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‘Crip’ faces erased from queer life and spaces

New anthology shines light on underrepresented group



disability, gay news, Washington Blade
disability, gay news, Washington Blade

(Image public domain)

“You’re blind,” a woman exclaimed to me in Boston one night in a lesbian bookstore when I’d just come out. “Who would date someone like you?”

Recently, at the airport in Orlando, Fla., a gay man, without irony, told me I was “inspirational” because I’d put a cup of coffee on a table without spilling it.

Welcome to my world! My experience of being queer and having a disability is far from unique. Nearly one in five Americans (51.2 million) has a disability, and there are 3-5 million people who are LGBT and have a disability, according to the U.S. Census Bureau. The late Thea Spyer, the spouse for more than four decades of Edith Windsor who heroically fought against DOMA, had multiple sclerosis. April DeBoer and Joyce Rowse, who were among the plaintiffs in the Supreme Court marriage equality ruling, adopted children with special needs. Yet, 25 years since the Americans with Disabilities Act became law and despite our numbers and humanity, ignorance, prejudice and inaccessibility have erased queer and crip faces from queer life and spaces. (Some of us have reclaimed the word crip as an umbrella term for people with disabilities.)

“QDA: A Queer Disability Anthology,” edited by Raymond Luczak, (Squares & Rebels), bears witness to voices long unheard and lives historically unseen in our community. In the anthology, 48 writers from around the world in fiction, nonfiction, comics and poetry defiantly break through the code of discrimination, scorn and pity. Sometimes terms like “intersectionality” and “diversity” are just clichés that change nothing. That’s not the case with this volume. QDA presents a cornucopia of intersectionality from Monique Flynn, a queer femme working against the stigma around mental illness to Sara Ibrahim, who lives in the Middle East, is interested in race and disability and working on her first novel, to Lydia Brown, an East Asian queer, genderqueer, asexual and autistic activist and writer. Carl Wayne Denney writes poignantly about a deaf couple’s loving support for their child in the piece “Our Son Is a Beautiful Girl.” (A few of my poems are in QDA.)

Luczak, a Gallaudet University graduate who lives in Minneapolis, is a gay, deaf poet, playwright and novelist who has written and edited 18 books. He thought about doing QDA for a few years, Luczak, told me in an email, “but I wasn’t sure if I was up to the task. Then one day I decided, why not? I sent out a call for submissions and it snowballed from there.”

The main reason he did the book, Luczak added, “is simply the fact that the disabled LGBT community has been ignored for way too long, and that I might help change that.”

Many in the LGBT community don’t believe that we who are queer and crip enjoy sex or even should be intimate (especially, not with them). QDA eviscerates such taboos. “I want my body to state clearly that I have a sexuality, and that I know what it is and how to use it!,” writes Jax Jacki Brown, a disability and queer rights activist, writer, spoken-word performer, independent disability theater producer and wheelchair user in Melbourne, Australia, in “The Politics of Pashing” about publicly kissing her girlfriend.

“This pride-filled proclamation of my sexuality is…an act of resistance against the myth that those of us with non-normative bodies are sexually undesirable, weak or passive,” she adds.

The mix of disability and sexuality may be too much for those raised on Hollywood or adult-film standards of beauty, Luczak writes in the introduction to QDA. “We are not superheroes nor as helpless as you think,” he writes.

Forget about all those “inspirational,” maudlin, sob stories of people with disability “overcoming” their disabilities. QDA will bring you face-to-face with “out and proud” queer and crip people. As Luczak writes, “Interact with us. Make friends. Maybe you’ll fall in love. (Hey, you never know!)”


Kathi Wolfe, a writer and poet, is a regular contributor to the Blade.

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  1. HaroldAMaio

    November 28, 2015 at 1:05 pm

    —working against the stigma around mental illness
    Interesting that you would invoke that prejudice, but as your article clearly reveals, the disability community is as prone to hierarchy as any.

  2. ECarpenter

    November 29, 2015 at 1:07 pm

    Raymond Luczak, mmmmm! A fine man, a good writer, and lots of fun.

    I’m pro-diversity, but not primarily because it’s ethical or the right thing to do. I’m pro-diversity because I’ve had such great times with interesting men who also had some disability. Of course, they had lots of abilities, too – and that’s the point, I guess. To obsess on one area a person has difficulty with and ignore all the other areas in which they do well means that you will miss out on all the areas in which they do well – and some of those talents might please you greatly, one way or another.

    Raymond Luczak, mmmmm! A fine man, a good writer, and lots of fun!

  3. Clarinda Harriss

    November 29, 2015 at 3:35 pm

    I still can’t get my mind around assumptions like the ones you cite in your tough and wonderful essay, Kathi. But then I’m just starting to realize that I experience Ageism pretty often these days, like when people say things like, “My, look at YOU doing planks!”–i.e., , wow, look at you getting yourself to the gym at your age!” Keep teaching me, Kathi.

  4. Sanford Schimel

    December 1, 2015 at 2:13 pm

    As someone with both medical and mental health issues, not the least of which are the two tubes hanging out of my abdomen, I’m all in favor of support for “crips”. However, did no one inform the author that the Crips are a notoriously violent gang, similar to the Bloods and the Latin Kings? In some areas, if you say you’re a crip, you could not only be beaten up but you run the risk of getting shot.

  5. Peter Rosenstein

    December 2, 2015 at 3:50 pm

    The words change but the issue remains and that is ensuring that persons with disabilities be they gay or straight are full participants in society and that includes the recognition of their sexual identity and as sexual beings. Like with so many others who have and do face discrimination just passing legislation like the ADA doesn’t ensure that society and culture are accepting. In 1978 I came to Washington to direct the follow-up to the WH Conference on Handicapped Individuals/Imprementation Unit. We worked with governor’s offices across the country to make changes- more must be made. We must keep working together to make progress and we need to ensure that our elected officials use their bully-pulpit to help us change hearts and minds.

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Sondheim’s art will be with us for the ages

Iconic work explored sadness, rage, irony, and love of humanity



Stephen Sondheim (Screen capture via CBS)

“The only regret I have in life is giving you birth,” his mother wrote in a letter to Stephen Sondheim.

The only regret so many of us feel now is that Sondheim, the iconic composer and lyricist, died on Nov. 26 at his Roxbury, Conn. home at age 91.

He is survived by Jeffrey Romley, whom he married in 2017, and Walter Sondheim, a half-brother.

F. Richard Pappas, his lawyer and friend, told the New York Times that the cause of death was unknown, and that Sondheim had died suddenly. The day before he passed away, Sondheim celebrated Thanksgiving with friends, Pappas told the Times.

“Every day a little death,” Sondheim wrote in “A Little Night Music.”

This isn’t the case with the passing of Sondheim. Whether you’re a Broadway star or a tone-deaf aficionado like me, you’ll sorely miss Sondheim, who the Times aptly called “one of Broadway history’s songwriting titans.”

Like multitudes of his fans, I don’t remember a time in my life when a song from a Sondheim musical hasn’t been in my head.

When I was a child, my parents repeatedly played the cast album of “Gypsy,” the 1959 musical with music by Jule Styne, lyrics by Sondheim and book by Arthur Laurents. My folks loved the story of the show, which was loosely based on the life of the burlesque artist Gypsy Rose Lee. You haven’t lived until you’ve heard Ethel Merman belt out “Everything’s Coming Up Roses!” When I need to jumpstart my creative juices, I remember that “You Gotta Get a Gimmick.”

In college, I felt that “Company,” the 1970 musical with music and lyrics by Sondheim and book by George Furth, spoke to my generation. 

As was the case with Sondheim’s musicals, “Company” didn’t have a conventional plot, happy ending, or tidy resolution. It takes place during Bobby’s 35th birthday party. Bobby, who is single, is celebrating with his friends (straight, married couples). Bobby likes having friends but doesn’t want to get married.

Sondheim didn’t come out as gay until he was 40. Yet, even in the 1970s, it was hard not to think that Bobby in “Company” wasn’t gay.

Once you’ve heard Elaine Stritch sing “The Ladies Who Lunch” from “Company,” it becomes indelibly etched in your brain.

Who else but Sondheim could have written, “And here’s to the girls who play/smart-/Aren’t they a gas/Rushing to their classes in optical art,/Wishing it would pass/Another long exhausting day/Another thousand dollars/A matinee, a Pinter play/Perhaps a piece of Mahler’s/I’ll drink to that/And one for Mahler!”

In September, I, along with legions of other theater lovers, were thrilled when Sondheim told Stephen Colbert on “The Late Show,” that he was working with David Ives on a new musical called “Square One.”

In his musicals from “Follies” to “Sweeney Todd” to “Sunday in the Park with George,” Sondheim, through his lyrics and music, revealed the internal depths of his characters and the sadness, tenderness, bitterness, rage, irony, wit, and love of humanity. Sondheim’s wordplay was so brilliant that he did crossword puzzles for New York magazine.

Over his decades-long career, Sondheim won every award imaginable from the Pulitzer Prize for “Sunday in the Park with George” to the Presidential Medal of Freedom (awarded to him by President Barack Obama in 2015). He received more than a dozen Tony Awards for his Broadway musicals and revivals as well as a Tony Award for lifetime achievement in 2008.

Thankfully, Sondheim’s art will be with us for the ages.

A remake of “West Side Story,” directed by Steven Spielberg with a screenplay by Tony Kushner, premieres this month.

Sondheim is a character in the Netflix film “tick, tick BOOM!,” directed by Lin-Manuel Miranda. The movie is based on an autobiographical posthumous Jonathan Larson (the composer of “Rent”) musical. Sondheim is supportive of Larson’s work.

Thank you Stephen, for your art! R.I.P.

Kathi Wolfe, a writer and poet, is a regular contributor to the Blade.

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Publish trans employment stats

Not enough corporations that march in Pride are hiring non-binary staff



On Nov. 10, the top-tier consulting firm McKinsey published a report on discrimination toward trans people in the workplace. The report came out with numbers that we have all known true for a long time and lead to one conclusion: Trans people have a harder time finding jobs, holding them down, and advancing in their careers. 

Specifically, McKinsey cited the fact that cisgender people are twice as likely to be employed as trans people, and that more than half of trans employees are uncomfortable being out at work. Meanwhile, cisgender employees make 32% more than trans employees in the workplace, even if those trans employees hold the same positions or higher positions. 

On top of this, trans people are 2.4 times more likely to be working in the food and retail industries, which pay entry level wages that are much less than decent pay. 

These statistics are true based on a number of factors. For one, many trans people have a harder time passing at work, and people who don’t pass well face worse job prospects. (As a side note, on top of that, the study pointed to the fact that many trans people exert undue emotional and psychological energy into trying to pass really well and not be discriminated against, which takes a toll on their mental health.) 

So what is a concrete step that corporations can take to make the trans experience in the workplace better? It’s time that corporations step up their game by publishing and making transparent the number of trans employees that they actually hire. Such numbers can be published in any kind of company document: a pamphlet, online report, or even annual shareholder’s report. As it is, most corporations do not publish numbers on LGBT employees. 

“Rainbow capitalism” is a term we know all too well: major corporations and multinationals flaunting a rainbow and trans pride flag during the month of June, but seemingly doing little to hire more trans people or give back to the community during other months. 

Every corporation surely has the time and company-wide infrastructure to get statistics on their trans employees. All they need to do is implement a company-wide survey to new hires. This takes extremely little effort and time in the grand scheme of company workings. 

If major corporations like McKinsey, Bain, Deloitte, defense contractors, and hundreds of other huge companies published statistics on trans employees, they would be held accountable for their actions and words.

If these statistics were to be published today, we would probably find out that not enough corporations that march in Pride parades are hiring trans and gender nonconforming employees. 

Turning the numbers against corporations will ensure that these same corporations finally live up to their words about workplace inclusion and diversity. It won’t cure everything about the issue of being trans in the workplace, but it’s a step in the right direction. 

Isaac Amend (he/him/his) is a trans man and young professional in the D.C. area. He was featured on National Geographic’s ‘Gender Revolution’ in 2017 as a student at Yale University. Isaac is also on the board of the LGBT Democrats of Virginia. Find him on Instagram @isaacamend.

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Should we be scared of Omicron?

A reminder to stay vigilant against latest mutation



It’s Sunday of Thanksgiving weekend when I sit down to write this column. The craziness in the world continues but other than the scare of the new COVID mutation, which has been named Omicron, there isn’t one headline to grab attention. Instead, there are many, including some manufactured by the news media to gain viewers or sell papers. Some like the car rampaging through the Christmas parade is frightening but incidents like this seem to be happening all too often.  

The stock market went down 1,000 points on Friday because market players freaked out about the new COVID mutation coming out of South Africa. However that didn’t seem to stop people from spending their money on Black Friday. Rep. Lauren Boebert (R-Colo.) was again on the attack this time against fellow Congresswoman Ilhan Omar (D-Minn.) accusing her of being a Muslim terrorist. She apologized, or pretended to, but again the Republican leadership wouldn’t condemn her statements. These things seemed to be grist for the news media with no one else unfortunately really voicing concern. 

Boebert’s comments were taken as old hat. They are disgusting, offensive, and dangerous, but as long as her constituents reelect her we will have to live with them. She is joined by Rep. Marjorie Taylor Greene (R-Ga.),  Madison Cawthorn (R-N.C.), and Paul Gosar  (R-Wyo.) who represent the worst in Congress and the worst of the American people. Yet again until their constituents throw them out we have to live with their stupidity and the absurdity of their being where they are. 

The new COVID mutation out of South Africa is potentially a game changer. But it will be important for scientists to look at this carefully to determine how quickly it spreads and whether or not the current vaccines will offer any protection against it. Countries around the world, including the United States, have quickly instituted travel bans for South Africans and those in countries surrounding it. The World Health Organization at this time has suggested this should not be done as it will have limited impact on its spreading and could have severe and detrimental economic impact on countries whose people are being banned. One thing we must learn from this is how important it is to ensure everyone all over the world has access to vaccines as we know the more people who are inoculated the harder it is for the virus to mutate. It is not time to panic yet and by Sunday there was some reporting this new mutation may not be any more difficult to deal with than the current ones and not lead to any more severe illness. The takeaway from all this is we need to keep vigilant, get vaccinated and get booster shots, and make sure we vaccinate our children. Continue to wear masks indoors and wash our hands. 

Now the other interesting stories last weekend were about what will happen in the Senate in the weeks leading up to the Christmas holidays. Remember the House of Representatives passed President Biden’s Build Back Better bill as a reconciliation measure, which means it can pass the Senate with a simple majority. That would mean every Democratic senator and the vice president. The focus is on two senators: Manchin (D-W.Va.) and Sinema (D-Ariz.). In reality we need to look at a number of others who will fight to either take out or put something into the bill the House passed. It is clear it will not pass in the current form and then it has to go back to the House again. 

Another issue that will be taken up is the debt ceiling. It may be a little easier than thought because as recently reported, “After taking a hard line and refusing to negotiate with Democrats during the last standoff over the debt limit, Senate Minority Leader Mitch McConnell (R-Ky.) is quietly looking for a way to get the issue resolved without another high-profile battle.” Then there is the budget and since none is passed Congress will have to pass another continuing resolution since the one they passed in September expires on Dec. 3. 

So for the next few weeks there will be a focus on the Senate to see what they do and how obstructionist Republicans want to be. Seems while things change, they somehow remain the same.

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist. He writes regularly for the Blade.

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