. āAt the beginning I admit I was a little uncomfortable with the name, having young kids. But it grew on me,ā he says. Leaning in, heās embraced the name.
A few years later, the restaurant expanded vertically: taking over the apartments upstairs to turn it into a bar; a new chef came in who introduced DIK Barās popular brunch. But he and his brother never really relinquished the cozy space that he had envisioned. Each pushing 80 years old, they come in nearly daily: cooking, bartending, even washing dishes.
DIK has evolved, but only slightly. Eggplant and chicken parm, lasagna, pizza, pasta, and a $1 garden salad: the opening menu from the ā80s reads like a genuine old-school Italian joint. Today, you will still find classic gems, though now they are nestled alongside Brussels sprouts and arugula salads.
As longtime patrons know, the restaurant is more than the sum of its pasta parts. āItās an atmosphere where everybody is welcome. I got that from my mother,ā he added, noting that she had experienced discrimination as part of the Jewish minority in Iran. Given this background, it was logical for them to build a space where āyou have a place to be who you are and feel comfortable.ā
In 2020, as the restaurantās lease was expiring, he had the opportunity to buy the building, which included adjacent Argentine restaurant Malbec. āThe landlord let us know that they felt we deserve to own the building after being here for so long,ā says Michael.
It was a blessing; to him, it meant the sustainability of Dupont Italian Kitchen. Earlier this year, when Malbecās lease expired, they decided against finding another tenant and instead they would make it their own. The two eateries already shared one storage basement, where the Malbec kitchen was located. Saving costs by sharing procurement, staff, and utilities (as well as liquor), they took the leap. āPlus, we can be our own great tenant,ā he said with a smile.
The refurbishment thus far has included a new HVAC system and a new bar. The new restaurant allows them access to a more spacious kitchen that can cook up sizzling Mexican favorites with speed and in volume. Customers at upstairs DIK Bar have always requested more bar-style finger food, he says, and tacos are better suited to a drinking atmosphere than fettuccine alfredo or creamy Cajun sausage pasta. Mexican food is also well suited to the patio. He also has a family tie to Mexico: relatives own Johnny Pistolas in Adams Morgan. The rest of the menu is being developed, including shareable small plates and āMexican pizza.ā Drinks will feature tequila, mezcal, and margaritas; and there is a happy hour in the works. āIām hoping this expansion can help cement our future,ā he says.
The opening timeline is early fall.
Looking back on almost 40 years and looking forward with the expansion, he mused that the restaurant still maintains its authenticity and its central role in LGBTQ life in D.C. āIām really proud of the fact that it caters to this community. We are an institution, we want to continue to be part of this place.ā
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Corcoran Street Group: LGBTQ lobbyists fighting for our rights
āThe most pro-LGBTQ+ thing you can do this election is to vote Democratā
We often hear the term lobbyist associated with negative connotations. Think oil and gas initiatives that often seek to curtail environmental protections to further their industries. Consider ābig pharma,ā which is often vilified for keeping healthcare costs high. However, there are lobbyists fighting for our rights ā not just LGBTQ rights, but human rights as well. Brad Howard, founder and president of the Corcoran Street Group (CSG) is one such out, gay lobbyist advocating for equality and equity.
To start, Howard shares his definition of a lobbyist, which transcends the stereotype that the term originates with politicos literally waiting in D.C. hotel lobbies hoping to hobnob with politicians to foster their interests, often with cash in hand.
āUnderstanding how government works can be incredibly difficult, even to those on the inside,ā he shared. āLobbying is a constitutionally protected right explicitly guaranteed in the First Amendment ā the right to petition our government. At its most basic level, lobbying is essentially contacting a public official to express your opinion or ask them to take a certain action. So, if you have ever emailed or called your city council rep or Member of Congress ā or even tagged them on social media ā you lobbied.ā
Howard, who came to Washington from a conservative background in Arkansas, had a journey from working with Republican leaders and causes to being more libertarian before eventually joining with the Blue Dog Democrats. This is quite a change for a young man who founded a teenage GOP group in high school, chaired the college Republicans group at Hendrix University, and became vice chair of Arkansas College Republicans.
So, how did a nice conservative Christian Republican whose parents voted for Ross Perot instead of Bill Clinton from the Bible Belt end up as a gay lobbyist?
āI was subconsciously rejecting any attempt to live my life the way someone told me to ā¦ a Libertarian streak if you will,ā Howard said. āI was always pro-choice and pro-marriage equality as I didnāt want the government anywhere near me. Throughout all of this, I was starting to understand that I was gay and what that meant for my future in politics, it was bleak. Then the Bush-Cheney campaign in 2004 started pushing constitutional amendments banning gay marriage in states across the country to drive evangelical turnout. That ran counter to my politics ā to the basic principle of promoting individual liberty. So I left the party then and graduated college as an independent in 2006 with the goal of moving to Washington as quickly as possible.ā
By 2007 he was living in Washington, D.C., interning for Simon Rosenbergās New Democrat Network, and pursuing a masterās from American University. Coming out for Howard happened on the first day he entered college, quite a ādaunting and scaryā task summed up by him as: āI have blue eyes. I love playing cards. Iām a terrible, but very confident karaoke singer. Oh, by the way, Iām gay.ā
The āitās part of me, but not my whole identity,ā is often expressed by those on the ā shall we say ā cusp of coming out. He cites a Foundry United Methodist pastorās message as impetus for coming out as a defining part of his identity.
āThat seed of shame you feel for being gay ā that was not planted there by God; it was planted there by the church, and Iām sorry,ā here heās referring to a sermon by Pastor Ginger Gaines-Cerelli. āI canāt describe what it [felt] like to be 33 years old and have your world completely upended like that. It wasnāt just the statement, which answered a question that had long haunted me; it was also the apology. I didnāt even know that I needed an apology, but I did, and it worked.ā
Before starting CSG, he worked at a bipartisan lobbyist group and was mentored by former Chief of Senate Staff Bob Van Heuvelen. Howard describes his mentorās approach to lobbying as guided by a strong moral compass, and seeing people as people, not transactions.
The way it should be: Since corporations are not people.
Howard also sits on the board of directors for Q Street, as treasurer. Q Street is an LGBTQ lobbyist organization. Yesenia Henninger, the out queer president of Q Street since January of this year ā and board member for five years ā explains in further detail what her group does to foster queer rights.
āQ Street is the nonprofit, nonpartisan, professional association of LGBTQ lobbyists and public policy advocates. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ+ lobbyists on K Street,ā District lingo for queer lobbyists, āand our colleagues and allies on Capitol Hill. Q Street has more than 3,000 recipients of our monthly newsletter, hundreds of attendees at our receptions, and our monthly luncheons have featured speakers such as Members of Congress, campaign managers, activists, plaintiffs in the most important LGBTQ+ Supreme Court cases of our time, and the Secretary of the Army. Q Street hosts nearly 25 receptions, lunches, and professional development events every year. Our goal is to provide the best networking opportunities and professional development trainings so our members continue to grow within the ranks of their field.ā
According to Henninger there has been a growing population of queer lobbyists since the Obama years. Marriage equality, an impetus for Howard to perhaps ācome out politicallyā equally spurred their growth. After Obama, this presence fought to maintain rights gained. This is amazing growth considering at one time people working for our equity did so in an almost secretive fashion.
An aside here, Sean Strub the founder of POZ Magazine, wrote a powerful book in 2014 called āBody Counts: A Memoir of Politics, Sex, AIDS and Survival,ā which chronicles advocacy in D.C. in the years after Stonewall.
The majority of these K Street lobbyists are in their 30s and 40s. Although Henninger shares there are more junior and more senior-ranking lobbyists in terms of age or career.
What do they do? Is it office-to-event, sleep, repeat? Henninger explained that a queer lobbyist’s lifestyle varies depending on the issue area they focus on. Her organization has lobbyists working in policy as well as members who focus on energy and transportation issues, and topics all across the spectrum.
āThe lobbyists and advocates whose roles require them to engage in political activity may also have different lifestyles than those that do not. They likely have fundraisers (sometimes one, sometimes multiple) that they attend after work with Members of Congress or other politicians. However, we also have many public policy advocate members who spend their day talking to Members of Congress, or administration officials, trying to achieve their policy goals that do not have any fundraiser-related obligations. Q Street hopes to provide a great space for our members to network with one another and unite their social and professional experiences in the district.ā
We are all aware what is at stake in the upcoming presidential election in what can only sadly be described as a deeply divided nation. What role will LGBTQ lobbyists play, I asked Brad Howard.
āIf you vote third party, if you leave the race blank, or if you stay home, you are helping to elect Donald Trump,ā he said. āYou are not punishing Joe Biden, you are punishing the millions of Americans, the millions of aspiring Americans who face deportation, millions of women who depend on access to reproductive health, and so many transgender young people who need protection ā all of these people will be punished in a Trump presidency. And, Joe Biden is going to need a Democratic Congress ā or weāll need a Democratic Congress to stop Donald Trump. So to me, the most pro-LGBTQ+ thing you can do this election is to vote Democratā¦because the choices have never been clearer.ā
Visit Corcoran Street Group and Q Street to learn more about their work.
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